Boletin de Arte-UMA

Scope & Guideline

Exploring the Nexus of History and Art

Introduction

Delve into the academic richness of Boletin de Arte-UMA with our guidelines, detailing its aims and scope. Our resource identifies emerging and trending topics paving the way for new academic progress. We also provide insights into declining or waning topics, helping you stay informed about changing research landscapes. Evaluate highly cited topics and recent publications within these guidelines to align your work with influential scholarly trends.
LanguageSpanish
ISSN0211-8483
PublisherUNIV MALAGA, DEPT HISTORIA ARTE
Support Open AccessYes
CountrySpain
TypeJournal
Convergefrom 2013 to 2015, from 2017 to 2023
AbbreviationBOL ARTE-UMA / Bol. Arte-UMA
Frequency1 issue/year
Time To First Decision-
Time To Acceptance-
Acceptance Rate-
Home Page-
AddressCAMPUS UNIV TEATINOS S-N, MALAGA 29071, SPAIN

Aims and Scopes

The journal 'Boletin de Arte-UMA' focuses on the interdisciplinary exploration of art, culture, and history, emphasizing critical analysis and innovative methodologies in the study of visual arts.
  1. Interdisciplinary Approaches to Artistic Practices:
    The journal emphasizes the integration of various disciplines such as art history, cultural studies, and visual anthropology, allowing for a multifaceted understanding of artistic practices and their societal implications.
  2. Historical and Cultural Contextualization:
    A consistent focus on the historical and cultural contexts of art, particularly in relation to Spanish and Latin American art, provides depth to the exploration of artistic movements, iconography, and individual artists.
  3. Exploration of Contemporary Themes:
    The journal addresses contemporary issues in art, including the impact of digital culture, feminism, and social activism, reflecting on how these themes influence and reshape artistic expression.
  4. Archival Research and Reinterpretation:
    A significant portion of the journal's publications involves archival research, uncovering previously unpublished works and reinterpreting historical narratives within the art world.
  5. Critical Engagement with New Media:
    The journal explores the intersection of art with new media, including NFTs and digital art, examining their implications for traditional art markets and practices.
The journal 'Boletin de Arte-UMA' has recently seen an emergence of themes that reflect current societal issues, technological advancements, and evolving artistic practices.
  1. Intersection of Art and Technology:
    There is a growing trend in exploring the relationship between art and technology, particularly with discussions surrounding NFTs, artificial intelligence in art, and the impact of digital culture on artistic practices.
  2. Feminist and Queer Art Perspectives:
    Increased focus on feminist and queer perspectives in art, highlighting issues of gender, identity, and representation, reflects a broader societal shift towards inclusivity and social justice within the art community.
  3. Global and Transnational Art Practices:
    Emerging themes that explore global and transnational art practices signify a shift towards understanding art in a more interconnected world, considering influences and exchanges across cultures.
  4. Art as a Medium for Social Commentary:
    The journal is increasingly publishing works that analyze art as a vehicle for social commentary and activism, addressing themes such as protest, identity politics, and resistance against cultural hegemonies.
  5. Critical Museology and Museum Practices:
    There is a notable trend towards examining museological practices and the role of museums in contemporary society, especially in relation to issues of representation, accessibility, and community engagement.

Declining or Waning

While 'Boletin de Arte-UMA' has maintained a robust focus on various themes, certain areas are showing signs of decline or reduced emphasis in recent publications.
  1. Traditional Techniques and Historical Methods:
    There has been a noticeable decrease in publications centered on traditional artistic techniques and historical methods of art-making, as the journal shifts towards contemporary and digital practices.
  2. Eurocentric Narratives:
    The focus on Eurocentric narratives and traditional Western art history appears to be waning, as the journal increasingly embraces diverse perspectives, including non-Western art and global influences.
  3. Static Art Historical Analysis:
    Papers that solely provide static analyses of artworks, without engaging with contemporary themes or critical discourse, seem to be less prevalent, indicating a shift towards more dynamic interpretations.

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