Classical Receptions Journal, published by Oxford University Press, is a leading scholarly periodical that engages with the intersection of classical studies and contemporary culture. With its ISSN 1759-5134 and E-ISSN 1759-5142, the journal has established itself as a notable platform for innovative research that examines how classical texts, themes, and ideas continue to resonate in modern contexts. With a scope that includes the realms of Arts and Humanities, Classics, and Cultural Studies, this journal is ranked in the Q2 category for Classics and Q3 for both Arts and Humanities and Cultural Studies, demonstrating its significant impact in the field. Researchers and students will find a wealth of peer-reviewed articles that not only explore historical reception but also inspire new conversations and methodologies. The journal's commitment to publishing quality scholarship makes it an essential resource for anyone interested in the ongoing relevance of classical antiquity in today’s world, from its home base in the United Kingdom at Great Clarendon St, Oxford.

The Harold Pinter Review-Essays on Contemporary Drama, published by Penn State University Press, is an esteemed academic journal dedicated to the exploration of contemporary drama through the lens of Harold Pinter's significant contributions to the field. With an ISSN of 2473-8433 and an E-ISSN of 2473-8441, the journal aims to synthesize critical essays and reviews that enhance the understanding of Pinter's work and its impact on modern theatrical practices. Engaging with a diverse range of topics related to drama, performance, and literature, this journal targets scholars, theater professionals, and students alike, providing them with a platform to share rigorous analysis and innovative perspectives. Although it does not currently operate under an Open Access model, the Harold Pinter Review remains a vital resource for anyone devoted to the study of contemporary theatre and the lasting influence of Pinter's narratives on global drama.

REVUE D HISTOIRE DU THEATRE is a distinguished academic journal published by the Société d'Histoire du Théâtre in France, focusing on the rich historical tapestry of theater studies. Since its inception, the journal has dedicated itself to the exploration and appreciation of theatrical art, its evolution, and its socio-cultural implications, particularly within the realms of Literature and Literary Theory and Visual Arts and Performing Arts. With a consistent publication history starting from 1999, the journal is indexed in Scopus, currently positioned in Q4 quartiles, providing researchers, professionals, and students a platform for both innovative scholarship and critical analysis. While it does not offer Open Access options, REVUE D HISTOIRE DU THEATRE remains an invaluable resource for those seeking in-depth knowledge and scholarly discourse in the history of theater.

Applied Theatre Research is a distinguished journal published by Intellect Ltd, focusing on the dynamic intersection of theatre, cultural studies, literature, and the performing arts. With the ISSN 2049-3010 and E-ISSN 2049-3029, this publication has carved a niche for itself in academic circles, evidenced by its categorization in various Scopus metrics, including ranking in the top quartiles for literature and literary theory, visual arts, and performing arts. The journal caters to a global audience and is recognized for its significant contribution to the understanding and development of applied theatre concepts and practices. As an essential resource for researchers, professionals, and students alike, it aims to foster interdisciplinary dialogue and exploration, making crucial strides in identifying the transformative role of theatre in diverse societal contexts. The journal operates under a rigorous peer-review system to ensure the highest academic standards, embracing open access to foster wider dissemination of knowledge. With a convergence period extending from 2017 to 2024, it continues to impact the academic landscape, holding a substantial place within the broad field of cultural studies.

TDR-The Drama Review-The Journal of Performance Studies, published by Cambridge University Press, is a premier academic journal dedicated to the exploration of performance studies through a multidisciplinary lens. With an impressive Q1 ranking in both Literature and Literary Theory and Visual Arts and Performing Arts, TDR is recognized for its significant impact in advancing theoretical frameworks and critical discourses within these fields. The journal proudly encompasses a wide range of topics, from contemporary performance to historical analysis, making it a vital resource for researchers, practitioners, and students alike. As a platform for innovative scholarship, it encourages the exchange of ideas and methodologies that shape our understanding of performance in cultural contexts. Although it does not offer open access options, the contributions published in TDR are instrumental in fostering a deeper understanding of the arts and humanities, positioning it at the forefront of academic inquiry.

Multicultural Shakespeare: Translation, Appropriation and Performance is an esteemed open-access journal published by LODZ UNIV PRESS since 2011, dedicated to advancing scholarship in the fields of cultural studies, linguistics, and the performing arts. With an ISSN of 2083-8530 and an E-ISSN of 2300-7605, this journal plays a pivotal role in exploring the intersections of Shakespearean texts within diverse cultural contexts, offering fresh interpretations and performances. Hailing from Poland, it has made a noticeable impact by emerging in notable quartiles, particularly achieving Q3 rankings in both Literature and Literary Theory as well as Visual Arts and Performing Arts in 2023. The journal caters to a global audience of researchers, professionals, and students committed to enriching their understanding of multicultural perspectives on Shakespeare, embracing the nuances of translation and its relevance in today's multifaceted world. By providing an accessible platform for rigorous scholarship, this journal not only encourages academic discourse but also inspires innovative interpretations and performances that reflect our multicultural society.

South African Theatre Journal, published by Routledge Journals, Taylor & Francis Ltd, is an essential platform for researchers and practitioners in the fields of Visual Arts and Performing Arts. With an ISSN of 1013-7548 and an E-ISSN of 2163-7660, this journal has been contributing to the discourse on diverse theatrical practices and performance studies since its inception in 1996. The journal's focus encompasses a variety of topics, including but not limited to, South African theatre, intercultural performance, and the impact of socio-political contexts on artistic expression. Although it does not currently offer open access, its significance is reflected in its Q3 category in Visual Arts and Performing Arts and a ranking of #449/667 in the Scopus Arts and Humanities sector, positioning it as a noteworthy resource for scholars striving to explore and analyze the rich tapestry of theatrical work in South Africa. The South African Theatre Journal serves as a vital conduit for critical engagement and scholarly dialogue, making it indispensable for students, researchers, and professionals dedicated to the advancement of performing arts research.

CONTEMPORARY THEATRE REVIEW is a leading journal published by Taylor & Francis Ltd, focusing on the dynamic intersections of theatre, performance studies, and contemporary visual arts. With a Q2 ranking in both Visual Arts and Performing Arts, this journal has established itself as a significant platform for scholarly discourse and critical analysis since its inception in 1992, particularly from 1994 through 2024. Researchers, practitioners, and students engaging with the evolving landscape of theatre will find this journal an essential resource for innovative research, reviews, and theoretical papers. The journal invites contributions that explore diverse themes in contemporary performance, ensuring it remains at the forefront of the academic and professional dialogue within the performing arts community.

LATIN AMERICAN THEATRE REVIEW, published by the University of Kansas, serves as a vital scholarly resource in the field of theatre studies, specifically focusing on the rich tapestry of Latin American theatrical works and their cultural significance. With an ISSN of 0023-8813 and an E-ISSN of 2161-0576, this journal is committed to disseminating innovative and critical insights that facilitate the understanding of contemporary and historical performance arts in Latin America. Despite its Q4 ranking in the Visual Arts and Performing Arts category, it plays an important role in bridging gaps within academic literature, particularly from 2002 to 2024, by attracting contributions from researchers and practitioners alike. While the journal does not currently offer an open access model, it is highly regarded as a platform for both established and emerging scholars. The LATIN AMERICAN THEATRE REVIEW not only emphasizes the importance of theatrical practices but also enriches broader discussions on cultural identity and social issues within Latin America, making it an essential read for anyone passionate about the performing arts.

Jeu-Revue de Theatre is a distinguished journal dedicated to the exploration and analysis of theatrical arts, published by CAHIERS THEATRE JEU INC. With a rich history reflected in its ISSN 0382-0335 and E-ISSN 1923-2578, this journal serves as a vital platform for scholars, practitioners, and students interested in the multifaceted dimensions of theatre. Based in Montreal, Canada, the journal aims to foster a deeper understanding of theatre through scholarly articles, performance reviews, and critical essays, making it essential reading for those engaged in the performing arts. While the journal does not currently offer open access options, its comprehensive discussions and research contribute significantly to the field, encouraging a vibrant dialogue among artists and academics alike. With a commitment to promoting innovative scholarship, Jeu-Revue de Theatre stands as an invaluable resource in the dramatic arts landscape.