Antropologia e Teatro-Rivista di Studi is a prominent academic journal dedicated to the interdisciplinary exploration of anthropology and theatre studies. Published by the prestigious Università degli Studi di Bologna, Dipartimento di Musica e Spettacolo, this journal serves as an essential platform for scholars, practitioners, and students interested in the intricate relationships between performance, culture, and society. Since its transition to Open Access in 2010, it has significantly broadened its reach, allowing unrestricted access to a wealth of research findings and critical perspectives. Featuring innovative articles, theoretical analyses, and case studies, the journal aims to foster a deeper understanding of theatrical practices through an anthropological lens, making it a vital resource for advancing knowledge in both fields. As part of the vibrant academic landscape in Italy and beyond, Antropologia e Teatro engages actively with contemporary issues in cultural studies, inviting contributions that challenge conventional narratives and promote interdisciplinary dialogue.

Positions-Asia Critique, published by DUKE UNIV PRESS, is a leading academic journal dedicated to exploring the intersections of cultural studies, literature, and the visual arts within Asian contexts. With an ISSN of 1067-9847 and an E-ISSN of 1527-8271, this journal has established itself as an influential platform for rigorous scholarship since its inception in 2001. It encompasses a diverse range of interdisciplinary research, addressing contemporary issues while reflecting on historical narratives, thereby contributing significantly to the fields of Cultural Studies, History, Literature and Literary Theory, and Visual Arts and Performing Arts. Notably, in 2023, it achieved Q2 rankings in Cultural Studies and History, and Q1 rankings in both Literature and Literary Theory, as well as Visual Arts and Performing Arts, positioning it within the top tiers of academic discourse. Although not an open access journal, Positions-Asia Critique provides extensive access options through institutional subscriptions, ensuring researchers, professionals, and students can engage with its innovative perspectives. As it converges towards its milestone of 2024, the journal will continue to be at the forefront of critical dialogues surrounding Asia's complex cultural landscapes.

THEATRE RESEARCH INTERNATIONAL, published by Cambridge University Press, stands as a vital academic journal dedicated to the dynamic and multifaceted field of theatre studies. With its ISSN 0307-8833 and E-ISSN 1474-0672, this journal has been a cornerstone of scholarly discourse since its inception in 1970, continuing to provide valuable insights through 2024. Ranked in the Q2 quartile for both Literature and Literary Theory and Visual Arts and Performing Arts, it boasts impressive performance metrics reflected in its Scopus rankings at the 72nd and 62nd percentiles, respectively. The journal aims to illuminate the interplay between theatre and its cultural, social, and historical contexts, fostering a platform for both established and emerging voices in the field. While the journal is not Open Access, it ensures rigorous peer-reviewed content that engages researchers, professionals, and students alike, making it indispensable for anyone seeking to broaden their understanding and contribute to theatre research.

ARTIBUS ASIAE, published by ARTIBUS ASIAE, is a distinguished journal focused on the fields of Archeology and Visual Arts and Performing Arts. Based in Switzerland and with a history of converged years from 2002 to 2024, this journal serves as a vital platform for scholarly discourse and research dissemination within the arts and humanities. Although it currently does not offer open access, ARTIBUS ASIAE maintains a commitment to academic integrity and quality, as evidenced by its presence in Scopus rankings, which places it in the Q4 tier for both Archeology and its niche in the arts and humanities, while achieving a Q3 ranking in Visual Arts and Performing Arts. With an emphasis on advancing knowledge and understanding across various disciplines, ARTIBUS ASIAE is an essential resource for researchers, professionals, and students seeking to enrich their understanding and contribute to the ongoing dialogue in these significant areas of study.

Early Theatre is a pioneering journal dedicated to the study of early modern drama and theatre, published by ITER, a recognized leader in scholarly publishing. With its ISSN number 1206-9078, the journal aims to foster a deeper understanding of the rich history and cultural significance of theatrical traditions prior to the 18th century. Although it does not have an open access model, Early Theatre provides invaluable insights through rigorous peer-reviewed articles, reviews, and critical essays that underscore its commitment to academic excellence. The journal serves as an essential resource for researchers, professionals, and students interested in the intersections of literature, performance studies, and history. By publishing cutting-edge research, it plays a crucial role in enhancing scholarly dialogue and advancing the field of early theatre studies. The journal’s physical address is located at UNIV TORONTO LIBRARIES, STE 7009 130 ST GEORGE ST, TORONTO, ON M5S 1A5, CANADA, and it champions future scholarship that contributes to the ongoing conversation surrounding theatrical arts from the early modern period.

Nordic Theatre Studies is a prestigious academic journal published by FORENINGEN NORDISKA TEATERFORSKARE, dedicated to the field of visual arts and performing arts, with a special emphasis on Nordic traditions and contemporary practices. With an ISSN of 0904-6380 and E-ISSN of 2002-3898, this journal serves as a vital forum for scholars, theatre practitioners, and students looking to explore the rich tapestry of Nordic theatre. Recognized for its quality, it ranks in the Q3 category in the latest 2023 rankings and boasts a significant position in the Scopus database, standing at Rank #209/667 with a 68th percentile. The journal, covering converged years from 2011 to 2012 and 2014 to 2023, provides open access to a variety of research articles, reviews, and theoretical explorations that address both historical and contemporary issues in theatre studies. By bridging academic rigor with practical insights, Nordic Theatre Studies aims to contribute to the dialogue surrounding the evolving landscape of theatre, making it an indispensable resource for researchers and practitioners alike.

THEATRE SURVEY, an esteemed journal published by Cambridge University Press, serves as a vital platform for innovative research in the realms of visual arts and performing arts. With an ISSN of 0040-5574 and an E-ISSN of 1475-4533, this journal has established itself as a prominent source for critical discourse and analysis since its inception in 1960. Currently categorized in the Q3 quartile for Visual Arts and Performing Arts, it ranks #239 out of 667 in Scopus, highlighting its relevance and impact in the field, positioned in the 64th percentile. Although it does not offer open access, the journal's rigorous peer-review process ensures the dissemination of high-quality scholarship crucial for researchers, professionals, and students alike. Based in Cambridge, England, THEATRE SURVEY aims to enrich the academic landscape with its comprehensive coverage of theatrical studies, theory, and practice, fostering a deeper understanding of the dynamic interplay between performance and society.

Stanislavski Studies is a distinguished academic journal dedicated to exploring the profound impact of Konstantin Stanislavski's methodologies on the field of performing arts. Published by Routledge Journals, Taylor & Francis Ltd, this journal has quickly established itself as a leading resource since its inception in 2012, achieving a Q1 ranking in both Visual Arts and Performing Arts categories as of 2023. With a Scopus Rank of #181 out of 667, it occupies a prominent position within the 72nd percentile in Arts and Humanities, affirming its significance to scholars and practitioners alike. Although currently not an Open Access journal, it provides crucial insights and scholarly articles that delve into Stanislavski's techniques, applications, and influence on contemporary theater practices. Based in the United Kingdom, the journal aims to facilitate rigorous scholarship and stimulate discussions among researchers, professionals, and students passionate about the performing arts, thereby contributing to the ongoing evolution of theater education and practice.

The International Journal of Asian Studies, published by Cambridge University Press, stands as a pivotal platform for scholars exploring the complexities and dynamics of Asian societies. With an ISSN of 1479-5914 and an E-ISSN of 1479-5922, this journal began its journey in 1996 and has actively contributed to the field through a range of multidisciplinary research articles, fostering engagement in both the Arts and Humanities and Social Sciences. Holding a respectable Q2 category in Arts and Humanities and a Q3 category in Social Sciences for the year 2023, it is recognized for its critical insights and scholarly contributions, earning a rank of 40/173 in Arts and Humanities and 174/275 in Social Sciences within Scopus metrics. Researchers seeking to address contemporary issues in Asian studies will find invaluable access to this forum, which not only presents rigorous academic discourse but also aims to bridge cultural and social narratives across the Asian continent.

LATIN AMERICAN THEATRE REVIEW, published by the University of Kansas, serves as a vital scholarly resource in the field of theatre studies, specifically focusing on the rich tapestry of Latin American theatrical works and their cultural significance. With an ISSN of 0023-8813 and an E-ISSN of 2161-0576, this journal is committed to disseminating innovative and critical insights that facilitate the understanding of contemporary and historical performance arts in Latin America. Despite its Q4 ranking in the Visual Arts and Performing Arts category, it plays an important role in bridging gaps within academic literature, particularly from 2002 to 2024, by attracting contributions from researchers and practitioners alike. While the journal does not currently offer an open access model, it is highly regarded as a platform for both established and emerging scholars. The LATIN AMERICAN THEATRE REVIEW not only emphasizes the importance of theatrical practices but also enriches broader discussions on cultural identity and social issues within Latin America, making it an essential read for anyone passionate about the performing arts.