Bioscope-South Asian Screen Studies

Scope & Guideline

Transforming Perspectives on South Asian Media

Introduction

Delve into the academic richness of Bioscope-South Asian Screen Studies with our guidelines, detailing its aims and scope. Our resource identifies emerging and trending topics paving the way for new academic progress. We also provide insights into declining or waning topics, helping you stay informed about changing research landscapes. Evaluate highly cited topics and recent publications within these guidelines to align your work with influential scholarly trends.
LanguageEnglish
ISSN0974-9276
PublisherSAGE PUBLICATIONS INDIA PVT LTD
Support Open AccessNo
CountryUnited States
TypeJournal
Convergefrom 2010 to 2024
AbbreviationBIOSCOPE / BioScope S. Asian Screen Stud.
Frequency2 issues/year
Time To First Decision-
Time To Acceptance-
Acceptance Rate-
Home Page-
AddressB-1-I-1 MOHAN CO-OPERATIVE INDUSTRIAL AREA, MATHURA RD, POST BAG NO 7, NEW DELHI 110 044, INDIA

Aims and Scopes

The journal 'Bioscope-South Asian Screen Studies' aims to critically engage with the diverse cinematic practices and cultural narratives emerging from South Asia. Its multidisciplinary approach encompasses various aspects of film studies, media analysis, and cultural discourse, positioning itself as a vital platform for scholarly exploration of the region's screen cultures.
  1. Interdisciplinary Film Studies:
    The journal integrates insights from film theory, cultural studies, and media analysis, fostering a comprehensive understanding of South Asian cinema.
  2. Cultural and Political Contextualization:
    Research published in the journal often examines the socio-political contexts surrounding film production and reception, highlighting how cinema reflects and shapes cultural identities.
  3. Focus on Regional Cinemas:
    There is a consistent emphasis on regional film industries within South Asia, such as Bollywood, Tollywood, and others, exploring their unique characteristics and cultural significance.
  4. Historical and Contemporary Analysis:
    The journal features papers that traverse both historical and contemporary film practices, providing a rich tapestry of South Asian cinematic evolution.
  5. Exploration of Emerging Media:
    In addition to traditional cinema, the journal addresses the impact of new media platforms and technologies on film culture, reflecting the evolving landscape of visual storytelling.
The journal has shown a progressive inclination towards certain trending and emerging themes that reflect contemporary issues and academic interests in South Asian screen studies. These themes highlight the journal's responsiveness to the dynamic nature of cinema and media.
  1. Digital and Social Media Influence:
    Recent publications increasingly explore the impact of digital platforms and social media on cinema, reflecting a growing interest in how these mediums alter audience engagement and film production.
  2. Cultural Identity and Representation:
    A trend towards examining issues of identity, representation, and cultural politics is evident, particularly in the context of nationalism, gender, and religion within South Asian cinema.
  3. Transnational Perspectives:
    There is a rising focus on transnational cinema and cross-cultural exchanges, indicating a broader understanding of South Asian cinema's place in global contexts.
  4. Intersectionality in Film Analysis:
    Emerging studies are increasingly employing intersectional frameworks to analyze how multiple identities (gender, caste, sexuality) interact within cinematic narratives.
  5. Documentary and Non-Fiction Films:
    An increase in research focusing on documentary cinema highlights its role in social commentary and historical representation, suggesting a critical engagement with real-world issues.

Declining or Waning

While 'Bioscope-South Asian Screen Studies' continues to thrive in many areas, certain themes appear to be declining in prominence based on recent publications. This shift may reflect changing academic interests or the evolving landscape of South Asian cinema.
  1. Traditional Film Genres:
    Papers focusing on classic film genres and their conventions have become less frequent, suggesting a move towards more innovative and hybrid forms of storytelling.
  2. Purely Commercial Cinema:
    There is a noticeable decline in analyses centered solely around commercially successful films, indicating a shift toward more critical and nuanced explorations of cinema's role in society.
  3. Static Thematic Studies:
    Research that treats themes in isolation without considering their interconnections within broader cultural and historical contexts is appearing less frequently.

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