Journal of Popular Television, published by INTELLECT LTD, is a pivotal platform dedicated to the exploration and analysis of television in popular culture, contributing significantly to the field of Communication. Based in the United Kingdom, this journal seeks to bridge theoretical frameworks with practical case studies, examining the impact of television as a social, political, and cultural force. With an ISSN of 2046-9861 and an E-ISSN of 2046-987X, it provides an open window for interdisciplinary research from 2019 to 2024. The journal holds a respectable rank within the Scopus database, positioned in the 28th percentile of its category, reflecting its growing influence and the quality of scholarship it fosters. As an essential resource for researchers, professionals, and students alike, the journal aims to deepen understanding of television's role in society, facilitating critical dialogue and engagement within the academic community.

Welcome to Ekphrasis-Images Cinema Theory Media, an academic journal dedicated to exploring the intersections of visual arts, cinema, and media studies. Published by the esteemed BABES-BOLYAI UNIVERSITY, FACULTY OF THEATRE & TELEVISION in Romania, this journal serves as a critical platform for scholars and practitioners to disseminate groundbreaking research and innovative ideas within these vibrant fields. With an ISSN of 2067-631X and an E-ISSN of 2559-2068, Ekphrasis is committed to enhancing the discourse surrounding contemporary visual culture, as evidenced by its Scopus rankings in the arts and humanities categories. Aiming to contribute to academic discussions from 2019 to 2024, it invites submissions that challenge conventional perspectives and promote new methodologies. Although currently positioned in the Q4 category for Communication and Q3 for Visual Arts and Performing Arts, the journal is poised for growth and aims to increase its impact factor through the openness of scholarly exchange and rigorous peer review. Join us in advancing the critical discourse at the crossroads of art and media!

Obra Digital-Revista de Comunicacion is a leading academic journal in the field of communication studies, published by UNIV VIC in Spain. Since its establishment in 2011, it has embraced an Open Access model, ensuring that research outputs are freely available to a global audience, thus fostering greater accessibility and collaboration among scholars. With an ISSN of 2014-5039, the journal aims to provide a pivotal platform for the dissemination of innovative research that addresses contemporary issues in communication theory and practice. The journal’s scope encompasses a wide range of topics, including digital media, interpersonal communication, and cultural studies, making it an essential resource for researchers, professionals, and students alike. Despite the absence of an HIndex and specific ranking metrics, Obra Digital stands out as a valuable forum for critical dialogue and scholarly exploration in the evolving landscape of communication. As the field continues to grow, this journal remains committed to advancing knowledge and fostering academic discourse.

Visual Studies, published by Taylor & Francis Ltd, is a leading international journal that serves as a vital platform for interdisciplinary scholarship in the fields of visual arts, cultural studies, and anthropology. Established in 2002 and continuing strong through 2024, it holds impressive rankings including Q1 in Cultural Studies and Visual Arts and Performing Arts, as well as Q2 in Anthropology, reflecting its significant impact and prestige within these disciplines. With a robust Scopus ranking placing it in the 89th percentile for Visual Arts and Performing Arts, this journal does not only publish original research but also fosters rich dialogues on visual culture, representation, and critical theory. Although it is not open access, researchers, practitioners, and students alike can benefit from its rigorous peer-reviewed content, which contributes to advancing knowledge and understanding of visual phenomena. Located in the United Kingdom, Visual Studies continues to shape the conversations surrounding visual practices and their societal implications.

Crime Media Culture is a leading academic journal published by SAGE Publications Ltd, dedicated to exploring the intricate interplay between media representations of crime and societal perceptions. Established in 2005, this journal has become a cornerstone in the fields of Cultural Studies, Law, and Communication, consistently ranking in the top quartiles within relevant categories, including a Q1 ranking in Arts and Humanities (miscellaneous) and Cultural Studies for 2023. The journal offers a platform for interdisciplinary research that addresses the critical implications of media narratives surrounding crime, appealing to researchers, professionals, and students alike. With a strong focus on contemporary issues, it provides insightful analyses and discussions that contribute to the evolving discourse on crime and its representation in various media forms. Although the journal is not open access, it remains vital for those seeking to understand the broader context of crime through media, making it an essential resource for academics and practitioners in the UK and beyond.

CAMERA OBSCURA, an esteemed journal published by DUKE UNIVERSITY PRESS, serves as a vital platform at the intersection of Visual Arts and Gender Studies. With its ISSN 0270-5346 and E-ISSN 1529-1510, this journal has been an influential contributor to critical discussions in cultural theory and visual culture from 2002 to 2024. Notably categorized in the Q4 quartile for Gender Studies and Q2 for Visual Arts and Performing Arts in 2023, CAMERA OBSCURA boasts a Scopus rank that reflects its growing impact within the academic community. Although currently not offered as an open-access publication, its rigorous peer-reviewed content remains crucial for researchers, professionals, and students alike, facilitating a deeper understanding of how visual representation shapes and is shaped by societal constructs. Set in the heart of the United States, the journal's commitment to exploring the complexities of gendered visuality emphasizes its importance within contemporary scholarship in these vibrant fields.

New Review of Film and Television Studies, published by Routledge Journals, Taylor & Francis Ltd, stands as a vital platform for scholars and practitioners engaged in the dynamic fields of film and television studies within the United Kingdom. This journal, which has been in circulation since 2010 and will continue through 2024, provides a rigorous academic forum for contemporary research, critical analysis, and innovative discourse surrounding visual storytelling. With an impressive Scopus rank placing it in the 66th percentile for Visual Arts and Performing Arts, and a respectable Q2 categorization, the journal fosters an interdisciplinary approach, bridging communication and cultural studies. While the journal does not currently operate under an open access model, it remains an invaluable resource for researchers, students, and professionals aiming to understand and influence the evolving landscape of film and television in our digital age. As it navigates the intersection of media and society, New Review of Film and Television Studies is essential reading for those looking to advance their knowledge and contribute to the ongoing scholarly conversation.

JOURNAL OF AMERICAN CULTURE is a distinguished academic journal published by Wiley, focusing on the rich tapestry of American culture through various lenses including history, literature, visual arts, and cultural studies. Established in 1996 and continuing its scholarly contributions through 2024, the journal serves as a vital platform for researchers, professionals, and students to disseminate their work and engage with critical discussions surrounding American cultural narratives. With an impressive impact reflected in its 2023 quartile rankings — Q2 in Literature and Literary Theory and Q3 in Cultural Studies, History, and Visual Arts and Performing Arts — the journal enhances scholarly dialogue across diverse disciplines. Although it does not offer Open Access options, its rigorous peer-review process ensures high-quality research dissemination. It is a go-to resource for those aiming to explore the evolving dynamics of American culture within a global context.

MEDIA CULTURE & SOCIETY, published by SAGE PUBLICATIONS LTD, is a prominent academic journal dedicated to the interdisciplinary exploration of media, culture, and societal dynamics. With a long-standing history since its inception in 1979 and extending to 2024, this journal serves as a vital platform for researchers, professionals, and students interested in understanding the complex interplay between media and cultural phenomena. Operating from the United Kingdom, it holds a prestigious Q1 ranking in both communication and sociology/political science categories, reflecting its significant impact within these fields. The journal’s Scopus ranks further attest to its excellence, placing it in the top percentiles and making it an essential resource for advancing scholarly discussions. While not open access, MEDIA CULTURE & SOCIETY continues to provide insightful analyses that shape contemporary discourse on the role of media in society, ensuring its relevance and importance to academic communities worldwide.

Journal of British Cinema and Television, published by Edinburgh University Press, is a leading academic journal that explores the dynamic interplay between British cinema and television within the context of cultural studies. With an ISSN of 1743-4521 and E-ISSN of 1755-1714, this journal provides a platform for scholarly discourse, enabling researchers, professionals, and students to engage with critical analyses of screen media and its socio-political impact. As a Q3 journal in Communication and a Q1 journal in Visual Arts and Performing Arts for 2023, it occupies an influential position, particularly in the Arts and Humanities, where it ranks in the 90th percentile. The journal's scope encompasses a wide range of topics, from historical perspectives to contemporary practices in British visual culture, making it essential reading for anyone interested in the evolution and significance of screen studies in the UK. While it is not an open-access publication, the rigorous peer-review process ensures high academic standards and contributes to its esteemed reputation in the field. As it continues to converge from 2004 to 2024, the Journal of British Cinema and Television remains a vital resource for those seeking to deepen their understanding of British media and its global resonance.