MUSIKFORSCHUNG

Scope & Guideline

Fostering Critical Perspectives in Musicology

Introduction

Welcome to your portal for understanding MUSIKFORSCHUNG, featuring guidelines for its aims and scope. Our guidelines cover trending and emerging topics, identifying the forefront of research. Additionally, we track declining topics, offering insights into areas experiencing reduced scholarly attention. Key highlights include highly cited topics and recently published papers, curated within these guidelines to assist you in navigating influential academic dialogues.
LanguageGerman
ISSN0027-4801
PublisherNEUWERK-BUCH UND MUSIKALIENHANDLUNG
Support Open AccessNo
CountryGermany
TypeJournal
Convergefrom 2002 to 2013, from 2016 to 2024
AbbreviationMUSIKFORSCHUNG / Musikforschung
Frequency4 issues/year
Time To First Decision-
Time To Acceptance-
Acceptance Rate-
Home Page-
AddressHEINRICH-SCHUTZ-ALLEE 35 POSTFACH 102740, W-3500 KASSEL, GERMANY

Aims and Scopes

MUSIKFORSCHUNG is dedicated to advancing the field of musicology through rigorous research and analysis, focusing on historical, theoretical, and practical aspects of music across various genres and time periods.
  1. Historical Musicology:
    The journal emphasizes the historical development of music, exploring significant composers, works, and musical practices across different eras, with a particular focus on German music history.
  2. Music Theory and Analysis:
    A core focus of MUSIKFORSCHUNG lies in the theoretical analysis of music, including studies on form, structure, and the evolution of music theory from the Middle Ages to contemporary practices.
  3. Ethnomusicology and Cultural Studies:
    The journal includes research on ethnomusicology, examining the social and cultural contexts of music, particularly how music interacts with identity, politics, and society.
  4. Interdisciplinary Approaches:
    MUSIKFORSCHUNG encourages interdisciplinary research, integrating perspectives from fields such as philosophy, sociology, and cultural studies to enrich musicological discourse.
  5. Performance Practice and Interpretation:
    The journal features studies on performance practice, addressing how historical performance contexts influence contemporary interpretations of classical works.
Recent publications in MUSIKFORSCHUNG reveal emerging themes that reflect current trends in musicology, indicating a dynamic evolution in the journal’s focus areas.
  1. Digital Humanities and Music:
    There is an increasing trend towards integrating digital humanities into musicology, with studies exploring the impact of digital tools and platforms on music research and dissemination.
  2. Gender and Music Studies:
    Recent articles have increasingly addressed gender dynamics within music, examining the roles and representations of women in music history and contemporary practices.
  3. Global Music Perspectives:
    Emerging themes include a focus on global music practices, exploring transcultural exchanges and the impact of globalization on musical traditions and identities.
  4. Music and Politics:
    The intersection of music and politics has gained significant attention, with research investigating how music serves as a tool for political expression and social change.
  5. Music and Technology:
    There is a growing interest in the relationship between music and technology, particularly in how technological advances influence composition, production, and consumption of music.

Declining or Waning

While MUSIKFORSCHUNG has consistently covered a broad range of topics, certain themes appear to be diminishing in frequency and emphasis in recent publications.
  1. Early Music:
    Research specifically focused on early music, particularly from the Renaissance and Baroque periods, has seen a decline, possibly due to a shift towards more contemporary and modern musicological studies.
  2. Traditional Music Education:
    There has been a noticeable waning of articles centered around traditional music education methods, reflecting a broader trend towards exploring innovative and alternative music teaching practices.
  3. Regional Music Studies:
    The focus on localized music studies, such as specific regional traditions outside of Europe, has become less prominent, indicating a potential shift towards global and transnational music research.

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