Religion and the Arts is a distinguished scholarly journal published by BRILL, based in the Netherlands, with a dedicated focus on the interdisciplinary exploration of religion and its interplay with various artistic expressions from historical and contemporary perspectives. Established in 1996, this journal serves as a vital platform for researchers, professionals, and students interested in Cultural Studies, History, Religious Studies, and the Visual and Performing Arts. Despite its current classification in the Q4 category across multiple fields, it remains committed to advancing academic discourse and fostering innovative approaches to understanding the complex relationships between spirituality and artistic creation. With its ISSN 1079-9265 and E-ISSN 1568-5292, the journal invites submissions that contribute to enriching this dynamic field, ensuring that a diverse range of voices and perspectives are represented. Although not an Open Access publication, the journal’s content continues to be pivotal for scholarly engagement and is essential reading for those dedicated to the study of art's profound connections with religious traditions.

Zbornik Radova Vizantoloskog Instituta is a distinguished open-access journal published by the Institute of Byzantine Studies, Serbian Academy of Sciences and Arts, located in Belgrade, Serbia. Since its inception in 2003, this journal has served as a vital platform for the dissemination of scholarly research in the fields of Classics, History, Linguistics and Language, and Literature and Literary Theory. Although it currently holds a Q4 ranking in the 2023 category quartiles, its commitment to fostering academic discourse and research accessibility is unwavering. The journal features a diverse range of articles that explore the complexities and nuances of Byzantine studies and related disciplines, catering to a broad audience of researchers, professionals, and students dedicated to the humanities. With a focus on both historical context and contemporary perspectives, Zbornik Radova Vizantoloskog Instituta aims to contribute significant insights into the academic community while promoting scholarly interaction on a global scale.

Zbornik Matice Srpske za Likovne Umetnosti-Matica Srpska Journal for Fine Arts is a prestigious academic journal published by Matica Srpska, dedicated to the study and exploration of fine arts in Serbia and beyond. With the ISSN 0352-6844, this journal serves as a vital platform for researchers, professionals, and students engaged in the visual arts, fostering a rich dialogue on artistic practices, theory, and history. Although currently not an open access publication, it provides invaluable insights into the artistic developments within the Serbian cultural landscape. The journal's commitment to high-quality scholarship is essential in advancing the study of fine arts, ensuring that the contributions reflect the evolving dynamics of artistic expression and cultural heritage. Whether you are a seasoned scholar or an emerging artist, Zbornik Matice Srpske za Likovne Umetnosti invites you to engage with its rigorous research and to contribute to an ever-growing body of knowledge in the realm of fine arts.

Boletin de Arte-UMA is a distinguished academic journal published by the University of Malaga, Department of History of Art, focusing on the rich interplay between history, visual arts, and performing arts. Operating under an Open Access model since 2013, this journal ensures that valuable research is freely available for scholars and practitioners worldwide. With an impact factor currently reflecting its academic rigor through its Q2 ranking in History and Q1 ranking in Visual Arts and Performing Arts, Boletin de Arte-UMA serves as a vital platform for cutting-edge research, critical analysis, and the promotion of cultural heritage studies. Based in Malaga, Spain, the journal not only provides insights into its thematic scope but also fosters a global dialogue among researchers, professionals, and students passionate about the visual and performing arts.

GESTA-INTERNATIONAL CENTER OF MEDIEVAL ART is a distinguished journal published by University of Chicago Press, focusing on the intricate and rich tapestry of medieval art. With the ISSN 0016-920X and E-ISSN 2169-3099, it serves as a vital resource for scholars and enthusiasts alike, examining the evolution and influence of visual arts during the medieval period. This journal is indexed in Scopus, showcasing its ranking of #188 out of 667 in the field of Arts and Humanities, placing it within the 71st percentile. Moreover, it holds a notable Q3 categorization in Visual Arts and Performing Arts as of 2023, reflecting its significant contribution to academic discourse. Although it is not an open-access journal, GESTA provides invaluable insights and critical analyses that engage a broad audience including researchers, professionals, and students dedicated to medieval studies. With publication converging from 2002 to 2006 and continuing from 2008 to 2024, GESTA is committed to promoting a deeper understanding of art's historical contexts, making it an essential addition to any academic library.

Iconographica is an esteemed journal published by SISMEL EDIZIONI GALLUZZO, dedicated to the exploration of cultural narratives through visual arts and performing arts. Based in Italy, this journal has been providing a platform for scholarly discourse from 2015 to 2023, and it serves as an important resource for researchers, professionals, and students interested in these interdisciplinary fields. Although indexed in the Q4 quartile for both Cultural Studies and Visual Arts, this journal offers valuable insights that encourage the examination and understanding of visual culture. While currently operating without an open access model, its rigorous peer-review process ensures high-quality academic contributions that reflect the evolving dynamics within these areas of study. Set against the backdrop of a rapidly transforming cultural landscape, Iconographica aims to foster engagement, inspire innovative perspectives, and cultivate a deeper appreciation for the interplay between culture and visual representation.

Zograf is a distinguished open-access journal published by the University of Belgrade's Institute of Art History, Faculty of Philosophy, dedicated to the fields of Archeology, History, and Visual Arts and Performing Arts. With an ISSN of 0350-1361 and an E-ISSN of 2406-0755, Zograf has made substantial contributions to research within its domain since transitioning to open access in 2002. Situated in Serbia, the journal has achieved notable recognition, ranking in the Q1 category for both History and Visual Arts and Performing Arts, and in the Q2 category for Archeology in the recent 2023 evaluations. This positioning underscores its significance and influence among peers, making it an invaluable resource for researchers, academics, and students alike. The journal's commitment to disseminating high-quality scholarship facilitates interdisciplinary dialogue and advances knowledge in the humanities, while its open-access model ensures that research is freely available to a global audience. Zograf's editorial board comprises leading scholars who are dedicated to promoting innovative research that inspires future generations of scholars.

De Medio Aevo is a distinguished academic journal published by UNIV COMPLUTENSE MADRID, SERVICIO PUBLICACIONES, dedicated to enriching the fields of Cultural Studies, History, Literature and Literary Theory, Philosophy, Religious Studies, and Visual Arts and Performing Arts. Since its inception in 2012 as an Open Access platform, this Spanish journal has rapidly established its reputation, achieving impressive rankings in various categories with a Q1 classification in Literature and Literary Theory and notable positions in Q2 across other fields as per the 2023 metrics. With an emphasis on rigorous scholarly research, De Medio Aevo seeks to foster the exchange of ideas and insights that reflect the rich tapestry of medieval studies and its ongoing impact on contemporary society. It is an essential resource for researchers, professionals, and students alike, encouraging interdisciplinary dialogue and exploration of the cultural narratives that shape our understanding of history and the arts. Located in Madrid, Spain, the journal is committed to making significant contributions to its fields, with a global reach and a focus on academic excellence.

Zivot Umjetnosti, published by the INST POVIJEST UMJETNOSTI - INST ART HISTORY, is a notable Croatian journal that serves as a platform for scholarly discourse in the fields of visual arts, performing arts, and museology. With its inception in 2008, the journal has continued to provide a voice for researchers and practitioners alike, contributing significantly to ongoing conversations in the arts. Despite its current Q4 rank in both Visual Arts and Museology categories—placing it within the 21st and 17th percentiles, respectively—Zivot Umjetnosti is recognized for its commitment to advancing knowledge and fostering critical dialogue. The journal aims to bridge theoretical frameworks with practical applications, making it an invaluable resource for academics, curators, and students engaged in artistic research. While currently operating under traditional access options, Zivot Umjetnosti remains a fundamental publication for those wishing to explore and expand their understanding of the dynamic intersection of art and culture in Croatia and beyond.

SOURCE-NOTES IN THE HISTORY OF ART is a vital publication in the field of visual arts and performing arts, managed by the prestigious University of Chicago Press. With its ISSN 0737-4453 and E-ISSN 2328-207X, the journal serves as a scholarly platform for researchers, professionals, and students who are passionate about exploring the intricacies of art history. Although it currently holds a Q4 ranking in 2023, it provides a unique contribution by documenting and analyzing various dimensions of artistic endeavors, from historical references to contemporary practices. Despite being a newer entrant in the academic landscape, its focus on detailed source notes allows for deeper understanding and connections within art scholarship. Situated in the heart of Chicago, a city rich in artistic heritage, this journal is committed to promoting critical discourse and fostering awareness of the evolving narratives in art history. As the journal continues to cultivate rigorous academic dialogue, it stands as an essential resource for those dedicated to advancing and enriching the study of the arts.