Eikon Imago is an esteemed academic journal published by Universidad Complutense de Madrid, Facultad de Geografía e Historia, focusing on a diverse range of subjects within the Arts and Humanities. With an ISSN of 2254-8718 and an e-ISSN matching its print counterpart, the journal embraces an Open Access model since 2012, ensuring that its rich content remains freely accessible to researchers, professionals, and students around the globe. Lauded for its rigorous contributions to the fields of History, Religious Studies, and Visual Arts and Performing Arts, Eikon Imago has achieved notable rankings, including Q3 in several categories and a commendable position within the Scopus metrics, emphasizing its relevance and impact. With a commitment to interdisciplinary scholarship, the journal provides a valuable platform for innovative research and critical discourse, fostering a deeper understanding of cultural phenomena. As it converges through the years from 2019 to 2024, Eikon Imago continues to play a pivotal role in shaping the academic landscape of the humanities.

Iconographica is an esteemed journal published by SISMEL EDIZIONI GALLUZZO, dedicated to the exploration of cultural narratives through visual arts and performing arts. Based in Italy, this journal has been providing a platform for scholarly discourse from 2015 to 2023, and it serves as an important resource for researchers, professionals, and students interested in these interdisciplinary fields. Although indexed in the Q4 quartile for both Cultural Studies and Visual Arts, this journal offers valuable insights that encourage the examination and understanding of visual culture. While currently operating without an open access model, its rigorous peer-review process ensures high-quality academic contributions that reflect the evolving dynamics within these areas of study. Set against the backdrop of a rapidly transforming cultural landscape, Iconographica aims to foster engagement, inspire innovative perspectives, and cultivate a deeper appreciation for the interplay between culture and visual representation.

RENAISSANCE QUARTERLY, published by Cambridge University Press, is a premier academic journal dedicated to the exploration and scholarship of Renaissance studies, encompassing history, literature, and the visual and performing arts. With an impressive impact factor reflecting its scholarly significance, it holds a distinguished position in the prestigious Q2 quartile across various categories, including History, Literature and Literary Theory, and Visual Arts and Performing Arts as of 2023. The journal caters to a broad audience of researchers, professionals, and students eager to engage deeply with Renaissance scholarship through a curated collection of articles, reviews, and critical essays. Although it does not provide open access options, RENAISSANCE QUARTERLY plays an essential role in advancing the academic discourse of the Renaissance period, fostering connections within the global scholarly community. Since its inception in 1971, it has continuously contributed valuable insights and perspectives on the multifaceted dimensions of Renaissance culture, making it a vital resource for anyone invested in this rich field of study.

Codex Aquilarensis is a distinguished academic journal published by FUNDACION SANTA MARIA REAL, CENTRO ESTUDIOS ROMANICO, specializing in History and Visual Arts and Performing Arts. With an ISSN of 0214-896X and an E-ISSN of 2386-6454, this journal has carved its niche within the scholarly community in Spain, encompassing a range of topics pertinent to its fields of study. Although it currently holds a Q4 category in both History and Visual Arts and Performing Arts as of 2023, it plays a critical role in disseminating important research and insights from 2015 to 2022, contributing to the academic dialogue around these disciplines. While access options are limited, the journal's commitment to enhancing understanding in the arts and humanities makes it a valuable resource for researchers, professionals, and students alike. Its ranking within Scopus further underscores its relevance, positioning it within the competitive landscape of arts and humanities research. Scholars and practitioners interested in historical and artistic studies are encouraged to engage with the content presented by Codex Aquilarensis as it continues to evolve and contribute to the intellectual heritage of the region.

Boletin de Arte-UMA is a distinguished academic journal published by the University of Malaga, Department of History of Art, focusing on the rich interplay between history, visual arts, and performing arts. Operating under an Open Access model since 2013, this journal ensures that valuable research is freely available for scholars and practitioners worldwide. With an impact factor currently reflecting its academic rigor through its Q2 ranking in History and Q1 ranking in Visual Arts and Performing Arts, Boletin de Arte-UMA serves as a vital platform for cutting-edge research, critical analysis, and the promotion of cultural heritage studies. Based in Malaga, Spain, the journal not only provides insights into its thematic scope but also fosters a global dialogue among researchers, professionals, and students passionate about the visual and performing arts.

SOURCE-NOTES IN THE HISTORY OF ART is a vital publication in the field of visual arts and performing arts, managed by the prestigious University of Chicago Press. With its ISSN 0737-4453 and E-ISSN 2328-207X, the journal serves as a scholarly platform for researchers, professionals, and students who are passionate about exploring the intricacies of art history. Although it currently holds a Q4 ranking in 2023, it provides a unique contribution by documenting and analyzing various dimensions of artistic endeavors, from historical references to contemporary practices. Despite being a newer entrant in the academic landscape, its focus on detailed source notes allows for deeper understanding and connections within art scholarship. Situated in the heart of Chicago, a city rich in artistic heritage, this journal is committed to promoting critical discourse and fostering awareness of the evolving narratives in art history. As the journal continues to cultivate rigorous academic dialogue, it stands as an essential resource for those dedicated to advancing and enriching the study of the arts.

The Journal of Victorian Culture, published by Oxford University Press, is an esteemed academic journal that explores the multifaceted cultural landscape of the Victorian era. With a publication history spanning from 1996 to 2024, this journal serves as a critical platform for scholars and practitioners in the fields of Cultural Studies, History, Literature and Literary Theory, and Visual Arts and Performing Arts. It currently holds notable rankings, including Q3 in Cultural Studies and History, and Q2 in Literature, making it a prominent resource in these disciplines. Targeted at an audience that includes dedicated researchers, professionals, and students, the journal promotes interdisciplinary exploration and innovation, encouraging contributors to engage deeply with Victorian themes and their influence on contemporary culture. For those interested in cutting-edge discussions and insights, the Journal of Victorian Culture provides access to rich, scholarly content that is indispensable for understanding the era's impact on modern artistic and social paradigms.

GESTA-INTERNATIONAL CENTER OF MEDIEVAL ART is a distinguished journal published by University of Chicago Press, focusing on the intricate and rich tapestry of medieval art. With the ISSN 0016-920X and E-ISSN 2169-3099, it serves as a vital resource for scholars and enthusiasts alike, examining the evolution and influence of visual arts during the medieval period. This journal is indexed in Scopus, showcasing its ranking of #188 out of 667 in the field of Arts and Humanities, placing it within the 71st percentile. Moreover, it holds a notable Q3 categorization in Visual Arts and Performing Arts as of 2023, reflecting its significant contribution to academic discourse. Although it is not an open-access journal, GESTA provides invaluable insights and critical analyses that engage a broad audience including researchers, professionals, and students dedicated to medieval studies. With publication converging from 2002 to 2006 and continuing from 2008 to 2024, GESTA is committed to promoting a deeper understanding of art's historical contexts, making it an essential addition to any academic library.

Experiment-A Journal of Russian Culture is a distinctive publication dedicated to exploring the multifaceted dimensions of Russian culture, encompassing literature, art, and social history. Published by BRILL, a respected name in academic publishing, this journal provides a platform for original research and insightful discourse, fostering a deeper understanding of Russia's rich cultural heritage. With an ISSN of 1084-4945 and an E-ISSN of 2211-730X, the journal is organized in a quarterly format, although it has seen varied publication years from 1996 through 2023. While it currently holds a Q4 ranking in both Cultural Studies and Visual Arts and Performing Arts, its commitment to interdisciplinary inquiry makes it a vital resource for researchers, professionals, and students interested in contemporary and historical Russian cultural phenomena. Despite its modest impact factors, the journal remains an essential platform for the dissemination of critical perspectives and theoretical frameworks, contributing to the ongoing dialogue about Russian identity and its artistic representations. The journal is available in print and may have limited digital access options, making it all the more precious for collectors and libraries committed to cultural studies.

ZEITSCHRIFT FUR KUNSTGESCHICHTE is a prestigious journal dedicated to the study of art history, offering insightful analyses and discussions that enrich the understanding of visual arts and performing arts. Published by DEUTSCHER KUNSTVERLAG GMBH in Germany, this journal has established itself as a significant platform for researchers and professionals alike since its inception. With a print ISSN of 0044-2992 and an e-ISSN of 2569-1619, it spans a comprehensive range of topics in art history, reflecting both traditional and contemporary perspectives. Although categorized in the Q4 quartile for Visual Arts and Performing Arts, the journal contributes to a rich dialogue within its field, aiming to foster academic discourse and promote scholarly research. Its scope has evolved notably from converged years starting in 1975 and gathering strength from 2001 to 2024, and it is committed to serving as an essential resource for students, academics, and practitioners in the arts. While not offering open access, the journal maintains a rigorous peer-review process to ensure high-quality submissions that advance knowledge and stimulate critical thought.