ASIAN THEATRE JOURNAL

Scope & Guideline

Transforming Perspectives on Asian Theatrical Arts

Introduction

Welcome to the ASIAN THEATRE JOURNAL information hub, where our guidelines provide a wealth of knowledge about the journal’s focus and academic contributions. This page includes an extensive look at the aims and scope of ASIAN THEATRE JOURNAL, highlighting trending and emerging areas of study. We also examine declining topics to offer insight into academic interest shifts. Our curated list of highly cited topics and recent publications is part of our effort to guide scholars, using these guidelines to stay ahead in their research endeavors.
LanguageEnglish
ISSN0742-5457
PublisherUNIV HAWAII PRESS
Support Open AccessNo
CountryUnited States
TypeJournal
Convergefrom 2002 to 2024
AbbreviationASIAN THEATRE J / Asian Theatre J.
Frequency2 issues/year
Time To First Decision-
Time To Acceptance-
Acceptance Rate-
Home Page-
Address2840 KOLOWALU ST, HONOLULU, HI 96822, UNITED STATES

Aims and Scopes

The Asian Theatre Journal serves as a critical platform for scholarly discourse on Asian theatre, focusing on historical, cultural, and contemporary perspectives. It aims to bridge the traditional and modern theatrical practices across Asia, fostering an understanding of the complexities and diversities within the region's performance arts.
  1. Cultural and Historical Studies of Asian Theatre:
    The journal emphasizes the exploration of historical narratives and cultural contexts that shape various theatrical forms across Asia, examining how these elements interact with contemporary practices.
  2. Interdisciplinary Approaches to Performance Analysis:
    Utilizing methodologies from performance studies, cultural studies, and gender studies, the journal encourages interdisciplinary research that analyses theatrical performances and their socio-political implications.
  3. Focus on Contemporary Issues in Asian Theatre:
    The journal highlights contemporary themes such as identity, nationalism, and globalization, addressing how modern performances reflect and respond to current socio-political landscapes in Asian societies.
  4. Promotion of Diverse Theatrical Forms:
    It showcases a wide range of theatrical practices, including traditional, modern, and experimental forms, and discusses their evolution and significance within their respective cultural contexts.
  5. Critical Engagement with Performance Texts and Practices:
    The journal invites critical examinations of specific plays, playwrights, and performance practices, fostering scholarly discussions that contribute to the understanding of Asian theatre's rich tapestry.
Recent publications in the Asian Theatre Journal reveal several emerging themes that indicate a shift in focus and a growing interest in specific areas of research. This section outlines these trending topics, reflecting the journal's responsiveness to contemporary issues in the realm of theatre.
  1. Identity and Nationalism in Performance:
    Recent papers frequently address the complexities of identity formation and nationalism in Asian theatre, particularly in relation to political changes and social movements, showcasing how performance serves as a site for negotiating these identities.
  2. Censorship and Cultural Regulation:
    An increasing number of articles are examining the role of censorship in shaping theatrical expressions and how artists navigate cultural regulation, highlighting the tension between artistic freedom and societal norms.
  3. The Impact of Digital Media on Performance:
    With the rise of digital technology, there is a growing interest in how digital media influences traditional and contemporary performances, including discussions on virtual theatre and online performances during the Covid-19 pandemic.
  4. Intercultural Collaborations and Transnational Practices:
    The journal is increasingly focusing on intercultural exchanges and collaborations that transcend national boundaries, reflecting the interconnectedness of Asian theatre in a globalized context.
  5. Gender and Sexuality in Theatre:
    Emerging themes around gender representation and queer identities in Asian theatre are gaining traction, as scholars explore how these issues are articulated and challenged within various performance contexts.

Declining or Waning

As the journal evolves, certain themes and areas of focus may appear to be losing prominence. This section highlights these waning scopes, which reflect shifts in academic interest and the changing landscape of Asian theatre studies.
  1. Historical Theatrical Traditions:
    While the journal has a strong foundation in historical studies, there has been a noticeable decline in papers solely focused on traditional theatrical forms without contemporary relevance, as researchers increasingly seek to connect historical practices with modern interpretations.
  2. Western Influences on Asian Theatre:
    The previous emphasis on analyzing Western theatrical influences on Asian performance seems to be waning, as scholars are shifting towards exploring indigenous practices and the reclamation of local narratives without the Western lens.
  3. Static Cultural Representations:
    Research that portrays static or monolithic views of Asian cultures within theatre is becoming less frequent, as the journal increasingly favors nuanced analyses that acknowledge cultural dynamism and diversity.

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