The Journal of Italian Cinema and Media Studies, published by INTELLECT LTD, is a premier academic journal dedicated to the exploration and critical analysis of Italian cinema and media. Since its inception in 2013, the journal has contributed significantly to the discourse surrounding the intersections of film, culture, and society, making it a vital resource for researchers and professionals alike. With an impressive span of converged years through 2024 and categorized in various quartiles, such as a Q1 ranking in Visual Arts and Performing Arts, the journal stands out in its field. Although it does not currently offer open access, the rigorous scholarship it publishes is accessible to a wide audience, contributing to ongoing dialogues in communication and cultural studies. The journal's impact is further reflected in its Scopus rankings, positioning it within the 64th percentile in Visual Arts and Performing Arts and the 21st percentile in Communication. As a critical avenue for scholarly exchange and creative inquiry, the Journal of Italian Cinema and Media Studies is essential for anyone engaged in the study of media, culture, and the arts.

Asian Diasporic Visual Cultures and the Americas is a pioneering journal published by BRILL, dedicated to exploring the intersections of visual culture, identity, and diaspora within the context of the Americas. With an ISSN of 2352-3077 and E-ISSN of 2352-3085, this journal has established itself as a significant resource for academics, researchers, and students interested in the visual arts and their broader social implications. Since its inception in 2015, the journal has been committed to fostering interdisciplinary dialogue, providing a platform for innovative research that examines how Asian diasporic communities express their identities through visual mediums. Despite its relatively recent establishment, it endeavors to challenge and expand the narratives related to visual arts in a diverse and globalized world. Though the journal currently does not offer open access options, it remains a vital asset for those engaged in understanding the critical dynamics of race, ethnicity, and culture in contemporary visual practices. Converging insights from both the arts and social sciences, this journal invites contributions that illuminate the complexities of diasporic experiences, making it a pertinent choice for those aiming to contribute to this evolving field.

Explorations in Renaissance Culture, published by BRILL, is a pivotal academic journal that delves into the multifaceted aspects of Renaissance studies, encompassing Cultural Studies, History, Literature and Literary Theory, Music, Philosophy, and the Visual Arts. Established in 1976 and operating without an open access model, the journal has evolved as a critical platform for scholars and enthusiasts alike, providing rigorous analysis and innovative perspectives on the cultural currents of the Renaissance era. With an ISSN of 0098-2474 and an E-ISSN of 2352-6963, it has garnered a respectable standing among academic peers, evidenced by its quartile ranking in the Q4 category across multiple fields as of 2023 and its Scopus rankings, which acknowledge its role within the broader arts and humanities disciplines. Based in the Netherlands, the journal plays a vital role in fostering scholarly dialogue and advancing research, making it an essential resource for researchers, professionals, and students committed to expanding their understanding of this transformative period in history.

Transnational Screens is a premier academic journal published by Taylor & Francis Ltd, focusing on the dynamic intersections of visual arts, performing arts, and communication in a globalized context. Since its inception, the journal has garnered significant recognition, featuring in the Q1 category for Visual Arts and Performing Arts and Q3 for Communication as of 2023, reflecting its influential contributions to these fields. With a Scopus ranking placing it in the 78th percentile in Visual Arts and Performing Arts, this journal serves as a vital platform for researchers, professionals, and students aiming to explore the implications of transnational narratives in contemporary media and artistic practices. The journal is accessible to a diverse readership and promotes open dialogue through its commitment to publishing innovative and interdisciplinary research from 2020 to 2024. As a key resource for understanding the complexities of transnational screens, it invites submissions that push the boundaries of traditional scholarship and engage with pressing global issues through the lens of the visual and performing arts.

ART HISTORY is a prestigious journal published by Wiley, focusing on the dynamic and diverse field of visual arts and performing arts since its inception in 1978. With an ISSN of 0141-6790 and an E-ISSN of 1467-8365, the journal has established itself as a significant resource for researchers, professionals, and students interested in exploring the complexities of art across various epochs and cultures. Currently ranked in the Q3 category within the Visual Arts and Performing Arts sector and positioned at #132 out of 667 in Scopus rankings—representing the top 80th percentile—ART HISTORY delivers insightful scholarship that contributes to the understanding and appreciation of art history. Although it does not offer open access, the journal remains committed to publishing high-quality, peer-reviewed articles that delve into critical artistic practices, theories, and aesthetics. The journal's location in the United Kingdom further enhances its international reach and influence, making it a vital platform for advancing discourse in the arts.

Studies in Russian and Soviet Cinema, published by Routledge Journals, Taylor & Francis Ltd, provides a critical forum for the exploration and analysis of cinematic practices, histories, and cultures from the Russian and Soviet eras. With its ISSN 1750-3132 and E-ISSN 1750-3140, this journal operates under the editorial guidance of leading scholars in the field, making significant contributions to the Visual Arts and Performing Arts and Communication categories, where it is ranked in the upper quartiles of its peer group. The journal spans a rich period of study, converging insights from 2006 to 2024, thereby allowing for an in-depth understanding of the evolution and impact of cinema in societal narratives. Researchers and enthusiasts alike will appreciate its dedication to illuminating the often-neglected cinematic treasures of Russia and the Soviet Union, promoting scholarly discourse through its rigorous analyses and diverse range of articles. This journal serves as an essential resource for anyone interested in the intersections of film, culture, and history.

Film-Philosophy is an esteemed academic journal published by Edinburgh University Press, specializing in the intersection of film studies and philosophical discourse. Since its launch in 1998, this Open Access journal has provided a platform for scholarly debates and innovative research, allowing for free and unrestricted access to its content, which has significantly contributed to the global dialogue on visual culture. With a commendable impact illustrated by its Q1 ranking in Visual Arts and Performing Arts and Q2 in Philosophy, the journal sits within the top quartile of its field. Operating from the United Kingdom, Film-Philosophy is committed to fostering a multidisciplinary approach, inviting contributions from researchers, professionals, and students alike. By engaging with critical theories and the aesthetics of cinema, the journal stands as a vital resource for understanding the philosophical implications of film and its cultural significance.

JOURNAL OF POPULAR FILM AND TELEVISION, published by Routledge Journals, Taylor & Francis Ltd, stands as a significant platform for academic discourse in the realms of cultural studies, visual arts, and performing arts. With its ISSN: 0195-6051 and an evolving digital presence indicated by its E-ISSN: 1930-6458, the journal has carved out a respected niche since its inception in 1978, continuing to contribute to scholarly discussions through 2024. Its impact within the academic community is underscored by a Q3 ranking in Cultural Studies and a Q2 ranking in Visual Arts and Performing Arts for 2023, highlighting its relevance across diverse fields. Notably, with a Scopus ranking placing it in the 74th percentile among visual arts and performing arts journals, it serves as an essential reference point for researchers, professionals, and students committed to the critical examination of film and television. Although not an open-access journal, it provides valuable insights and analysis that enrich understanding of popular media's impact on society. The journal's location in the United States, with a headquarters in Abingdon, England, further affirms its international scope and influence.

SIGHT AND SOUND is a prestigious journal published by the British Film Institute, dedicated to the exploration of cinema and its cultural significance. With an ISSN of 0037-4806 and an E-ISSN matching the same, this journal has been a critical platform for film studies since its inception, contributing valuable insights to the realms of visual arts and performing arts. Despite its discontinuation in the Scopus database post-2021, SIGHT AND SOUND commands respect within its field, currently holding a Q3 rank among Visual Arts and Performing Arts journals. Operating from 21 Stephen Street, London W1P 1PL, England, it serves as a vital resource for researchers, professionals, and students looking to deepen their understanding of film theory, critique, and history. While access to its articles is not open, the journal continues to influence the discourse in film studies, making it a significant asset in academic and professional circles.

Bioscope-South Asian Screen Studies is an influential journal dedicated to advancing the field of screen studies in the South Asian context, published by SAGE Publications India Pvt Ltd. With an ISSN of 0974-9276 and an E-ISSN of 0976-352X, this journal spans a convergence of scholarly research from 2010 to 2024, providing a significant platform for interdisciplinary dialogue. Holding a Q3 rating in Communication and a Q2 rating in Visual Arts and Performing Arts in the 2023 category quartiles, it ranks 212th in its field on Scopus, reflecting its vital contribution to academic discourse. Bioscope aims to explore and critically analyze the rich tapestry of South Asian cinema, media, and performance arts, offering researchers, professionals, and students a valuable resource for deepening their understanding of regional and global cinematic narratives. Readers will find insightful articles that probe the cultural, social, and political dimensions of screen studies, making this journal an essential reference for anyone engaged in the evolving landscape of South Asian visual culture.