CINEFORUM

Scope & Guideline

Exploring the Intersection of Cinema and Performance

Introduction

Welcome to your portal for understanding CINEFORUM, featuring guidelines for its aims and scope. Our guidelines cover trending and emerging topics, identifying the forefront of research. Additionally, we track declining topics, offering insights into areas experiencing reduced scholarly attention. Key highlights include highly cited topics and recently published papers, curated within these guidelines to assist you in navigating influential academic dialogues.
LanguageItalian
ISSN0009-7039
PublisherFEDERAZIONE ITALIANA CINEFORUM
Support Open AccessNo
CountryItaly
TypeJournal
Convergefrom 2008 to 2020 (coverage discontinued in Scopus)
AbbreviationCINEFORUM / Cineforum
Frequency10 issues/year
Time To First Decision-
Time To Acceptance-
Acceptance Rate-
Home Page-
AddressVIA PASCOLI 3, 24100 BERGAMO, ITALY

Aims and Scopes

CINEFORUM is a journal dedicated to the exploration and critique of cinema, focusing on various aspects of film studies, including analysis of film theory, historical context, and cultural implications. The journal aims to provide a platform for in-depth discussions surrounding films, filmmakers, and cinematic narratives, offering unique insights into the evolving nature of cinema across different genres and periods.
  1. Film Analysis and Critique:
    CINEFORUM provides critical examinations of both contemporary and classic films, analyzing their themes, narratives, and stylistic choices.
  2. Cultural and Historical Context:
    The journal places significant emphasis on the socio-cultural and historical contexts of films, exploring how these influences shape cinematic expressions.
  3. Interviews and Insights from Filmmakers:
    CINEFORUM features interviews with filmmakers, offering readers direct insights into the creative processes and thoughts of those behind the camera.
  4. Exploration of Film Theory:
    The journal publishes discussions on various film theories, examining how they apply to different cinematic works and movements.
  5. Focus on International Cinema:
    CINEFORUM highlights films from diverse cultures and countries, promoting a global understanding of cinema and its myriad expressions.
CINEFORUM has identified and embraced several emerging themes that reflect current trends in cinema and film studies. These themes demonstrate the journal's responsiveness to the evolving landscape of film, offering fresh perspectives and new areas of inquiry.
  1. Exploration of Identity and Representation:
    There is a growing emphasis on themes of identity—such as gender, race, and sexuality—reflecting contemporary discussions around representation in film.
  2. Intersections of Technology and Cinema:
    Recent publications have increasingly addressed the impact of technology on filmmaking and viewing experiences, including discussions on digital media, virtual reality, and AI in cinema.
  3. Environmental and Political Themes:
    CINEFORUM is seeing an uptick in articles that address environmental issues and political narratives within films, highlighting the role of cinema as a medium for social commentary.
  4. Innovative Narrative Structures:
    The journal has begun to focus on films that employ non-linear storytelling and experimental formats, reflecting a trend towards innovative narrative techniques in contemporary cinema.
  5. Global Perspectives on Cinema:
    Emerging themes include a stronger focus on non-Western cinema and the exploration of global cinematic movements, emphasizing the importance of diverse voices in film.

Declining or Waning

While CINEFORUM continues to engage with a variety of themes, some areas of focus have seen a decline in prominence over recent years. This may reflect shifting interests within the field of film studies or a response to evolving cinematic trends.
  1. Traditional Genre Studies:
    There appears to be a waning interest in strictly genre-based studies, as the journal shifts towards more interdisciplinary and thematic explorations of cinema.
  2. Historical Film Reviews:
    While historical context remains important, there has been a noticeable decrease in articles dedicated solely to reviews of historical films, possibly due to the focus on contemporary cinema.
  3. Mainstream Film Critique:
    The journal has gradually moved away from focusing heavily on mainstream Hollywood films, favoring a broader range of international and independent cinema instead.

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