Cinemas d Amerique Latine

Scope & Guideline

Decoding the Cinematic Narratives of Latin America

Introduction

Welcome to your portal for understanding Cinemas d Amerique Latine, featuring guidelines for its aims and scope. Our guidelines cover trending and emerging topics, identifying the forefront of research. Additionally, we track declining topics, offering insights into areas experiencing reduced scholarly attention. Key highlights include highly cited topics and recently published papers, curated within these guidelines to assist you in navigating influential academic dialogues.
LanguageMulti-Language
ISSN1267-4397
PublisherPRESSES UNIV MIDI-PUM
Support Open AccessNo
CountryFrance
TypeBook Series
Converge2011, from 2014 to 2022
AbbreviationCINEMAS AM LAT / Cine. Am. Lat.
Frequency1 issue/year
Time To First Decision-
Time To Acceptance-
Acceptance Rate-
Home Page-
Address5 ALLEES ANTONIO MACHADO, F-31058 TOULOUSE, FRANCE

Aims and Scopes

The journal 'Cinemas d Amerique Latine' focuses on the rich and diverse cinematic landscapes of Latin America, providing a platform for scholarly discussions on various aspects of film and cinema from the region. It emphasizes critical analyses, theoretical explorations, and cultural reflections that contribute to the understanding of Latin American cinema's history, aesthetics, and social implications.
  1. Exploration of Latin American Cinema History:
    The journal extensively covers historical perspectives on Latin American cinema, analyzing significant movements, key filmmakers, and the evolution of film industries across different countries.
  2. Cultural and Social Impact of Cinema:
    It examines how cinema interacts with cultural identities, societal issues, and political contexts, often addressing themes such as colonialism, feminism, and social justice.
  3. Interviews and Filmmaker Insights:
    The journal features interviews with prominent filmmakers and industry figures, providing unique insights into their creative processes, challenges, and perspectives on the cinematic landscape.
  4. Theoretical and Critical Analysis:
    A strong emphasis is placed on critical theory and analytical frameworks that explore narrative structures, aesthetics, and audience reception within Latin American cinema.
  5. Focus on Emerging Filmmakers and Genres:
    The journal highlights the works of emerging filmmakers and new genres, particularly those that challenge traditional narratives and represent marginalized voices.
Recent publications in 'Cinemas d Amerique Latine' indicate a dynamic shift towards new themes and areas of research that reflect contemporary concerns and innovations in the cinematic landscape of Latin America.
  1. Videoactivism and Social Movements:
    There is a growing interest in video activism and its role in social movements, reflecting the impact of digital media in shaping political narratives and civic engagement.
  2. Gender Perspectives in Cinema:
    A significant increase in discussions surrounding gender representation, particularly focusing on female directors and their contributions, highlights an emerging trend towards inclusivity and diversity in cinematic narratives.
  3. Transnational Cinema Studies:
    The exploration of transnational cinema, including cross-cultural influences and collaborations, has gained traction, indicating a shift towards understanding cinema in a globalized context.
  4. Restoration and Preservation of Film Archives:
    Recent themes emphasize the importance of restoring and preserving Latin American film archives, recognizing the cultural significance of historical films in contemporary discourse.
  5. Thematic Exploration of Horror and Gothic Genres:
    There is an emerging focus on horror and gothic genres within Latin American cinema, examining how these genres relate to cultural anxieties and societal issues.

Declining or Waning

While 'Cinemas d Amerique Latine' remains vibrant in many areas, certain themes appear to be losing prominence over time. This decline may reflect broader shifts in the film industry or changes in scholarly focus.
  1. Traditional Cinema Narratives:
    There has been a noticeable decrease in articles centered around traditional narratives and mainstream commercial cinema, suggesting a shift towards more experimental and avant-garde film practices.
  2. Historical Documentaries:
    Although historical documentaries have been a significant part of the journal's discourse, recent publications show a waning interest in this area, possibly as filmmakers explore more contemporary issues.
  3. Focus on Specific National Cinemas:
    The journal seems to be moving away from in-depth studies of specific national cinemas in favor of broader regional or transnational analyses, indicating a decline in localized studies.

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