South African Theatre Journal, published by Routledge Journals, Taylor & Francis Ltd, is an essential platform for researchers and practitioners in the fields of Visual Arts and Performing Arts. With an ISSN of 1013-7548 and an E-ISSN of 2163-7660, this journal has been contributing to the discourse on diverse theatrical practices and performance studies since its inception in 1996. The journal's focus encompasses a variety of topics, including but not limited to, South African theatre, intercultural performance, and the impact of socio-political contexts on artistic expression. Although it does not currently offer open access, its significance is reflected in its Q3 category in Visual Arts and Performing Arts and a ranking of #449/667 in the Scopus Arts and Humanities sector, positioning it as a noteworthy resource for scholars striving to explore and analyze the rich tapestry of theatrical work in South Africa. The South African Theatre Journal serves as a vital conduit for critical engagement and scholarly dialogue, making it indispensable for students, researchers, and professionals dedicated to the advancement of performing arts research.

Applied Theatre Research is a distinguished journal published by Intellect Ltd, focusing on the dynamic intersection of theatre, cultural studies, literature, and the performing arts. With the ISSN 2049-3010 and E-ISSN 2049-3029, this publication has carved a niche for itself in academic circles, evidenced by its categorization in various Scopus metrics, including ranking in the top quartiles for literature and literary theory, visual arts, and performing arts. The journal caters to a global audience and is recognized for its significant contribution to the understanding and development of applied theatre concepts and practices. As an essential resource for researchers, professionals, and students alike, it aims to foster interdisciplinary dialogue and exploration, making crucial strides in identifying the transformative role of theatre in diverse societal contexts. The journal operates under a rigorous peer-review system to ensure the highest academic standards, embracing open access to foster wider dissemination of knowledge. With a convergence period extending from 2017 to 2024, it continues to impact the academic landscape, holding a substantial place within the broad field of cultural studies.

NEW THEATRE QUARTERLY, published by Cambridge University Press, is a leading academic journal in the realm of Visual Arts and Performing Arts, demonstrating significant contributions to the study and practice of theatre since its inception in 1985. With an ISSN of 0266-464X and an E-ISSN of 1474-0613, this Journal not only features scholarly articles but also engages practitioners and academics with thought-provoking discussions and analyses relevant to contemporary theatrical practices. Its current standing in the Q2 category for the year 2023 showcases its influence, ranked at 282 out of 667 in its field, placing it in the 57th percentile according to Scopus rankings. Spanning from the field of aesthetics to performance studies, NEW THEATRE QUARTERLY aims to foster a dialogue that bridges historical perspectives with modern theoretical frameworks, enriching the academic landscape and supporting budding theatre scholars and practitioners alike. Although not an open-access journal, it provides diverse access options through various academic libraries globally, ensuring that key insights within theatre research are readily available to students and professionals striving to enhance their understanding and engagement with the performing arts.

Early Theatre is a pioneering journal dedicated to the study of early modern drama and theatre, published by ITER, a recognized leader in scholarly publishing. With its ISSN number 1206-9078, the journal aims to foster a deeper understanding of the rich history and cultural significance of theatrical traditions prior to the 18th century. Although it does not have an open access model, Early Theatre provides invaluable insights through rigorous peer-reviewed articles, reviews, and critical essays that underscore its commitment to academic excellence. The journal serves as an essential resource for researchers, professionals, and students interested in the intersections of literature, performance studies, and history. By publishing cutting-edge research, it plays a crucial role in enhancing scholarly dialogue and advancing the field of early theatre studies. The journal’s physical address is located at UNIV TORONTO LIBRARIES, STE 7009 130 ST GEORGE ST, TORONTO, ON M5S 1A5, CANADA, and it champions future scholarship that contributes to the ongoing conversation surrounding theatrical arts from the early modern period.

SHAKESPEARE QUARTERLY is a premier academic journal dedicated to the interdisciplinary study of William Shakespeare’s works and their profound impact on literature and the arts. Published by Oxford University Press Inc, this influential journal has established itself as a vital resource for scholars and students alike, catering to a wide-ranging audience interested in the intersections of literature, performance, and visual arts. With its consistent ranking in the Q1 category for both Literature and Literary Theory, as well as Visual Arts and Performing Arts, SHAKESPEARE QUARTERLY maintains a formidable presence in the academic landscape, currently positioned in the 65th percentile for literature within the Arts and Humanities. The journal's effective and rigorous peer-review process ensures that only high-quality research articles are published, contributing significantly to ongoing scholarly conversations. By fostering critical dialogue and innovation in the study of Shakespearean texts, this journal plays a crucial role in advancing the field and inspiring future research.

International Journal of Performance Arts and Digital Media, published by Routledge Journals, Taylor & Francis Ltd, stands at the forefront of interdisciplinary research encompassing the dynamic fields of performance arts and digital media. With an ISSN of 1479-4713 and an E-ISSN of 2040-0934, this esteemed journal has been a vital platform since its inception in 2005, highlighting significant contributions to both Visual Arts and Communication. As evidenced by its impressive rankings—Q1 in Visual Arts and Performing Arts and Q2 in Communication for 2023—the journal's high-impact research caters to a diverse audience, making it invaluable for academics, practitioners, and students alike. Though it follows a traditional subscription model and does not currently offer open access options, the International Journal of Performance Arts and Digital Media remains committed to publishing cutting-edge scholarship and critical dialogues that explore the intricate relationships between artistic expression and digital technologies. Its rigorous peer-review process ensures that all published works meet the highest academic standards, fostering an environment of innovation and creativity within its community.

Urdimento-Revista de Estudos em Artes Cenicas, published by UNIV ESTADO SANTA CATARINA-UDESC, is a leading open-access journal dedicated to the field of performing arts studies. With an ISSN of 1414-5731 and an E-ISSN of 2358-6958, this journal has been freely accessible since 1997, promoting the dissemination of innovative research and critical analysis in visual and performing arts. Hailing from Florianopolis, Brazil, Urdimento invites submissions that explore a variety of interdisciplinary approaches, reflecting the journal’s commitment to enriching the academic discourse within the arts and humanities. Despite its emerging ranking at the 23rd percentile in Scopus’s classification, Urdimento serves as a vital platform for researchers, students, and professionals in the field, facilitating scholarly exchange and fostering new ideas. As the journal converges its focus from 2021 to 2024, it aims to provide inclusive and diverse perspectives on contemporary artistic practices and theories.

LIBERTE is a distinguished academic journal that serves as a platform for critical thinking and scholarly discourse across various fields including Literature and Literary Theory, Philosophy, Sociology and Political Science, and Visual Arts and Performing Arts. Established in Canada and published by LIBERTE, this journal aims to foster intellectual exchange and explore the nuances of cultural and social narratives. Although it currently falls in the Q4 quartile across its categories, it is dedicated to advancing the conversation in the arts and humanities, providing a rich resource for researchers, educators, and students alike. With an ISSN of 0024-2020 and an active publication cycle running from 2002 to 2024, LIBERTE welcomes contributions that challenge prevailing ideologies and reflect innovative perspectives. While the journal is not open access, its value in promoting academic inquiry within its communities cannot be overstated.

REVUE D HISTOIRE DU THEATRE is a distinguished academic journal published by the Société d'Histoire du Théâtre in France, focusing on the rich historical tapestry of theater studies. Since its inception, the journal has dedicated itself to the exploration and appreciation of theatrical art, its evolution, and its socio-cultural implications, particularly within the realms of Literature and Literary Theory and Visual Arts and Performing Arts. With a consistent publication history starting from 1999, the journal is indexed in Scopus, currently positioned in Q4 quartiles, providing researchers, professionals, and students a platform for both innovative scholarship and critical analysis. While it does not offer Open Access options, REVUE D HISTOIRE DU THEATRE remains an invaluable resource for those seeking in-depth knowledge and scholarly discourse in the history of theater.

COMPARATIVE DRAMA is an esteemed journal published by Western Michigan University that examines a broad spectrum of drama across cultures and time periods. With an ISSN of 0010-4078 and an E-ISSN of 1936-1637, this journal serves as a critical platform for researchers, educators, and students in the fields of literature and literary theory. Although classified in the Q3 quartile for 2023, its commitment to scholarly rigor and innovative discourse on comparative drama ensures its relevance in the academic community, garnering attention from a global audience. The journal is particularly valued for its interdisciplinary approach, making it a vital resource for those interested in exploring the interplay between dramatic texts and their cultural, historical, and social contexts. With a strong foundational focus that spans from 2002 to 2024, COMPARATIVE DRAMA continues to engage with contemporary issues surrounding theatrical practice and performance studies, paving the way for new interpretations and scholarly conversations.