Calle 14-Revista de investigacion en el Campo del Arte

Scope & Guideline

Bridging Cultures Through Innovative Art Scholarship

Introduction

Welcome to your portal for understanding Calle 14-Revista de investigacion en el Campo del Arte, featuring guidelines for its aims and scope. Our guidelines cover trending and emerging topics, identifying the forefront of research. Additionally, we track declining topics, offering insights into areas experiencing reduced scholarly attention. Key highlights include highly cited topics and recently published papers, curated within these guidelines to assist you in navigating influential academic dialogues.
LanguageSpanish
ISSN2011-3757
PublisherUNIV DISTRITAL FRANCISCO JOSE DE CALDAS, FAC ARTES ASAB
Support Open AccessNo
Country-
Type-
Converge-
AbbreviationCALLE 14 / Calle 14
Frequency1 issue/year
Time To First Decision-
Time To Acceptance-
Acceptance Rate-
Home Page-
AddressCRA 13 NO 14-69, BOGOTA 00000, COLOMBIA

Aims and Scopes

Calle 14-Revista de investigacion en el Campo del Arte is dedicated to advancing knowledge and fostering discourse in the field of art research. The journal emphasizes a multidisciplinary approach that integrates diverse perspectives from various artistic practices, cultural studies, and social contexts.
  1. Interdisciplinary Art Research:
    The journal publishes research that traverses multiple disciplines, including visual arts, performance, music, and cultural studies, highlighting the interconnectedness of artistic practices.
  2. Cultural and Social Contexts of Art:
    A core focus is on exploring how art interacts with cultural identities and social issues, particularly in Latin America, providing insights into the role of art in societal change and community engagement.
  3. Innovative Methodologies:
    Calle 14 encourages innovative research methodologies, including research-creation, autoethnography, and participatory practices, which reflect the dynamic nature of contemporary art and its contexts.
  4. Artistic Activism and Resistance:
    The journal emphasizes the role of art as a form of activism and resistance, exploring how artistic practices can challenge social norms and contribute to movements for social justice.
  5. Historical and Theoretical Perspectives:
    Calle 14 also delves into historical and theoretical analyses of art, contributing to a deeper understanding of artistic movements, influences, and the evolution of aesthetic theories.
Recent publications in Calle 14 highlight several trending and emerging themes that reflect the current landscape of art research and practice. These themes indicate a growing interest in innovative and socially relevant topics.
  1. Digital and Multimedia Art:
    There is an increasing focus on digital media and its implications for artistic education and practice, underscoring the importance of media literacy in contemporary art.
  2. Community and Collective Practices:
    Emerging themes emphasize the role of community engagement and collective artistic practices, highlighting how art can foster social connections and address community issues.
  3. Environmental and Contextual Art:
    Recent publications show a growing interest in art that interacts with natural environments, exploring themes of ecological awareness and the relationship between art and nature.
  4. Activism and Social Change:
    The journal reflects a heightened interest in art as a form of activism, with numerous papers discussing the role of art in social movements, particularly in the context of Latin America.
  5. Interdisciplinary Collaborations:
    There is a notable trend towards interdisciplinary collaborations among artists, researchers, and communities, emphasizing the need for diverse perspectives in addressing complex societal issues.

Declining or Waning

As the journal evolves, certain themes appear to be diminishing in prominence. The following areas have seen a decline in the frequency of publication or interest among contributors.
  1. Traditional Art Historical Analysis:
    While historical perspectives remain important, there has been a noticeable shift away from conventional art historical analyses towards more contemporary and contextual examinations of art practices.
  2. Narrowly Defined Aesthetic Theories:
    There is a waning focus on rigid aesthetic theories that do not account for the complexities of modern artistic expressions, as contributors increasingly favor broader, more inclusive frameworks.
  3. Static Representations of Art and Culture:
    The journal has moved away from static representations of art that fail to engage with its dynamic, evolving nature, reflecting a broader trend towards understanding art as a process rather than an object.
  4. Regional Exclusivity:
    There has been a gradual decline in papers focusing solely on specific regional art forms without considering their global or transnational implications, indicating a shift towards more universal themes.

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