Canadian Journal of Film Studies-Revue Canadienne d'Études Cinématographiques is a distinguished publication dedicated to the exploration of film studies within the context of Canadian cinema and global visual arts. Published by University of Toronto Press Inc., this journal offers a platform for innovative and critical scholarship, having achieved a notable Q2 ranking in the Visual Arts and Performing Arts category for 2023, with an impressive Scopus rank of 207 out of 667, positioning it in the 68th percentile among peers. With a continuous publication record since its established years from 1998 to 2001 and 2004 to 2024, it has become an essential resource for researchers, professionals, and students interested in the evolving landscape of film and cinema. The journal not only addresses theoretical perspectives but also engages with contemporary practices, thereby fostering a deeper understanding of cinematic arts. Despite not offering open access, it remains a vital repository of knowledge for those seeking to advance their studies and contribute to the discourse in film studies.

Bioscope-South Asian Screen Studies is an influential journal dedicated to advancing the field of screen studies in the South Asian context, published by SAGE Publications India Pvt Ltd. With an ISSN of 0974-9276 and an E-ISSN of 0976-352X, this journal spans a convergence of scholarly research from 2010 to 2024, providing a significant platform for interdisciplinary dialogue. Holding a Q3 rating in Communication and a Q2 rating in Visual Arts and Performing Arts in the 2023 category quartiles, it ranks 212th in its field on Scopus, reflecting its vital contribution to academic discourse. Bioscope aims to explore and critically analyze the rich tapestry of South Asian cinema, media, and performance arts, offering researchers, professionals, and students a valuable resource for deepening their understanding of regional and global cinematic narratives. Readers will find insightful articles that probe the cultural, social, and political dimensions of screen studies, making this journal an essential reference for anyone engaged in the evolving landscape of South Asian visual culture.

The JOURNAL OF FILM AND VIDEO, published by University of Illinois Press, is a pivotal academic platform that delves into the intricate intersections of film, video, and media studies. With a notable ISSN of 0742-4671 and E-ISSN 1934-6018, this journal has established itself as a significant contributor to the visual arts and performing arts field, currently positioned in Q3 of its category as per the 2023 quartiles. Spanning from 2002 to 2024, it presents a comprehensive array of research, critiques, and theoretical discussions that advance scholarly discourse in film and video. The journal encourages contributions that explore innovative narratives and methodologies, catering to a diverse readership of researchers, professionals, and students alike. While it maintains a traditional subscription model and is not open access, its impact is amplified through its Scopus ranking, holding the 323rd position out of 667 in the visual arts and performing arts category. With its commitment to fostering critical conversations and promoting scholarly excellence, the JOURNAL OF FILM AND VIDEO remains an essential resource for those invested in the study and understanding of film and media.

FILM CRITICISM is a prestigious open-access journal dedicated to the study and review of cinema, offering a platform for scholars, critics, and students to engage deeply with the evolving landscape of film. Published by Film Criticism and based in the United States at Allegheny College, this journal has been contributing to film studies since 2002, with recent issues spanning from 2023 to 2024. Registered under ISSN 0163-5069, it is recognized in the Visual Arts and Performing Arts categories, achieving a commendable rank of #372 out of 667 in Scopus, placing it in the 44th percentile of its field. With an open-access policy implemented since 2016, FILM CRITICISM not only broadens accessibility to scholarly work but also enhances the dialogue around cinematic narratives, theories, and critiques. The journal's relevance is underscored by its current Q3 ranking, making it an essential resource for researchers and professionals alike who are invested in the critical examination of film.

Journal of African Cinemas is a pioneering publication dedicated to exploring the dynamic field of African cinema and its cultural impacts. Published by INTELLECT LTD in the United Kingdom, this journal serves as a crucial platform for researchers, filmmakers, and students interested in understanding the complexities of film within the African context. With ISSN 1754-9221 and E-ISSN 1754-923X, the journal focuses on various aspects of cinema, including theory, production, and reception, highlighting the rich tapestry of storytelling from the African continent. Despite being classified in Q4 in Communication and Q3 in Cultural Studies and Visual Arts & Performing Arts for 2023, it stands out by capturing the multifaceted identities and experiences portrayed in African films. Engaging with a diverse array of interdisciplinary topics, the Journal of African Cinemas invites contributions that foster critical discourse and promote a deeper understanding of the unique aesthetic and social narratives present in African filmmaking. As it converges into a significant scholarly resource from 2017 to 2023, this journal is an essential read for anyone invested in the intersection of culture and cinema.

NEW GERMAN CRITIQUE is a prominent academic journal published by Duke University Press, focusing on the dynamic intersections of German studies, cultural theory, and social thought. With its ISSN 0094-033X and E-ISSN 1558-1462, this journal facilitates a critical dialogue within the Arts and Humanities and Cultural Studies fields. As a Q3-ranked journal in both categories as of 2023, it represents a significant platform for scholars exploring contemporary issues through a German lens, addressing themes of identity, memory, and cultural politics. Although NEW GERMAN CRITIQUE is not an open-access journal, it remains a crucial resource for researchers, professionals, and students interested in the evolving landscape of cultural studies, inviting contributions that foster innovative perspectives and facilitate intellectual exchange. Founded in 1988 and continuing its vital discourse into 2024, the journal is headquartered in Durham, North Carolina, and serves as a touchstone for those engaged in the complexities of modern German culture and its global implications.

Cinemas d Amerique Latine is a pivotal academic journal dedicated to the exploration and critical analysis of Latin American cinema. Published by PRESSES UNIV MIDI-PUM in France, this journal serves as an essential platform for scholars, practitioners, and students to engage with the diverse and dynamic landscape of visual storytelling throughout Latin America. With a dedicated focus on the cultural, historical, and aesthetic dimensions of film in this region, Cinemas d Amerique Latine aims to foster a deeper understanding of the cinematic narratives that shape and reflect Latin American societies. The journal has garnered a respectable Q3 ranking in the Visual Arts and Performing Arts category according to the latest 2023 evaluations, signifying its growing impact and relevance in the field. Despite its current lack of open access options, contributors can expect a rigorous peer-review process, ensuring the publication of high-quality research. Researchers exploring the rich tapestry of Latin American cinema will find Cinemas d Amerique Latine to be an invaluable resource in advancing their studies and contributing to vital scholarly conversations.

Film-Philosophy is an esteemed academic journal published by Edinburgh University Press, specializing in the intersection of film studies and philosophical discourse. Since its launch in 1998, this Open Access journal has provided a platform for scholarly debates and innovative research, allowing for free and unrestricted access to its content, which has significantly contributed to the global dialogue on visual culture. With a commendable impact illustrated by its Q1 ranking in Visual Arts and Performing Arts and Q2 in Philosophy, the journal sits within the top quartile of its field. Operating from the United Kingdom, Film-Philosophy is committed to fostering a multidisciplinary approach, inviting contributions from researchers, professionals, and students alike. By engaging with critical theories and the aesthetics of cinema, the journal stands as a vital resource for understanding the philosophical implications of film and its cultural significance.

Film International is a prominent journal dedicated to the exploration of film and its cultural, social, and artistic significance. Published by INTELLECT LTD, this journal serves as a platform for interdisciplinary studies in the field of film criticism, theory, and scholarship, contributing valuable insights from both established and emerging researchers. With an ISSN of 1651-6826 and an E-ISSN of 2040-3801, the journal is an essential resource for those engaged in the realms of communication, cultural studies, and visual arts, though it is currently classified in the lower quartiles of these fields (Q4). Noteworthy for its critical perspectives and diverse content, Film International enhances the dialogue surrounding cinematic practices and their impact on society. Researchers, professionals, and students can explore its rich assemblage of articles and reviews that reflect the evolving landscape of film studies, making it a significant addition to the academic community focused on the art of film.

CINEASTE is a distinguished journal dedicated to the critical exploration of cinema, providing a platform for scholars, filmmakers, and enthusiasts to engage with the complexities of film studies. Established and published by CINEASTE, this periodical serves as a vital resource for those interested in the intersection of visual arts and performing arts. Although it is not currently offered as Open Access, CINEASTE remains a respected publication within the academic community, having been indexed in Scopus until 2016. With an ISSN of 0009-7004, it has established itself despite its lower ranking in the arts and humanities category, reflecting the competitive nature of this field. Researchers, students, and professionals alike will find ample opportunities for insightful discussion and scholarly contributions to the evolving landscape of cinematic discourse. CINEASTE continues to uphold its mission of enhancing film scholarship, making it a crucial reference point for anyone eager to deepen their understanding of cinema's artistic and cultural significance.