Australian and New Zealand Journal of Art

Scope & Guideline

Advancing Knowledge in Australian and New Zealand Art

Introduction

Delve into the academic richness of Australian and New Zealand Journal of Art with our guidelines, detailing its aims and scope. Our resource identifies emerging and trending topics paving the way for new academic progress. We also provide insights into declining or waning topics, helping you stay informed about changing research landscapes. Evaluate highly cited topics and recent publications within these guidelines to align your work with influential scholarly trends.
LanguageEnglish
ISSN1443-4318
PublisherTAYLOR & FRANCIS LTD
Support Open AccessNo
CountryUnited Kingdom
TypeJournal
Convergefrom 2019 to 2024
AbbreviationAUST NZ J ART / Aust. N. Z. J. Art.
Frequency2 issues/year
Time To First Decision-
Time To Acceptance-
Acceptance Rate-
Home Page-
Address2-4 PARK SQUARE, MILTON PARK, ABINGDON OR14 4RN, OXON, ENGLAND

Aims and Scopes

The Australian and New Zealand Journal of Art is focused on fostering discourse around contemporary art practices within Australia and New Zealand, while also engaging with broader international art contexts. This journal serves as a platform for critical analysis, historical exploration, and theoretical discussion, emphasizing the diversity of artistic expressions and cultural narratives. Below are the main aims and scopes of the journal:
  1. Contemporary Art Analysis:
    The journal publishes articles that critically examine contemporary art practices, focusing on the socio-political contexts in which they operate. This includes analyses of recent exhibitions, movements, and individual artists.
  2. Cultural and Historical Perspectives:
    It encourages research that contextualizes art within historical frameworks, exploring how past movements influence current artistic trends and practices.
  3. Interdisciplinary Approaches:
    The journal promotes interdisciplinary scholarship, encouraging contributions that intersect with fields such as sociology, anthropology, and cultural studies, thereby enriching the understanding of art.
  4. Indigenous and Transnational Art:
    A significant focus is placed on Indigenous art and the contributions of transnational artists, highlighting diverse voices and perspectives within the art world.
  5. Critique of Art Institutions:
    The journal often critiques art institutions and their role in shaping narratives around culture and identity, providing a platform for discussions on representation and equity in the art community.
In recent years, the Australian and New Zealand Journal of Art has witnessed the emergence of several themes that reflect contemporary issues and interests in the art world. These trends indicate a responsive and evolving academic landscape. The following themes are trending or emerging in the journal's publications:
  1. Decolonial Perspectives:
    There is a growing emphasis on decoloniality within art discourse, with increasing publications addressing Indigenous practices and the reclamation of narratives that challenge colonial histories.
  2. Intersectionality in Art:
    Recent articles have highlighted intersectional approaches, considering how various identities (gender, race, class, etc.) intersect within artistic practices and their critique, reflecting broader societal movements.
  3. Environmental Art Practices:
    A significant trend has emerged around eco-criticism and environmental art, focusing on how artists engage with ecological issues and the impact of climate change on art and society.
  4. Digital and New Media Art:
    The rise of digital art forms and new media has gained traction, with research exploring the implications of technology on artistic practices and audience engagement.
  5. Community and Participatory Art:
    There is an increasing focus on community-based practices and participatory art, emphasizing the role of collaboration and social engagement in contemporary art.

Declining or Waning

While the Australian and New Zealand Journal of Art continues to evolve, certain themes that were once prominent in its publications have seen a decline in focus. This shift reflects changing interests within the art community and broader societal trends. The following themes are noted as declining or waning:
  1. Traditional Art Historical Narratives:
    There has been a noticeable decrease in articles that adhere strictly to traditional art historical narratives, reflecting a shift towards more contemporary and inclusive approaches that prioritize diverse perspectives.
  2. Colonial Art Criticism:
    While colonialism remains a relevant topic, the journal has gradually moved away from solely critiquing colonial art practices towards a more nuanced exploration of post-colonial narratives and Indigenous art.
  3. Static Gender Studies:
    The focus on static gender studies has diminished, as the discourse has evolved to encompass broader discussions around queer theory and intersectionality, leading to a more dynamic exploration of gender in art.
  4. Formalism in Art Critique:
    Formalism, which emphasizes the aesthetic value of art independent of its context, has become less prevalent, as contemporary scholarship increasingly values context, meaning, and the socio-political implications of artworks.

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