Journal of Popular Television, published by INTELLECT LTD, is a pivotal platform dedicated to the exploration and analysis of television in popular culture, contributing significantly to the field of Communication. Based in the United Kingdom, this journal seeks to bridge theoretical frameworks with practical case studies, examining the impact of television as a social, political, and cultural force. With an ISSN of 2046-9861 and an E-ISSN of 2046-987X, it provides an open window for interdisciplinary research from 2019 to 2024. The journal holds a respectable rank within the Scopus database, positioned in the 28th percentile of its category, reflecting its growing influence and the quality of scholarship it fosters. As an essential resource for researchers, professionals, and students alike, the journal aims to deepen understanding of television's role in society, facilitating critical dialogue and engagement within the academic community.

The Journal of Popular Culture, published by Wiley, stands as a pivotal platform for the exploration and analysis of cultural phenomena since its inception in 1967. With its ISSN 0022-3840 and E-ISSN 1540-5931, the journal deeply engages with themes encompassing literature, history, and the broader arts and humanities landscape, further categorized in 2023 into distinct quartiles reflected by its superior rankings: Q3 in Arts and Humanities (miscellaneous), Q2 in History, and Q1 in Literature and Literary Theory. This journal not only ranks competitively in Scopus—positioned at the 73rd percentile in Literature and Literary Theory and achieving a significant recognition in History—but also cultivates a rich dialogue aimed at researchers, educators, and students alike. Through its non-open access model, the journal maintains a robust collection of scholarly articles that contribute to the understanding of popular culture's impact on society, making it an essential resource for academics and practitioners committed to this dynamic field.

The Journal of Italian Cinema and Media Studies, published by INTELLECT LTD, is a premier academic journal dedicated to the exploration and critical analysis of Italian cinema and media. Since its inception in 2013, the journal has contributed significantly to the discourse surrounding the intersections of film, culture, and society, making it a vital resource for researchers and professionals alike. With an impressive span of converged years through 2024 and categorized in various quartiles, such as a Q1 ranking in Visual Arts and Performing Arts, the journal stands out in its field. Although it does not currently offer open access, the rigorous scholarship it publishes is accessible to a wide audience, contributing to ongoing dialogues in communication and cultural studies. The journal's impact is further reflected in its Scopus rankings, positioning it within the 64th percentile in Visual Arts and Performing Arts and the 21st percentile in Communication. As a critical avenue for scholarly exchange and creative inquiry, the Journal of Italian Cinema and Media Studies is essential for anyone engaged in the study of media, culture, and the arts.

New Review of Film and Television Studies, published by Routledge Journals, Taylor & Francis Ltd, stands as a vital platform for scholars and practitioners engaged in the dynamic fields of film and television studies within the United Kingdom. This journal, which has been in circulation since 2010 and will continue through 2024, provides a rigorous academic forum for contemporary research, critical analysis, and innovative discourse surrounding visual storytelling. With an impressive Scopus rank placing it in the 66th percentile for Visual Arts and Performing Arts, and a respectable Q2 categorization, the journal fosters an interdisciplinary approach, bridging communication and cultural studies. While the journal does not currently operate under an open access model, it remains an invaluable resource for researchers, students, and professionals aiming to understand and influence the evolving landscape of film and television in our digital age. As it navigates the intersection of media and society, New Review of Film and Television Studies is essential reading for those looking to advance their knowledge and contribute to the ongoing scholarly conversation.

CULTURAL CRITIQUE is a premier academic journal published by University of Minnesota Press, dedicated to the interdisciplinary exploration of cultural phenomena through the lenses of anthropology, cultural studies, literature and literary theory, philosophy, and sociology. With its ISSN 0882-4371 and E-ISSN 1460-2458, the journal serves as a vital forum for scholars to engage, debate, and disseminate innovative ideas and methodologies that redefine cultural narratives and critiques. Spanning a publication timeline from 2002 to 2024, CULTURAL CRITIQUE holds significance in various academic categories, achieving Q4 rankings in anthropology and sociology and as high as Q2 in literature and literary theory. Its Scopus rankings further reinforce its value, placing it in the 82nd percentile among literature-related journals. Although it currently does not offer open access, this journal is key for researchers, professionals, and students aiming to deepen their understanding of culturally driven debates in the contemporary landscape.

MEDIA CULTURE & SOCIETY, published by SAGE PUBLICATIONS LTD, is a prominent academic journal dedicated to the interdisciplinary exploration of media, culture, and societal dynamics. With a long-standing history since its inception in 1979 and extending to 2024, this journal serves as a vital platform for researchers, professionals, and students interested in understanding the complex interplay between media and cultural phenomena. Operating from the United Kingdom, it holds a prestigious Q1 ranking in both communication and sociology/political science categories, reflecting its significant impact within these fields. The journal’s Scopus ranks further attest to its excellence, placing it in the top percentiles and making it an essential resource for advancing scholarly discussions. While not open access, MEDIA CULTURE & SOCIETY continues to provide insightful analyses that shape contemporary discourse on the role of media in society, ensuring its relevance and importance to academic communities worldwide.

Bioscope-South Asian Screen Studies is an influential journal dedicated to advancing the field of screen studies in the South Asian context, published by SAGE Publications India Pvt Ltd. With an ISSN of 0974-9276 and an E-ISSN of 0976-352X, this journal spans a convergence of scholarly research from 2010 to 2024, providing a significant platform for interdisciplinary dialogue. Holding a Q3 rating in Communication and a Q2 rating in Visual Arts and Performing Arts in the 2023 category quartiles, it ranks 212th in its field on Scopus, reflecting its vital contribution to academic discourse. Bioscope aims to explore and critically analyze the rich tapestry of South Asian cinema, media, and performance arts, offering researchers, professionals, and students a valuable resource for deepening their understanding of regional and global cinematic narratives. Readers will find insightful articles that probe the cultural, social, and political dimensions of screen studies, making this journal an essential reference for anyone engaged in the evolving landscape of South Asian visual culture.

Jewish Film & New Media: An International Journal, published by Wayne State University Press, serves as a crucial platform for scholars and practitioners within the realms of Film Studies, Jewish Studies, and Media Studies. Since its inception, the journal has explored the intersection between Jewish culture and cinematic representation while also addressing contemporary media narratives. With an ISSN of 2169-0324 and E-ISSN 2169-0332, it is indexed in major databases, showcasing solid rankings in various disciplines, including a commendable Q2 rank in Visual Arts and Performing Arts. Despite its current Q4 categorizations in Anthropology and Communication, the journal is noted for its engaging contributions that sow rich discussions about Jewish identity, filmic expression, and media representation. Researchers and students alike benefit from the journal’s wealth of interdisciplinary scholarship, which spans converged years from 2013 to 2017 and 2019 to 2022, ensuring a robust timeline of critical inquiry. As an essential resource for understanding the nuances of Jewish film and new media, this journal occupies a unique niche, inviting contributions that push the boundaries of current academic dialogue.

Dixit is a respected academic journal published by Universidad Católica del Uruguay, Facultad de Ciencias Humanas, primarily focusing on the fields of humanities and social sciences. With an ISSN of 1688-3497 and an E-ISSN of 0797-3691, this journal has been a fully Open Access publication since 2007, enabling free and unrestricted access to its high-quality research. It serves as a vital platform for scholars, researchers, and students to explore innovative ideas and disseminate valuable findings that contribute to the understanding of human experiences across various contexts. The journal's commitment to open access not only promotes knowledge sharing but also facilitates cross-disciplinary dialogue, making it an essential resource for anyone seeking to deepen their insights into the humanities. By fostering collaboration and engaging the academic community, Dixit plays a pivotal role in advancing scholarly discourse in Latin America and beyond.

REPRESENTATIONS, published by University of California Press, is a prominent academic journal that has made significant contributions to the fields of Arts and Humanities, Cultural Studies, Gender Studies, and Sociology and Political Science since its inception in 1983. With an ISSN of 0734-6018 and E-ISSN of 1533-855X, REPRESENTATIONS is recognized for its rigorous scholarship and critical discourse, currently positioned in Q2 within its primary categories and holding respectable ranks in Scopus, reflecting its influence and relevance in contemporary academic conversations. Designed for a diverse audience including researchers, educators, and students, this journal facilitates an interdisciplinary dialogue that addresses pressing societal issues through various scholarly lenses. While not openly accessible, its articles are invaluable for those seeking in-depth analysis and innovative perspectives. For continued engagement with critical scholarship through 2024 and beyond, REPRESENTATIONS serves as an essential platform for enriching the discourse surrounding cultural and social inquiries.