Canadian Journal of Film Studies-Revue Canadienne d'Études Cinématographiques is a distinguished publication dedicated to the exploration of film studies within the context of Canadian cinema and global visual arts. Published by University of Toronto Press Inc., this journal offers a platform for innovative and critical scholarship, having achieved a notable Q2 ranking in the Visual Arts and Performing Arts category for 2023, with an impressive Scopus rank of 207 out of 667, positioning it in the 68th percentile among peers. With a continuous publication record since its established years from 1998 to 2001 and 2004 to 2024, it has become an essential resource for researchers, professionals, and students interested in the evolving landscape of film and cinema. The journal not only addresses theoretical perspectives but also engages with contemporary practices, thereby fostering a deeper understanding of cinematic arts. Despite not offering open access, it remains a vital repository of knowledge for those seeking to advance their studies and contribute to the discourse in film studies.

Journal of African Cinemas is a pioneering publication dedicated to exploring the dynamic field of African cinema and its cultural impacts. Published by INTELLECT LTD in the United Kingdom, this journal serves as a crucial platform for researchers, filmmakers, and students interested in understanding the complexities of film within the African context. With ISSN 1754-9221 and E-ISSN 1754-923X, the journal focuses on various aspects of cinema, including theory, production, and reception, highlighting the rich tapestry of storytelling from the African continent. Despite being classified in Q4 in Communication and Q3 in Cultural Studies and Visual Arts & Performing Arts for 2023, it stands out by capturing the multifaceted identities and experiences portrayed in African films. Engaging with a diverse array of interdisciplinary topics, the Journal of African Cinemas invites contributions that foster critical discourse and promote a deeper understanding of the unique aesthetic and social narratives present in African filmmaking. As it converges into a significant scholarly resource from 2017 to 2023, this journal is an essential read for anyone invested in the intersection of culture and cinema.

CINEJ Cinema Journal, published by the University of Pittsburgh Library System, stands as a pivotal platform for scholarly discourse in the dynamic field of cinema studies. With an ISSN of 2159-2411 and an E-ISSN of 2158-8724, this Open Access journal has been dedicated to disseminating high-quality research since its inception in 2011. CINEJ provides an essential resource for researchers, practitioners, and students alike, exploring varied dimensions of cinema, including its cultural, historical, and technological implications. The journal is committed to fostering interdisciplinary dialogue, making it a vital asset for those seeking to deepen their understanding of cinema as an art form and social phenomenon. By engaging with contemporary issues and trends in the cinematic landscape, CINEJ encourages contributions that illuminate the intersection of film and social inquiry, ensuring its relevance in today’s academic ecosystem.

Film-Philosophy is an esteemed academic journal published by Edinburgh University Press, specializing in the intersection of film studies and philosophical discourse. Since its launch in 1998, this Open Access journal has provided a platform for scholarly debates and innovative research, allowing for free and unrestricted access to its content, which has significantly contributed to the global dialogue on visual culture. With a commendable impact illustrated by its Q1 ranking in Visual Arts and Performing Arts and Q2 in Philosophy, the journal sits within the top quartile of its field. Operating from the United Kingdom, Film-Philosophy is committed to fostering a multidisciplinary approach, inviting contributions from researchers, professionals, and students alike. By engaging with critical theories and the aesthetics of cinema, the journal stands as a vital resource for understanding the philosophical implications of film and its cultural significance.

Studies in Russian and Soviet Cinema, published by Routledge Journals, Taylor & Francis Ltd, provides a critical forum for the exploration and analysis of cinematic practices, histories, and cultures from the Russian and Soviet eras. With its ISSN 1750-3132 and E-ISSN 1750-3140, this journal operates under the editorial guidance of leading scholars in the field, making significant contributions to the Visual Arts and Performing Arts and Communication categories, where it is ranked in the upper quartiles of its peer group. The journal spans a rich period of study, converging insights from 2006 to 2024, thereby allowing for an in-depth understanding of the evolution and impact of cinema in societal narratives. Researchers and enthusiasts alike will appreciate its dedication to illuminating the often-neglected cinematic treasures of Russia and the Soviet Union, promoting scholarly discourse through its rigorous analyses and diverse range of articles. This journal serves as an essential resource for anyone interested in the intersections of film, culture, and history.

Transnational Screens is a premier academic journal published by Taylor & Francis Ltd, focusing on the dynamic intersections of visual arts, performing arts, and communication in a globalized context. Since its inception, the journal has garnered significant recognition, featuring in the Q1 category for Visual Arts and Performing Arts and Q3 for Communication as of 2023, reflecting its influential contributions to these fields. With a Scopus ranking placing it in the 78th percentile in Visual Arts and Performing Arts, this journal serves as a vital platform for researchers, professionals, and students aiming to explore the implications of transnational narratives in contemporary media and artistic practices. The journal is accessible to a diverse readership and promotes open dialogue through its commitment to publishing innovative and interdisciplinary research from 2020 to 2024. As a key resource for understanding the complexities of transnational screens, it invites submissions that push the boundaries of traditional scholarship and engage with pressing global issues through the lens of the visual and performing arts.

JOURNAL OF POPULAR FILM AND TELEVISION, published by Routledge Journals, Taylor & Francis Ltd, stands as a significant platform for academic discourse in the realms of cultural studies, visual arts, and performing arts. With its ISSN: 0195-6051 and an evolving digital presence indicated by its E-ISSN: 1930-6458, the journal has carved out a respected niche since its inception in 1978, continuing to contribute to scholarly discussions through 2024. Its impact within the academic community is underscored by a Q3 ranking in Cultural Studies and a Q2 ranking in Visual Arts and Performing Arts for 2023, highlighting its relevance across diverse fields. Notably, with a Scopus ranking placing it in the 74th percentile among visual arts and performing arts journals, it serves as an essential reference point for researchers, professionals, and students committed to the critical examination of film and television. Although not an open-access journal, it provides valuable insights and analysis that enrich understanding of popular media's impact on society. The journal's location in the United States, with a headquarters in Abingdon, England, further affirms its international scope and influence.

Atalante-Revista de Estudios Cinematograficos, an esteemed open-access journal published by ASOC CINEFORUM L ATALANTE, has been a vital platform for scholarly discourse in the fields of Cultural Studies, History, and Visual Arts and Performing Arts since its inception in 2011. With a commitment to promoting innovative research and critical analyses, Atalante has earned a commendable reputation, achieving Q2 status in Cultural Studies and both Q1 rankings in History and Visual Arts for 2023. Based in Valencia, Spain, this journal not only serves as a conduit for scholars to disseminate findings but also provides unrestricted access to its contents since 2013, fostering a more informed and engaged academic community. With its diverse range of topics and the ability to access high-quality research at no cost, Atalante plays a crucial role in advancing the understanding of cinematic studies and its contextual significance in broader cultural narratives.

Studies in Eastern European Cinema is a distinguished journal dedicated to exploring the rich and diverse landscape of cinematic art in Eastern Europe. Published by Routledge Journals, Taylor & Francis Ltd, this journal has carved a unique niche since its inception in 2010, providing insightful analysis and fostering dialogue among scholars, professionals, and students in the fields of Communication and Visual Arts and Performing Arts. With a current impact factor reflected in its respective quartile rankings, which position it in Q4 in Communication and Q2 in Visual Arts and Performing Arts, the journal serves as an essential platform for research and discourse on the cinematic contributions of Eastern Europe. Featuring contributions that analyze historical contexts, artistic trends, and cultural implications, it aims to broaden the understanding of Eastern European cinema's role within the global film landscape. While it offers a traditional subscription model, its ongoing commitment from 2010 to 2024 ensures it remains at the forefront of academic inquiries, appealing to a growing audience dedicated to the appreciation and scholarship of Eastern European cinematic arts.

Film History, published by Indiana University Press, is a premier academic journal that delves into the evolving landscape of cinema, illuminating the intricate interplay between historical narratives and film culture. With ISSN 0892-2160, and E-ISSN 1553-3905, this journal has established itself as a crucial resource for researchers, professionals, and students in the fields of history and visual arts. Recognized in the Q2 category for both History and Visual Arts and Performing Arts as of 2023, it boasts impressive Scopus rankings, securing #152 out of 667 in Visual Arts and Performing Arts, and #524 out of 1760 in History, placing it in the top 30th percentile. Although it does not currently offer open access options, the journal provides a wealth of scholarly articles that critically engage with film as a historical text, fostering a deeper understanding of its role in shaping societal narratives. Since its inception in 1987, Film History has been at the forefront of academic discourse, making it an invaluable resource for those seeking to explore the rich tapestry of cinematic history.