CINEJ Cinema Journal, published by the University of Pittsburgh Library System, stands as a pivotal platform for scholarly discourse in the dynamic field of cinema studies. With an ISSN of 2159-2411 and an E-ISSN of 2158-8724, this Open Access journal has been dedicated to disseminating high-quality research since its inception in 2011. CINEJ provides an essential resource for researchers, practitioners, and students alike, exploring varied dimensions of cinema, including its cultural, historical, and technological implications. The journal is committed to fostering interdisciplinary dialogue, making it a vital asset for those seeking to deepen their understanding of cinema as an art form and social phenomenon. By engaging with contemporary issues and trends in the cinematic landscape, CINEJ encourages contributions that illuminate the intersection of film and social inquiry, ensuring its relevance in today’s academic ecosystem.

Film Quarterly, published by University of California Press, stands as a leading academic journal in the field of visual arts and performing arts, boasting a prestigious Q1 ranking in the 2023 category quartiles. Since its inception in 1969, this quarterly publication has made significant contributions to the study and critique of cinema, attracting attention for its insightful articles, cutting-edge research, and comprehensive reviews that appeal to scholars, practitioners, and students alike. With an ISSN of 0015-1386 and an E-ISSN of 1533-8630, it serves as an essential resource for those seeking to enhance their understanding of film theory, history, and analysis. Although not open access, its articles are critical for researchers navigating the complex landscape of contemporary and historical film studies, underscoring its vital role in advancing scholarship within the discipline.

Cinemas is a leading academic journal dedicated to the exploration and critical analysis of cinematic studies, visual arts, and the dynamic interplay of communication within these fields. Published by Université de Montréal's Program in Bioethics in Canada, this journal serves as a vital platform for researchers, professionals, and students interested in the multifaceted dimensions of cinema and its cultural ramifications. Despite its current positioning in the Q4 quartile of both the Communication and Visual Arts and Performing Arts categories, Cinemas is committed to fostering innovative discourse and scholarship, as evidenced by its inclusion in indexed databases such as Scopus. Covering a range of topics from theoretical frameworks to practical applications within the arts, the journal aims to bridge the gap between academia and the vibrant world of visual storytelling. With a focus on open access, although currently not provided, Cinemas aspires to increase the accessibility of its research to a broader audience, encouraging a rich dialogue that is instrumental to the evolving landscape of cinematic studies.

Etica & Cine is a distinguished open-access journal published by the University of Buenos Aires, Faculty of Psychology, dedicated to the interdisciplinary field of ethics in cinema and visual culture. With the ISSN 2250-5660 and E-ISSN 2250-5415, this journal has been a vital platform for researchers, professionals, and students since its inception in 2011, providing a space for critical discourse surrounding the ethical dimensions of film and media. The journal aims to foster scholarly dialogue by publishing high-quality articles that explore the philosophical, social, and psychological implications of filmic representations. While the journal's H-index is yet to be established, its commitment to open access ensures that valuable insights are readily available to a global audience, thus enhancing its significance in academic and professional circles. As the conversation around ethics in cinema continues to evolve, Etica & Cine stands as an essential resource for anyone engaged in this vital area of study.

Journal of British Cinema and Television, published by Edinburgh University Press, is a leading academic journal that explores the dynamic interplay between British cinema and television within the context of cultural studies. With an ISSN of 1743-4521 and E-ISSN of 1755-1714, this journal provides a platform for scholarly discourse, enabling researchers, professionals, and students to engage with critical analyses of screen media and its socio-political impact. As a Q3 journal in Communication and a Q1 journal in Visual Arts and Performing Arts for 2023, it occupies an influential position, particularly in the Arts and Humanities, where it ranks in the 90th percentile. The journal's scope encompasses a wide range of topics, from historical perspectives to contemporary practices in British visual culture, making it essential reading for anyone interested in the evolution and significance of screen studies in the UK. While it is not an open-access publication, the rigorous peer-review process ensures high academic standards and contributes to its esteemed reputation in the field. As it continues to converge from 2004 to 2024, the Journal of British Cinema and Television remains a vital resource for those seeking to deepen their understanding of British media and its global resonance.

The Journal of Scandinavian Cinema, established in 2014 and published by INTELLECT LTD, serves as a premier platform dedicated to the interdisciplinary field of film studies with a specific focus on Scandinavian cinema. With an impressive Q2 category ranking in Visual Arts and Performing Arts for 2023, and a Scopus rank placing it in the top 62nd percentile of its category, this journal is instrumental in advancing scholarly dialogue within the arts community. The journal strives to explore and critique cinematic expressions from the Nordic countries, contributing to a nuanced understanding of cultural narratives and filmic innovations. Committed to fostering accessibility and engagement, it caters to a diverse audience including researchers, professionals, and students keen to delve into the artistic, cultural, and political dimensions of cinema. The Journal of Scandinavian Cinema is essential for anyone interested in the evolution and impact of film in the Scandinavian context, promising rich insights and a robust collection of scholarly articles.

Film History, published by Indiana University Press, is a premier academic journal that delves into the evolving landscape of cinema, illuminating the intricate interplay between historical narratives and film culture. With ISSN 0892-2160, and E-ISSN 1553-3905, this journal has established itself as a crucial resource for researchers, professionals, and students in the fields of history and visual arts. Recognized in the Q2 category for both History and Visual Arts and Performing Arts as of 2023, it boasts impressive Scopus rankings, securing #152 out of 667 in Visual Arts and Performing Arts, and #524 out of 1760 in History, placing it in the top 30th percentile. Although it does not currently offer open access options, the journal provides a wealth of scholarly articles that critically engage with film as a historical text, fostering a deeper understanding of its role in shaping societal narratives. Since its inception in 1987, Film History has been at the forefront of academic discourse, making it an invaluable resource for those seeking to explore the rich tapestry of cinematic history.

Historia-Santiago is an esteemed academic journal published by the Pontificia Universidad Católica de Chile, Instituto de Historia. Since its inception in 2000, the journal has embraced an Open Access model, facilitating broad dissemination of historical research and ensuring that critical scholarly work is freely accessible to researchers, professionals, and students around the globe. With a focus on Latin American history, Historia-Santiago provides a platform for innovative research and contributions that engage with diverse historical narratives and methodologies. The journal aims to foster interdisciplinary dialogue and stimulate scholarly debate, thereby enriching the understanding of historical contexts and their implications in contemporary society. By maintaining high academic standards, Historia-Santiago occupies a vital role in the field of historical studies, encouraging authors to explore new ideas and perspectives that shape the understanding of our past.

E-Latina-Revista Electronica de Estudios Latinoamericanos is a premier open-access journal dedicated to the interdisciplinary study of Latin American culture, society, and politics. Published by the Facultad de Ciencias Sociales at the Universidad de Buenos Aires, this journal aims to provide a platform for the dissemination of high-quality research, facilitating an exchange of ideas among scholars, practitioners, and students alike since its inception in 2013. With its commitment to accessibility, E-Latina makes significant contributions to the understanding of contemporary Latin American issues, inviting contributions from a diverse range of academic fields. Its open-access model not only enhances readership but also ensures that vital knowledge reaches a global audience, thereby promoting scholarly dialogue and collaboration. Researchers interested in the dynamic and evolving landscape of Latin America will find a wealth of research and insights that reflect the complexities of the region in this esteemed publication.

Transnational Screens is a premier academic journal published by Taylor & Francis Ltd, focusing on the dynamic intersections of visual arts, performing arts, and communication in a globalized context. Since its inception, the journal has garnered significant recognition, featuring in the Q1 category for Visual Arts and Performing Arts and Q3 for Communication as of 2023, reflecting its influential contributions to these fields. With a Scopus ranking placing it in the 78th percentile in Visual Arts and Performing Arts, this journal serves as a vital platform for researchers, professionals, and students aiming to explore the implications of transnational narratives in contemporary media and artistic practices. The journal is accessible to a diverse readership and promotes open dialogue through its commitment to publishing innovative and interdisciplinary research from 2020 to 2024. As a key resource for understanding the complexities of transnational screens, it invites submissions that push the boundaries of traditional scholarship and engage with pressing global issues through the lens of the visual and performing arts.