New Review of Film and Television Studies, published by Routledge Journals, Taylor & Francis Ltd, stands as a vital platform for scholars and practitioners engaged in the dynamic fields of film and television studies within the United Kingdom. This journal, which has been in circulation since 2010 and will continue through 2024, provides a rigorous academic forum for contemporary research, critical analysis, and innovative discourse surrounding visual storytelling. With an impressive Scopus rank placing it in the 66th percentile for Visual Arts and Performing Arts, and a respectable Q2 categorization, the journal fosters an interdisciplinary approach, bridging communication and cultural studies. While the journal does not currently operate under an open access model, it remains an invaluable resource for researchers, students, and professionals aiming to understand and influence the evolving landscape of film and television in our digital age. As it navigates the intersection of media and society, New Review of Film and Television Studies is essential reading for those looking to advance their knowledge and contribute to the ongoing scholarly conversation.

The Journal of Science and Technology of the Arts, published by UNIV CATOLICA PORTUGUESA, is a pioneering open access journal dedicated to the interrelation of the arts and scientific advancements. Since its inception in 2009, it has served as a critical platform for disseminating innovative research across various disciplines, including Visual Arts, Performing Arts, Music, and Conservation. With its ISSN 1646-9798 and E-ISSN 2183-0088, the journal operates from Portugal, attracting a diverse international audience. Although it is currently ranked in Q4 for Arts and Humanities (miscellaneous) and Computer Science Applications, it has achieved notable Q3 rankings in Conservation, Music, and Visual Arts and Performing Arts as of 2023. The journal's impact is reflected in its Scopus rankings, which place it in the midst of its peers, showcasing its growing influence. Through its commitment to fostering interdisciplinary dialogue, the Journal of Science and Technology of the Arts is essential for researchers, professionals, and students interested in the innovative integration of arts and technology.

JOURNAL OF AMERICAN CULTURE is a distinguished academic journal published by Wiley, focusing on the rich tapestry of American culture through various lenses including history, literature, visual arts, and cultural studies. Established in 1996 and continuing its scholarly contributions through 2024, the journal serves as a vital platform for researchers, professionals, and students to disseminate their work and engage with critical discussions surrounding American cultural narratives. With an impressive impact reflected in its 2023 quartile rankings — Q2 in Literature and Literary Theory and Q3 in Cultural Studies, History, and Visual Arts and Performing Arts — the journal enhances scholarly dialogue across diverse disciplines. Although it does not offer Open Access options, its rigorous peer-review process ensures high-quality research dissemination. It is a go-to resource for those aiming to explore the evolving dynamics of American culture within a global context.

Visual Studies, published by Taylor & Francis Ltd, is a leading international journal that serves as a vital platform for interdisciplinary scholarship in the fields of visual arts, cultural studies, and anthropology. Established in 2002 and continuing strong through 2024, it holds impressive rankings including Q1 in Cultural Studies and Visual Arts and Performing Arts, as well as Q2 in Anthropology, reflecting its significant impact and prestige within these disciplines. With a robust Scopus ranking placing it in the 89th percentile for Visual Arts and Performing Arts, this journal does not only publish original research but also fosters rich dialogues on visual culture, representation, and critical theory. Although it is not open access, researchers, practitioners, and students alike can benefit from its rigorous peer-reviewed content, which contributes to advancing knowledge and understanding of visual phenomena. Located in the United Kingdom, Visual Studies continues to shape the conversations surrounding visual practices and their societal implications.

Discourse: Journal for Theoretical Studies in Media and Culture, published by Wayne State University Press, serves as a vital academic platform dedicated to advancing the theories and critical discussions surrounding the complex interplay of media, culture, and society. With an ISSN of 1522-5321 and an E-ISSN of 1536-1810, this journal aims to foster interdisciplinary dialogue among researchers, professionals, and students alike. Although not an open-access journal, it provides a wealth of peer-reviewed articles that delve into contemporary issues in media theory and cultural studies, reflective of its commitment to intellectual rigor and scholarly excellence. With its emphasis on innovative perspectives and critical analysis, Discourse is essential for anyone engaged in exploring the implications of media in our cultural landscape, making it a pivotal resource in the field.

Transnational Screens is a premier academic journal published by Taylor & Francis Ltd, focusing on the dynamic intersections of visual arts, performing arts, and communication in a globalized context. Since its inception, the journal has garnered significant recognition, featuring in the Q1 category for Visual Arts and Performing Arts and Q3 for Communication as of 2023, reflecting its influential contributions to these fields. With a Scopus ranking placing it in the 78th percentile in Visual Arts and Performing Arts, this journal serves as a vital platform for researchers, professionals, and students aiming to explore the implications of transnational narratives in contemporary media and artistic practices. The journal is accessible to a diverse readership and promotes open dialogue through its commitment to publishing innovative and interdisciplinary research from 2020 to 2024. As a key resource for understanding the complexities of transnational screens, it invites submissions that push the boundaries of traditional scholarship and engage with pressing global issues through the lens of the visual and performing arts.

South Central Review, a distinguished academic journal published by Johns Hopkins University Press, serves as a vital platform for scholarly discourse in the fields of cultural studies, literature and literary theory, philosophy, and the visual and performing arts. With an ISSN of 0743-6831 and an E-ISSN of 1549-3377, this journal is dedicated to highlighting innovative research and critical analyses that explore the complexities of Southern culture and its broader implications. Although it operates without an open access option, the journal is recognized for its rigorous peer-review process and contributions to contemporary academic dialogue, holding Q3 and Q4 rankings across several disciplines as of 2023. The convergence of ideas and perspectives from diverse academic backgrounds positions the South Central Review as an essential resource for researchers, professionals, and students seeking to deepen their understanding of the cultural narratives shaping our world today.

POSTMODERN CULTURE, published by Johns Hopkins University Press, is a pivotal journal in the fields of Cultural Studies, Literature and Literary Theory, and the Visual Arts and Performing Arts. With a focus on the nuances of postmodern theory and its interdisciplinary applications, the journal has established itself as an essential resource for researchers and scholars seeking to explore contemporary cultural phenomena through innovative critical lenses. Compiling works from 2002 to 2023, it is indexed with notable rankings, including Q2 in Literature and Literary Theory and Q3 in Cultural Studies, reflecting its significant contribution to persistent academic discourse. While not open access, the journal ensures that access to groundbreaking research is available to libraries and institutions, reinforcing its importance in the scholarly community. POSTMODERN CULTURE serves not only as a repository of academic inquiry but also as a catalyst for new ideas, stimulating dialogue among professionals and students alike in understanding the complexities of today's cultural landscape.

French Screen Studies is a distinguished journal published by Routledge Journals, Taylor & Francis Ltd, focusing on the dynamic interactions between film, media, and cultural studies within the context of French cinema. Since its inception in 2020, the journal has contributed significantly to the academic landscape, providing a platform for innovative research and critical discussion on visual arts and performance as reflected in its prestigious Q1 ranking in Visual Arts and Performing Arts for 2023. Despite being a burgeoning journal, it holds an impressive position within Scopus rankings, particularly in the Arts and Humanities sphere. Researchers and scholars will find the journal a vital resource, as it endeavors to explore the intersections of screen studies with broader social and cultural implications. Although currently not open access, French Screen Studies continues to foster an inclusive dialogue among academics, paving the way for future exploration of France’s influential cinematic heritage.

Atalante-Revista de Estudios Cinematograficos, an esteemed open-access journal published by ASOC CINEFORUM L ATALANTE, has been a vital platform for scholarly discourse in the fields of Cultural Studies, History, and Visual Arts and Performing Arts since its inception in 2011. With a commitment to promoting innovative research and critical analyses, Atalante has earned a commendable reputation, achieving Q2 status in Cultural Studies and both Q1 rankings in History and Visual Arts for 2023. Based in Valencia, Spain, this journal not only serves as a conduit for scholars to disseminate findings but also provides unrestricted access to its contents since 2013, fostering a more informed and engaged academic community. With its diverse range of topics and the ability to access high-quality research at no cost, Atalante plays a crucial role in advancing the understanding of cinematic studies and its contextual significance in broader cultural narratives.