Australasian Drama Studies

Scope & Guideline

Illuminating the Stage of Academic Inquiry.

Introduction

Welcome to the Australasian Drama Studies information hub, where our guidelines provide a wealth of knowledge about the journal’s focus and academic contributions. This page includes an extensive look at the aims and scope of Australasian Drama Studies, highlighting trending and emerging areas of study. We also examine declining topics to offer insight into academic interest shifts. Our curated list of highly cited topics and recent publications is part of our effort to guide scholars, using these guidelines to stay ahead in their research endeavors.
LanguageEnglish
ISSN0810-4123
PublisherAUSTRALASIAN ASSOC THEATRE DRAMA & PERFORMANCE STUDIES
Support Open AccessNo
CountryAustralia
TypeJournal
Convergefrom 2002 to 2004, from 2009 to 2012, from 2019 to 2023
AbbreviationAUSTRALAS DRAMA STUD / Australas. Drama Stud.
Frequency2 issues/year
Time To First Decision-
Time To Acceptance-
Acceptance Rate-
Home Page-
AddressAUSTRALASIAN ASSOC THEATRE DRAMA & PERFORMANCE STUDIES, DEAKIN 2600, AUSTRALIA

Aims and Scopes

Australasian Drama Studies focuses on exploring the multifaceted nature of performance and theatre within the Australian and broader Australasian context. The journal aims to provide a platform for diverse voices, methodologies, and perspectives in the field of drama studies.
  1. Interdisciplinary Approaches to Performance:
    The journal encourages interdisciplinary methodologies that combine aspects of performance studies, cultural studies, and social theory, examining how these fields intersect with the arts.
  2. Indigenous and Marginalized Voices:
    A significant focus is placed on the inclusion of Indigenous perspectives and the representation of marginalized communities in performance, highlighting the importance of cultural narratives and identity.
  3. Innovative Theatre Practices:
    The journal explores innovative practices in theatre, including new forms of storytelling, immersive experiences, and the integration of technology, reflecting the evolving nature of performance art.
  4. Queer and Feminist Perspectives:
    A core area of interest is the examination of queer and feminist themes in drama, exploring how these perspectives challenge traditional narratives and contribute to social change.
  5. Ethics and Representation in Performance:
    The journal places emphasis on the ethical considerations of representation in performance, particularly in documentary theatre and works that engage with sensitive social issues.
The journal has been increasingly responsive to contemporary issues, reflecting emerging themes and trends that resonate with current societal challenges and artistic practices.
  1. Digital and Virtual Performance:
    Recent publications highlight the rise of digital performance and its implications for theatre, particularly in the context of the COVID-19 pandemic, showcasing how artists adapt to new mediums.
  2. Community and Participatory Theatre:
    There is a growing emphasis on community engagement and participatory practices in theatre, with researchers exploring how these approaches foster inclusivity and social change.
  3. Environmental and Climate Concerns:
    The journal is increasingly addressing themes related to environmental sustainability and climate change, reflecting a broader societal concern and the role of the arts in activism.
  4. Transcultural Performance Practices:
    Emerging discussions on transcultural practices in performance are gaining traction, examining how cultural exchanges shape contemporary theatre in Australia and the Pacific.
  5. Intersectionality in Performance Studies:
    The exploration of intersectionality within performance, particularly how various identities intersect in theatrical contexts, is becoming a prominent theme, reflecting a more nuanced understanding of representation.

Declining or Waning

While the journal has a rich history of diverse themes, certain areas of focus appear to be waning in prominence. This may reflect shifts in the academic and cultural landscape, as well as changing interests among researchers.
  1. Traditional Historical Narratives:
    There is a noticeable decline in papers that focus solely on historical narratives of Australian theatre, particularly those that do not engage with contemporary issues or diverse perspectives.
  2. Conventional Theatre Criticism:
    The journal has seen a reduction in conventional theatre criticism that does not incorporate innovative methodologies or interdisciplinary approaches, indicating a shift towards more dynamic forms of analysis.
  3. Eurocentric Perspectives:
    Themes centered around Eurocentric views of theatre and performance are less frequently addressed, as there is a growing emphasis on inclusivity and representation of diverse cultural narratives.

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