Artibus et Historiae

Scope & Guideline

Cultivating Knowledge in the Arts and Humanities

Introduction

Delve into the academic richness of Artibus et Historiae with our guidelines, detailing its aims and scope. Our resource identifies emerging and trending topics paving the way for new academic progress. We also provide insights into declining or waning topics, helping you stay informed about changing research landscapes. Evaluate highly cited topics and recent publications within these guidelines to align your work with influential scholarly trends.
LanguageMulti-Language
ISSN0391-9064
PublisherIRSA PUBLISHING HOUSE
Support Open AccessNo
Country-
TypeJournal
Convergefrom 2002 to 2018 (coverage discontinued in Scopus)
AbbreviationARTIBUS HIST / Artibus Hist.
Frequency2 issues/year
Time To First Decision-
Time To Acceptance-
Acceptance Rate-
Home Page-
AddressPLAC MATEJKI 7-8, KRAKOW 31-157, POLAND

Aims and Scopes

Artibus et Historiae focuses on the intersection of art history and cultural analysis, particularly in the context of Renaissance and Baroque periods. It aims to provide a scholarly platform for in-depth studies that explore the aesthetic, historical, and socio-cultural dimensions of art.
  1. Renaissance and Baroque Art Analysis:
    The journal emphasizes critical examinations of art from the Renaissance to the Baroque periods, analyzing works in their historical context and understanding their impact on contemporary culture.
  2. Interdisciplinary Approaches:
    Artibus et Historiae encourages interdisciplinary methodologies, integrating perspectives from literature, philosophy, and cultural studies to provide a holistic understanding of art and its societal roles.
  3. Iconographic Studies:
    A consistent focus on iconography allows for a deeper exploration of symbolism and meaning in art, enhancing the understanding of visual narratives within historical frameworks.
  4. Regional Art Histories:
    The journal highlights regional studies, particularly Italian art, while also considering broader European contexts, thus contributing to a diverse understanding of art histories.
  5. Art and Society:
    Exploring the relationship between art and societal developments, the journal examines how art reflects, influences, and responds to social, political, and religious changes.
Artibus et Historiae has identified several emerging themes that reflect current scholarly interests and cultural dialogues. These trends indicate areas where researchers are increasingly focusing their attention, often driven by contemporary issues and historiographical shifts.
  1. Cultural Interactions and Exchanges:
    Recent publications highlight the significance of cultural exchanges between regions, particularly in the context of artistic influences, reflecting a growing interest in global art histories.
  2. Gender and Identity in Art:
    There is an increasing focus on gender studies and the representation of identity in art, exploring how these themes influence artistic production and reception.
  3. Art and Religion:
    The relationship between art and religious practices is gaining prominence, with studies examining how spirituality shapes artistic expression in various cultural contexts.
  4. Digital Humanities in Art History:
    The integration of digital tools and methodologies into art historical research is on the rise, facilitating new ways of analyzing and interpreting artworks.
  5. Environmental and Ecological Themes:
    Emerging themes related to environmental consciousness in art are becoming more frequent, indicating a response to contemporary ecological concerns and their representation in artistic practices.

Declining or Waning

While Artibus et Historiae continues to thrive in many areas, certain themes appear to be experiencing a decline in prominence within recent publications. This may reflect changing research interests or the maturation of previously explored topics.
  1. Modern and Contemporary Art:
    There seems to be a waning interest in modern and contemporary art studies, with fewer articles addressing these periods compared to the robust focus on Renaissance and Baroque art.
  2. Technical Art History:
    Discussions surrounding the technical aspects of art production, such as materials and methods, are becoming less frequent, indicating a shift towards more thematic and interpretative analyses.
  3. Art Theory and Criticism:
    Theoretical discussions that were once prevalent are now less common, suggesting a potential decline in interest in art criticism as a standalone topic, favoring instead historical and contextual narratives.
  4. Non-Western Art Studies:
    There appears to be a reduction in the exploration of non-Western art traditions within the journal, which may indicate a missed opportunity for broader comparative analyses.
  5. Exhibition and Collection Studies:
    Research focused on historical exhibitions or collection histories is less frequently published, which could reflect a narrowing of the journal's thematic scope.

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