Film Quarterly, published by University of California Press, stands as a leading academic journal in the field of visual arts and performing arts, boasting a prestigious Q1 ranking in the 2023 category quartiles. Since its inception in 1969, this quarterly publication has made significant contributions to the study and critique of cinema, attracting attention for its insightful articles, cutting-edge research, and comprehensive reviews that appeal to scholars, practitioners, and students alike. With an ISSN of 0015-1386 and an E-ISSN of 1533-8630, it serves as an essential resource for those seeking to enhance their understanding of film theory, history, and analysis. Although not open access, its articles are critical for researchers navigating the complex landscape of contemporary and historical film studies, underscoring its vital role in advancing scholarship within the discipline.

Journal of Aesthetics & Culture, published by TAYLOR & FRANCIS LTD, is a prestigious Open Access journal that has been serving the academic community since its inception in 2009. Based in the United Kingdom, this journal aims to explore, document, and critically engage with themes in Cultural Studies, Philosophy, and the Visual and Performing Arts. Notable for its impact, the journal holds a Q3 ranking in Cultural Studies and Philosophy, and a Q2 ranking in Visual Arts and Performing Arts as of 2023. With its Scopus rankings placing it within the top 17% of Visual Arts and Performing Arts journals and top 31% in Philosophy, it stands as a vital resource for researchers and practitioners alike. Covering a broad range of contemporary issues and inviting innovative perspectives, the Journal of Aesthetics & Culture plays a crucial role in shaping critical discourse within its fields and fostering an understanding of the intricate interplay between aesthetics and societal contexts.

Jewish Film & New Media: An International Journal, published by Wayne State University Press, serves as a crucial platform for scholars and practitioners within the realms of Film Studies, Jewish Studies, and Media Studies. Since its inception, the journal has explored the intersection between Jewish culture and cinematic representation while also addressing contemporary media narratives. With an ISSN of 2169-0324 and E-ISSN 2169-0332, it is indexed in major databases, showcasing solid rankings in various disciplines, including a commendable Q2 rank in Visual Arts and Performing Arts. Despite its current Q4 categorizations in Anthropology and Communication, the journal is noted for its engaging contributions that sow rich discussions about Jewish identity, filmic expression, and media representation. Researchers and students alike benefit from the journal’s wealth of interdisciplinary scholarship, which spans converged years from 2013 to 2017 and 2019 to 2022, ensuring a robust timeline of critical inquiry. As an essential resource for understanding the nuances of Jewish film and new media, this journal occupies a unique niche, inviting contributions that push the boundaries of current academic dialogue.

Continuum-Journal of Media & Cultural Studies, published by Routledge Journals, Taylor & Francis Ltd, stands as a premier platform for scholarly discourse in the fields of media studies, cultural studies, visual arts, and performing arts. With an impressive Q1 ranking in both Cultural Studies and Visual Arts and Performing Arts for 2023, this journal exemplifies scholarly excellence, attracting high-impact research and innovative ideas that contribute significantly to the academic community. The journal does not currently offer open access, but its rigorous peer-review process ensures that published articles maintain the highest standards of academic integrity and relevance. With a comprehensive coverage period from 1980 to 2024, Continuum addresses critical issues and explores diverse methodologies, making it an essential resource for researchers, professionals, and students alike. Whether you're looking to deepen your understanding of contemporary cultural dynamics or seeking to share your research with a discerning audience, Continuum provides a vital space for transformative dialogue and engagement.

South Asian Popular Culture, published by Routledge Journals, Taylor & Francis Ltd, stands as a premier scholarly publication dedicated to the dynamic and multifaceted cultural landscape of South Asia. With both ISSN 1474-6689 and E-ISSN 1474-6697, this journal has established its credibility in the field, evident in its Q2 ranking in Cultural Studies and Q1 in Visual Arts and Performing Arts as of 2023. The journal encompasses a broad range of themes, focusing on the interplay of popular culture, identity, media, and aesthetics in South Asian societies, and serves as a platform for innovative research that contributes to ongoing dialogues within the arts and humanities. Operating from the United Kingdom, it enjoys a respectable positioning in Scopus rankings—placing in the 87th percentile for Visual Arts and Performing Arts and the 73rd percentile in Cultural Studies—thus assuring researchers and academics of its significant impact. Although it is not offered under open access, South Asian Popular Culture continues to be an essential resource for scholars and practitioners keen on exploring the rich and evolving narratives that shape South Asian cultural expression.

The Journal of Chinese Cinemas, published by Routledge Journals, Taylor & Francis Ltd, is a leading platform dedicated to advancing the field of film studies with a focus on cinema from China. With an ISSN of 1750-8061 and an E-ISSN of 1750-807X, this journal provides a comprehensive examination of the cultural, social, and political dynamics inherent in Chinese cinema. Ranked in the Q3 category for Communication and Q1 for Visual Arts and Performing Arts in 2023, it stands out in the academic landscape, particularly noted for its innovative research and diverse discourse. It holds a respectable position in Scopus rankings, coming in at #219 within Visual Arts and Performing Arts, indicating its growing impact among scholars and practitioners alike. With its commitment to publishing high-quality research from 2012 onwards, the journal serves as an essential resource for researchers, professionals, and students eager to deepen their understanding of the evolving landscape of Chinese cinema.

Film International is a prominent journal dedicated to the exploration of film and its cultural, social, and artistic significance. Published by INTELLECT LTD, this journal serves as a platform for interdisciplinary studies in the field of film criticism, theory, and scholarship, contributing valuable insights from both established and emerging researchers. With an ISSN of 1651-6826 and an E-ISSN of 2040-3801, the journal is an essential resource for those engaged in the realms of communication, cultural studies, and visual arts, though it is currently classified in the lower quartiles of these fields (Q4). Noteworthy for its critical perspectives and diverse content, Film International enhances the dialogue surrounding cinematic practices and their impact on society. Researchers, professionals, and students can explore its rich assemblage of articles and reviews that reflect the evolving landscape of film studies, making it a significant addition to the academic community focused on the art of film.

JOURNAL OF POPULAR FILM AND TELEVISION, published by Routledge Journals, Taylor & Francis Ltd, stands as a significant platform for academic discourse in the realms of cultural studies, visual arts, and performing arts. With its ISSN: 0195-6051 and an evolving digital presence indicated by its E-ISSN: 1930-6458, the journal has carved out a respected niche since its inception in 1978, continuing to contribute to scholarly discussions through 2024. Its impact within the academic community is underscored by a Q3 ranking in Cultural Studies and a Q2 ranking in Visual Arts and Performing Arts for 2023, highlighting its relevance across diverse fields. Notably, with a Scopus ranking placing it in the 74th percentile among visual arts and performing arts journals, it serves as an essential reference point for researchers, professionals, and students committed to the critical examination of film and television. Although not an open-access journal, it provides valuable insights and analysis that enrich understanding of popular media's impact on society. The journal's location in the United States, with a headquarters in Abingdon, England, further affirms its international scope and influence.

Bioscope-South Asian Screen Studies is an influential journal dedicated to advancing the field of screen studies in the South Asian context, published by SAGE Publications India Pvt Ltd. With an ISSN of 0974-9276 and an E-ISSN of 0976-352X, this journal spans a convergence of scholarly research from 2010 to 2024, providing a significant platform for interdisciplinary dialogue. Holding a Q3 rating in Communication and a Q2 rating in Visual Arts and Performing Arts in the 2023 category quartiles, it ranks 212th in its field on Scopus, reflecting its vital contribution to academic discourse. Bioscope aims to explore and critically analyze the rich tapestry of South Asian cinema, media, and performance arts, offering researchers, professionals, and students a valuable resource for deepening their understanding of regional and global cinematic narratives. Readers will find insightful articles that probe the cultural, social, and political dimensions of screen studies, making this journal an essential reference for anyone engaged in the evolving landscape of South Asian visual culture.

HISTORICAL JOURNAL OF FILM RADIO AND TELEVISION, published by Routledge Journals, Taylor & Francis Ltd, is a leading academic publication that explores the intricate narratives of film, radio, and television throughout history. With an ISSN of 0143-9685 and an E-ISSN of 1465-3451, this journal has established itself as a vital resource for researchers and professionals within the fields of communication, history, and the visual arts, reflecting its commitment to rigorous scholarship since its inception in 1981. The journal occupies a reputable position in the academic landscape, recently categorized as Q4 in Communication and History, and Q3 in Visual Arts and Performing Arts, indicating its relevance in these fields. Despite the absence of Open Access options, the publication remains accessible to institutions and individuals eager to engage with critical analyses and historical perspectives on visual media. With its broad scope and historical emphasis, the HISTORICAL JOURNAL OF FILM RADIO AND TELEVISION is crucial for understanding the evolution of media and its impact on culture, making it an essential read for scholars and practitioners alike.