POSITIF

Scope & Guideline

Celebrating Creativity: A Platform for Artistic Scholarship

Introduction

Immerse yourself in the scholarly insights of POSITIF with our comprehensive guidelines detailing its aims and scope. This page is your resource for understanding the journal's thematic priorities. Stay abreast of trending topics currently drawing significant attention and explore declining topics for a full picture of evolving interests. Our selection of highly cited topics and recent high-impact papers is curated within these guidelines to enhance your research impact.
LanguageFrench
ISSN0048-4911
PublisherPOSITIF EDITIONS
Support Open AccessNo
CountryFrance
TypeJournal
Convergefrom 2002 to 2024
AbbreviationPOSITIF / Positif
Frequency11 issues/year
Time To First Decision-
Time To Acceptance-
Acceptance Rate-
Home Page-
Address12 RUE PIERRE ET MARIE CURIE, 75005 PARIS, FRANCE

Aims and Scopes

The journal "POSITIF" primarily focuses on film studies, exploring various facets of cinema, including its history, theory, and cultural impact. It aims to provide a platform for critical discussions surrounding films, filmmakers, and cinematic techniques.
  1. Film Criticism and Analysis:
    POSITIF delves into in-depth critiques and analyses of films across genres, examining narrative structures, thematic elements, and stylistic choices.
  2. Interviews with Filmmakers:
    The journal features interviews with prominent filmmakers, providing insights into their creative processes, influences, and the challenges they face in the industry.
  3. Cinematic History and Contextual Studies:
    A significant focus is placed on the historical context of cinema, including retrospectives on influential directors, movements, and significant films from various eras.
  4. Cultural and Social Commentary:
    POSITIF engages with the cultural and social implications of cinema, exploring how films reflect and shape societal issues and narratives.
  5. Film Festivals and Events Coverage:
    The journal regularly covers major film festivals, providing critiques, highlights, and discussions on the films presented, fostering a deeper understanding of contemporary cinema.
Recent publications in "POSITIF" reveal several emerging themes that are gaining traction, highlighting the journal's evolving focus on contemporary issues within cinema.
  1. Diversity and Representation in Film:
    There's a growing emphasis on films that explore themes of diversity and representation, particularly regarding gender, race, and LGBTQ+ issues, reflecting broader societal conversations.
  2. Documentary and Hybrid Forms:
    The journal is increasingly featuring articles on documentary films and hybrid forms that blur the lines between fiction and reality, emphasizing their relevance in today's cinematic landscape.
  3. Environmental and Political Themes:
    A trend towards exploring environmental issues and political narratives in cinema is evident, with articles discussing how films engage with climate change, social justice, and political movements.
  4. Digital Cinema and Streaming Platforms:
    The rise of digital cinema and the impact of streaming platforms on film distribution and consumption are becoming focal points of discussion, reflecting changes in how audiences engage with films.
  5. Revisiting Film Canon and Classic Works:
    There is a renewed interest in re-evaluating classic films and their relevance in contemporary discussions, including feminist and post-colonial perspectives.

Declining or Waning

While "POSITIF" maintains a robust focus on various aspects of cinema, certain themes have shown signs of declining prominence in its recent publications.
  1. Traditional Genre Films:
    There has been a noticeable decrease in articles focusing solely on traditional genre films, such as classic westerns or straightforward romantic comedies, as the journal shifts towards more complex narratives and experimental cinema.
  2. Technical Aspects of Filmmaking:
    Discussions centered around the technical aspects of filmmaking, such as cinematography and sound design, are becoming less frequent, with the journal leaning more towards narrative and thematic explorations.
  3. Mainstream Blockbusters:
    Coverage of mainstream blockbuster films appears to be waning, as the journal increasingly highlights independent and foreign films that challenge conventional storytelling.

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