Iconographica

Scope & Guideline

Inspiring Innovation in the Study of Visual Arts

Introduction

Explore the comprehensive scope of Iconographica through our detailed guidelines, including its aims and scope. Stay updated with trending and emerging topics, and delve into declining areas to understand shifts in academic interest. Our guidelines also showcase highly cited topics, featuring influential research making a significant impact. Additionally, discover the latest published papers and those with high citation counts, offering a snapshot of current scholarly conversations. Use these guidelines to explore Iconographica in depth and align your research initiatives with current academic trends.
LanguageItalian
ISSN1720-1764
PublisherSISMEL EDIZIONI GALLUZZO
Support Open AccessNo
CountryItaly
TypeJournal
Convergefrom 2015 to 2023
AbbreviationICONOGRAPHICA / Iconographica
Frequency1 issue/year
Time To First Decision-
Time To Acceptance-
Acceptance Rate-
Home Page-
AddressCASELLA POSTALE 90, TAVARNUZZE 50023, ITALY

Aims and Scopes

Iconographica is dedicated to the study of iconography and visual culture, with a particular emphasis on historical and religious art. The journal facilitates the exploration of how images convey meaning, reflect cultural contexts, and influence societal beliefs.
  1. Historical Iconography:
    A primary focus of the journal is on the historical aspects of iconography, particularly in Christian art. This includes examinations of specific artworks, their contexts, and the visual language used to communicate theological and cultural narratives.
  2. Cultural Interactions:
    The journal often explores the interactions between different cultures and their artistic expressions, highlighting how iconography reflects cross-cultural exchanges, particularly in the context of the Mediterranean and European art.
  3. Methodological Innovations:
    Iconographica emphasizes methodological rigor, often incorporating interdisciplinary approaches that draw from art history, religious studies, archaeology, and cultural anthropology to analyze iconographic themes.
  4. Materiality and Technique:
    The journal also investigates the material aspects of artworks, including techniques, mediums, and their implications for understanding the production and preservation of iconographic works.
  5. Thematic Studies:
    Iconographica publishes thematic studies on specific motifs, symbols, and narratives within art, offering insights into their evolving meanings across different periods and regions.
Recent publications in Iconographica indicate several emerging themes and trends that reflect contemporary scholarly interests and the evolving landscape of iconographic studies. These themes highlight the journal's responsiveness to current academic dialogues and cultural shifts.
  1. Interdisciplinary Approaches:
    There is an increasing trend towards interdisciplinary studies that combine iconography with fields such as anthropology, sociology, and gender studies, allowing for a more nuanced understanding of visual culture.
  2. Contemporary Reinterpretations:
    Recent papers show a growing interest in the reinterpretation of historical iconography through contemporary lenses, exploring how past images can inform current societal issues and cultural dialogues.
  3. Digital Humanities in Iconography:
    The integration of digital humanities methodologies, including digital archiving and analysis, is emerging as a significant theme, enhancing the accessibility and study of visual artifacts.
  4. Environmental and Ethical Considerations:
    A notable trend is the exploration of environmental and ethical implications in the production and representation of art, reflecting broader societal concerns about sustainability and cultural heritage.
  5. Narrative and Storytelling in Art:
    There is a rising focus on the narrative qualities of visual art, examining how stories are constructed and conveyed through iconographic elements, which enhances understanding of viewer engagement and interpretation.

Declining or Waning

As the field of iconography evolves, certain themes and methodologies have become less prominent in recent publications. This section highlights these waning aspects that may be reflecting shifts in scholarly interest or broader cultural trends.
  1. Traditional Religious Iconography:
    There appears to be a declining focus on traditional interpretations of religious iconography without considering contemporary contexts or modern interpretations, indicating a shift towards more innovative and critical analyses.
  2. Static Historical Narratives:
    The journal has seen a decrease in papers that solely rely on static historical narratives without integrating broader cultural, social, or political implications, suggesting a move away from purely historical accounts.
  3. Regional Studies:
    There is a waning emphasis on region-specific studies that do not engage with transnational or global perspectives, reflecting a broader trend towards interdisciplinary and globalized approaches in art history.
  4. Iconography of Lesser-Known Figures:
    The analysis of lesser-known figures in iconography has diminished, possibly due to a growing preference for more widely recognized subjects that resonate with contemporary audiences.

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