REPRESENTATIONS, published by University of California Press, is a prominent academic journal that has made significant contributions to the fields of Arts and Humanities, Cultural Studies, Gender Studies, and Sociology and Political Science since its inception in 1983. With an ISSN of 0734-6018 and E-ISSN of 1533-855X, REPRESENTATIONS is recognized for its rigorous scholarship and critical discourse, currently positioned in Q2 within its primary categories and holding respectable ranks in Scopus, reflecting its influence and relevance in contemporary academic conversations. Designed for a diverse audience including researchers, educators, and students, this journal facilitates an interdisciplinary dialogue that addresses pressing societal issues through various scholarly lenses. While not openly accessible, its articles are invaluable for those seeking in-depth analysis and innovative perspectives. For continued engagement with critical scholarship through 2024 and beyond, REPRESENTATIONS serves as an essential platform for enriching the discourse surrounding cultural and social inquiries.

Jewish Film & New Media: An International Journal, published by Wayne State University Press, serves as a crucial platform for scholars and practitioners within the realms of Film Studies, Jewish Studies, and Media Studies. Since its inception, the journal has explored the intersection between Jewish culture and cinematic representation while also addressing contemporary media narratives. With an ISSN of 2169-0324 and E-ISSN 2169-0332, it is indexed in major databases, showcasing solid rankings in various disciplines, including a commendable Q2 rank in Visual Arts and Performing Arts. Despite its current Q4 categorizations in Anthropology and Communication, the journal is noted for its engaging contributions that sow rich discussions about Jewish identity, filmic expression, and media representation. Researchers and students alike benefit from the journal’s wealth of interdisciplinary scholarship, which spans converged years from 2013 to 2017 and 2019 to 2022, ensuring a robust timeline of critical inquiry. As an essential resource for understanding the nuances of Jewish film and new media, this journal occupies a unique niche, inviting contributions that push the boundaries of current academic dialogue.

Journal of Religion and Popular Culture is a unique academic platform dedicated to the exploration and analysis of the intricate relationships between religious practices and popular culture. Published by University of Toronto Press, Inc., this journal provides a critical forum for scholarly discourse, appealing to researchers, students, and professionals in the fields of Cultural Studies and Religious Studies. Since its inception in 2013, the journal has established itself as a significant contributor to the academic community, evidenced by its current category quartiles: Q4 in Cultural Studies and Q3 in Religious Studies as of 2023, alongside its Scopus rankings. Although it operates on a subscription basis, the journal's accessibility enhances its reach within the scholarly community. With a focus on fostering interdisciplinary dialogue, the Journal of Religion and Popular Culture invites contributions that illuminate the dynamic interplay between faith and the vibrant expressions of popular culture, making it a vital resource for understanding contemporary societal trends.

CAMERA OBSCURA, an esteemed journal published by DUKE UNIVERSITY PRESS, serves as a vital platform at the intersection of Visual Arts and Gender Studies. With its ISSN 0270-5346 and E-ISSN 1529-1510, this journal has been an influential contributor to critical discussions in cultural theory and visual culture from 2002 to 2024. Notably categorized in the Q4 quartile for Gender Studies and Q2 for Visual Arts and Performing Arts in 2023, CAMERA OBSCURA boasts a Scopus rank that reflects its growing impact within the academic community. Although currently not offered as an open-access publication, its rigorous peer-reviewed content remains crucial for researchers, professionals, and students alike, facilitating a deeper understanding of how visual representation shapes and is shaped by societal constructs. Set in the heart of the United States, the journal's commitment to exploring the complexities of gendered visuality emphasizes its importance within contemporary scholarship in these vibrant fields.

Dixit is a respected academic journal published by Universidad Católica del Uruguay, Facultad de Ciencias Humanas, primarily focusing on the fields of humanities and social sciences. With an ISSN of 1688-3497 and an E-ISSN of 0797-3691, this journal has been a fully Open Access publication since 2007, enabling free and unrestricted access to its high-quality research. It serves as a vital platform for scholars, researchers, and students to explore innovative ideas and disseminate valuable findings that contribute to the understanding of human experiences across various contexts. The journal's commitment to open access not only promotes knowledge sharing but also facilitates cross-disciplinary dialogue, making it an essential resource for anyone seeking to deepen their insights into the humanities. By fostering collaboration and engaging the academic community, Dixit plays a pivotal role in advancing scholarly discourse in Latin America and beyond.

MEDIA CULTURE & SOCIETY, published by SAGE PUBLICATIONS LTD, is a prominent academic journal dedicated to the interdisciplinary exploration of media, culture, and societal dynamics. With a long-standing history since its inception in 1979 and extending to 2024, this journal serves as a vital platform for researchers, professionals, and students interested in understanding the complex interplay between media and cultural phenomena. Operating from the United Kingdom, it holds a prestigious Q1 ranking in both communication and sociology/political science categories, reflecting its significant impact within these fields. The journal’s Scopus ranks further attest to its excellence, placing it in the top percentiles and making it an essential resource for advancing scholarly discussions. While not open access, MEDIA CULTURE & SOCIETY continues to provide insightful analyses that shape contemporary discourse on the role of media in society, ensuring its relevance and importance to academic communities worldwide.

Welcome to Ekphrasis-Images Cinema Theory Media, an academic journal dedicated to exploring the intersections of visual arts, cinema, and media studies. Published by the esteemed BABES-BOLYAI UNIVERSITY, FACULTY OF THEATRE & TELEVISION in Romania, this journal serves as a critical platform for scholars and practitioners to disseminate groundbreaking research and innovative ideas within these vibrant fields. With an ISSN of 2067-631X and an E-ISSN of 2559-2068, Ekphrasis is committed to enhancing the discourse surrounding contemporary visual culture, as evidenced by its Scopus rankings in the arts and humanities categories. Aiming to contribute to academic discussions from 2019 to 2024, it invites submissions that challenge conventional perspectives and promote new methodologies. Although currently positioned in the Q4 category for Communication and Q3 for Visual Arts and Performing Arts, the journal is poised for growth and aims to increase its impact factor through the openness of scholarly exchange and rigorous peer review. Join us in advancing the critical discourse at the crossroads of art and media!

Chinese Literature and Thought Today is a dynamic academic journal dedicated to the exploration of contemporary Chinese literary and philosophical discourse. Published by Routledge Journals, Taylor & Francis Ltd, this journal aims to provide a platform for the dissemination of innovative research and critical analysis in the fields of literature and philosophy, focusing on the evolving dynamics of Chinese culture within a global context. With an ISSN of 2768-3524 and an E-ISSN of 2768-3532, it is committed to Open Access principles, ensuring that valuable insights are readily accessible to researchers and practitioners alike. Although it is currently positioned in the Q4 tier across various categories including Arts and Humanities and Literature and Literary Theory, the journal's nascent status promises a growing repository of knowledge that invites contributions aimed at provoking thoughtful dialogue in these interdisciplinary studies. As it converges over the years from 2022 to 2024, it offers an essential resource for anyone interested in the intersections of literature, thought, and culture in contemporary Chinese society.

CULTURAL CRITIQUE is a premier academic journal published by University of Minnesota Press, dedicated to the interdisciplinary exploration of cultural phenomena through the lenses of anthropology, cultural studies, literature and literary theory, philosophy, and sociology. With its ISSN 0882-4371 and E-ISSN 1460-2458, the journal serves as a vital forum for scholars to engage, debate, and disseminate innovative ideas and methodologies that redefine cultural narratives and critiques. Spanning a publication timeline from 2002 to 2024, CULTURAL CRITIQUE holds significance in various academic categories, achieving Q4 rankings in anthropology and sociology and as high as Q2 in literature and literary theory. Its Scopus rankings further reinforce its value, placing it in the 82nd percentile among literature-related journals. Although it currently does not offer open access, this journal is key for researchers, professionals, and students aiming to deepen their understanding of culturally driven debates in the contemporary landscape.

Crime Media Culture is a leading academic journal published by SAGE Publications Ltd, dedicated to exploring the intricate interplay between media representations of crime and societal perceptions. Established in 2005, this journal has become a cornerstone in the fields of Cultural Studies, Law, and Communication, consistently ranking in the top quartiles within relevant categories, including a Q1 ranking in Arts and Humanities (miscellaneous) and Cultural Studies for 2023. The journal offers a platform for interdisciplinary research that addresses the critical implications of media narratives surrounding crime, appealing to researchers, professionals, and students alike. With a strong focus on contemporary issues, it provides insightful analyses and discussions that contribute to the evolving discourse on crime and its representation in various media forms. Although the journal is not open access, it remains vital for those seeking to understand the broader context of crime through media, making it an essential resource for academics and practitioners in the UK and beyond.