Problemy Muzykalnoi Nauki-Music Scholarship

Scope & Guideline

Exploring the Depths of Music Scholarship

Introduction

Immerse yourself in the scholarly insights of Problemy Muzykalnoi Nauki-Music Scholarship with our comprehensive guidelines detailing its aims and scope. This page is your resource for understanding the journal's thematic priorities. Stay abreast of trending topics currently drawing significant attention and explore declining topics for a full picture of evolving interests. Our selection of highly cited topics and recent high-impact papers is curated within these guidelines to enhance your research impact.
LanguageMulti-Language
ISSN2782-358x
PublisherGnesin Russian Acad Music
Support Open AccessNo
Country-
TypeJournal
Convergefrom 2016 to 2021 (coverage discontinued in Scopus)
AbbreviationPROBL MUZYKALNOI NAU / Probl. Muzykalnoi Nauk.
Frequency4 issues/year
Time To First Decision-
Time To Acceptance-
Acceptance Rate-
Home Page-
Address30-36, Povarskaya Street, Moscow 121069, RUSSIA

Aims and Scopes

The journal 'Problemy Muzykalnoi Nauki-Music Scholarship' focuses on a diverse array of topics within the realm of musicology, emphasizing both historical and contemporary studies of music across various cultures and styles. It aims to foster interdisciplinary approaches to music scholarship, integrating methodologies from fields such as cultural studies, aesthetics, and education.
  1. Historical Musicology:
    The journal publishes research that delves into the historical contexts, evolutions, and influences of musical styles and genres, including studies on specific composers and their works.
  2. Ethnomusicology:
    There is a strong emphasis on folk music traditions, exploring the cultural significance and regional characteristics of musical practices, particularly within Russian and neighboring cultures.
  3. Music Theory and Analysis:
    Contributions often include detailed analyses of musical forms, styles, and structures, providing insights into compositional techniques and the theoretical underpinnings of various musical genres.
  4. Music Pedagogy:
    The journal addresses educational approaches in music, discussing innovative methods and curricula in music teaching, particularly within conservatories and music schools.
  5. Interdisciplinary Studies:
    The integration of music with other art forms and disciplines, such as film, literature, and visual arts, is a notable focus, reflecting a holistic view of the cultural landscape.
The journal has shown a dynamic evolution in its thematic focus, with several emerging trends reflecting contemporary issues and interdisciplinary methodologies in music scholarship.
  1. Digitalization and Technology in Music:
    Recent publications highlight the impact of digital technologies on music creation, distribution, and education, emphasizing the relevance of technology in contemporary musicology.
  2. Interdisciplinary Approaches:
    There is a noticeable increase in research that intersects music with other fields, such as psychology, sociology, and visual arts, suggesting a trend towards more holistic and cross-disciplinary studies.
  3. Cultural and Social Contexts of Music:
    Emerging themes emphasize the role of music in cultural identity, social movements, and community engagement, reflecting a broader interest in the societal implications of music.
  4. Contemporary Composers and New Music:
    The journal is increasingly publishing works that focus on contemporary composers and new music trends, showcasing the evolution of musical language and styles in the 21st century.
  5. Music and Mental Health:
    Research exploring the therapeutic aspects of music and its role in mental health has gained prominence, reflecting growing interest in the psychological impact of musical engagement.

Declining or Waning

While the journal has a rich and varied publication history, certain themes appear to be diminishing in frequency or prominence over time, reflecting shifts in research interest and academic discourse.
  1. Traditional Classical Music Studies:
    There seems to be a waning interest in traditional studies focused solely on classical music from the Western canon, as contemporary themes and interdisciplinary approaches gain more traction.
  2. Soviet Musicology:
    Research specifically centered on Soviet-era music and its theoretical frameworks is becoming less prominent, possibly due to a broader shift towards global and contemporary music studies.
  3. Narrow Genre Studies:
    Specific studies that focus on narrow genres or styles, such as particular forms of folk music or niche classical traditions, are less frequently published, indicating a move towards broader and more integrative analyses.

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