Codex Aquilarensis

Scope & Guideline

Navigating the Landscape of Arts and Historical Research

Introduction

Welcome to your portal for understanding Codex Aquilarensis, featuring guidelines for its aims and scope. Our guidelines cover trending and emerging topics, identifying the forefront of research. Additionally, we track declining topics, offering insights into areas experiencing reduced scholarly attention. Key highlights include highly cited topics and recently published papers, curated within these guidelines to assist you in navigating influential academic dialogues.
LanguageSpanish
ISSN0214-896x
PublisherFUNDACION SANTA MARIA REAL, CENTRO ESTUDIOS ROMANICO
Support Open AccessNo
CountrySpain
TypeJournal
Convergefrom 2015 to 2022
AbbreviationCODEX AQUILAR / Codex Aquilar.
Frequency1 issue/year
Time To First Decision-
Time To Acceptance-
Acceptance Rate-
Home Page-
AddressMONASTERIO SANTA MARIA REAL, AGUILAR CAMPO PALENCIA, CASTILLA Y LEON 34800, SPAIN

Aims and Scopes

The journal 'Codex Aquilarensis' focuses on the intersection of art, architecture, and religious practices within medieval contexts, particularly emphasizing the role of altars and their decorations. It serves as a platform for interdisciplinary research that combines art history, theology, archaeology, and material culture studies.
  1. Medieval Altar Studies:
    A core focus on the analysis of altars from a historical, artistic, and liturgical perspective, exploring their significance within ecclesiastical settings.
  2. Iconography and Symbolism:
    Investigating the visual language of medieval art, particularly in relation to religious themes and iconographic elements found in altar decorations.
  3. Material Culture and Conversion:
    Examining the physical aspects of altars and their materials, including the conversion of gaze and the transformation of religious artifacts.
  4. Interdisciplinary Approaches:
    Utilizing methodologies from various disciplines such as theology, archaeology, and art history to enrich the understanding of medieval religious practices.
  5. Cultural Exchanges:
    Exploring the interactions between different cultural and religious practices as reflected in the art and architecture of altars, particularly in the context of the Iberian Peninsula.
Recent publications in 'Codex Aquilarensis' reveal emerging themes that reflect evolving scholarly interests and a response to contemporary research questions. This section highlights those trending areas.
  1. Materiality and Sensory Experience:
    A growing interest in how materials used in altars affect sensory experiences and religious practices, emphasizing the physicality of worship.
  2. Theological Vocabulary and Art:
    An emerging focus on the interplay between theological concepts and artistic expression, particularly in the context of goldsmithing and altar decoration.
  3. Local and Regional Studies:
    An increasing trend towards exploring specific regional practices and artifacts, particularly within the Iberian Peninsula, highlighting localized rituals and their artistic expressions.
  4. Archaeological Discoveries:
    Recent papers emphasize the significance of archaeological findings in understanding medieval altars, suggesting a trend towards integrating new material evidence into art historical narratives.
  5. Gender and Identity in Religious Art:
    Emerging themes exploring the representation of gender and identity in religious contexts, particularly through the lens of altar iconography and symbolism.

Declining or Waning

While 'Codex Aquilarensis' maintains a robust focus on medieval studies, certain themes appear to be diminishing in frequency or relevance based on recent publications. This section identifies those waning areas.
  1. Non-Religious Contexts:
    Research that strays from the ecclesiastical focus, such as secular interpretations of medieval art, seems to be less prevalent, indicating a stronger commitment to religious themes.
  2. Broader European Artistic Trends:
    There is a noticeable decline in studies that compare medieval Iberian art with broader European movements, as the journal increasingly concentrates on localized studies.
  3. Late Medieval to Early Modern Transitions:
    Topics addressing the transition from late medieval to early modern artistic practices appear to be less frequent, suggesting a narrowing focus on strictly medieval periods.

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