Folk Music Journal, published by the English Folk Dance Song Society, is a prominent publication within the fields of Music and Visual Arts and Performing Arts. This journal, based in the United Kingdom at Cecil Sharp House, has been instrumental in advancing the study and appreciation of folk music, sharing invaluable research and insights from 2002 until its recent coverage concluded in 2020. Notably indexed with a Q3 rank in both the Music and Visual Arts categories for 2023, it stands as a significant resource for researchers, professionals, and students alike, contributing to a deeper understanding of folk music's cultural impact. Although it does not currently offer Open Access, the journal has fostered scholarly discourse, reflecting its vital role in the preservation and analysis of traditional musical forms.

ACTA MUSICOLOGICA, published by the International Musicological Society, stands as a pivotal journal within the field of Musicology, garnering attention from scholars and practitioners alike. With its ISSN 0001-6241, the journal serves as a vital platform for innovative research and discourse from 2002 to 2013 and again from 2016 to 2024, achieving a Q2 ranking in the 2023 Music category. Reflecting a commitment to excellence, it ranks #105 out of 180 in Arts and Humanities Music according to Scopus, placing it at the 41st percentile among its peers. Although not open access, ACTA MUSICOLOGICA ensures the dissemination of significant musical research, fostering scholarly exchange and exploration. This esteemed publication is essential for researchers, professionals, and students looking to deepen their understanding of musicology and contribute to ongoing academic conversations.

Welcome to Problemy Muzykalnoi Nauki-Music Scholarship, a leading journal in the field of music scholarship published by the esteemed Gnesin Russian Academy of Music. With an ISSN of 2782-358X and an E-ISSN of 2782-3598, this Open Access journal has been committed to the dissemination of high-quality research since 2009, making scholarly work accessible to a global audience. Covering diverse aspects of music theory, history, and its socio-cultural impacts, Problemy Muzykalnoi Nauki serves as an essential platform for scholars, educators, and practitioners in the arts and humanities, as well as in social sciences related to music education. While its Scopus coverage was discontinued in 2021, the journal remains influential, holding a rank of #48 in the Arts and Humanities category and a percentile of 67th, showcasing its relevance and rigor in the discipline. We invite researchers and students alike to explore the rich contributions made within these pages, fostering a deeper understanding and appreciation of music in contemporary society.

PARERGON, the esteemed journal published by the Australian and New Zealand Association for Medieval and Early Modern Studies, serves as a vital platform for scholarly discourse within the fields of Arts and Humanities, Cultural Studies, History, Literature and Literary Theory, Religious Studies, and Visual Arts and Performing Arts. Established in 2002, PARERGON aims to contribute significantly to the understanding and appreciation of medieval and early modern studies by providing a forum for innovative research and critical analysis. With a commendable ranking within the Q4 category, it is regarded as a niche journal that, despite its humble rankings, attracts the attention of researchers, professionals, and students seeking avenues for intellectual growth. The journal does not offer Open Access, ensuring a focused readership commitment but may present challenges for broader dissemination. By bridging disciplines and fostering interdisciplinary dialogue, PARERGON plays an important role in enriching the academic landscape of its respective fields, making it a relevant choice for those invested in exploring historical and cultural narratives.

MUSIKFORSCHUNG is a distinguished journal in the field of music studies, published by NEUWERK-BUCH UND MUSIKALIENHANDLUNG in Germany. With its ISSN 0027-4801, the journal caters to scholars, practitioners, and students interested in the diverse realms of musicology. Although it is currently not an Open Access publication, MUSIKFORSCHUNG plays a vital role in the academic landscape by disseminating research and critical discourse on music from various historical and contemporary perspectives. The journal has established its worth in the academic community, being categorized in the Q4 quartile in Music for 2023 and holding a rank of #169 out of 180 in the Scopus Arts and Humanities Music category, placing it within the 6th percentile. With publication activities spanning from 2002 to 2013 and resuming in 2016 through to 2024, MUSIKFORSCHUNG continues to be a crucial resource for those dedicated to advancing music scholarship. Set in the cultural heart of Kassel, Germany, the journal invites contributions that foster an understanding of music's impact on society and culture.

JOURNAL OF MUSICOLOGY, published by UNIV CALIFORNIA PRESS, stands as a premier academic forum for the exploration and dissemination of research in the field of musicology. With an ISSN of 0277-9269, this journal provides a vital platform for scholars, practitioners, and educators to engage with contemporary and historical music studies. The journal, which has been publishing significant works since 1982 and continues through to 2024, boasts a commendable Q2 ranking in Music and holds a notable position within the 68th percentile of Scopus rankings for Arts and Humanities, specifically in Music. Although it does not offer open access, the journal remains a crucial resource for those dedicated to advancing the understanding of musical heritage, theory, and practice. The JOURNAL OF MUSICOLOGY aims to foster interdisciplinary dialogue and promote innovative methodologies within the field, thereby making it an essential read for all engaged in the scholarly pursuit of music.

The JOURNAL OF MEDIEVAL AND EARLY MODERN STUDIES, published by DUKE UNIVERSITY PRESS, is a distinguished platform dedicated to exploring the intricacies of medieval and early modern cultures through an interdisciplinary lens. With an ISSN of 1082-9636, this journal has been pivotal in advancing scholarship from 2002 to 2024, providing researchers, professionals, and students with insightful contributions that enhance understanding within the fields of Arts and Humanities and Cultural Studies. With its current standing as Q3 in both category quartiles for 2023 and respectable ranking in Scopus, this publication attracts a diverse readership and stimulates critical conversations about historical narratives and cultural phenomena. Although not an open-access journal, its rich content serves as an invaluable resource for those seeking to delve deeper into the complexities of past societies. The journal’s commitment to excellence in scholarship underscores its vital role in the academic community.

Musicologica Brunensia, an esteemed journal published by Masaryk University, Faculty of Arts, serves as a significant platform for the dissemination of knowledge in the field of musicology. Based in the Czech Republic, this Open Access journal has been facilitating scholarly communication since 2009, allowing unrestricted access to its rich array of research articles. With an ISSN of 1212-0391 and an E-ISSN of 2336-436X, Musicologica Brunensia proudly holds a Q3 ranking in the Music category as of 2023, reflecting its dedication to advancing research in the arts and humanities, particularly music. The journal accepts contributions spanning diverse topics within music studies, fostering interdisciplinary dialogue among researchers, professionals, and students alike. Located at Arne Novaka 1, Brno, 60200, Czech Republic, Musicologica Brunensia is poised to continue its journey of promoting innovative scholarship in musicology until 2024 and beyond, making it a valuable resource for anyone passionate about the field.

JOURNAL OF MUSICOLOGICAL RESEARCH, published by Taylor & Francis Ltd, is an esteemed platform that delves into the field of musicology, contributing to the ongoing dialogue in music research and scholarship since its establishment in 1979. With an ISSN of 0141-1896 and an E-ISSN of 1547-7304, this journal serves as a vital resource for researchers, professionals, and students, offering insights into diverse musicological topics. Although currently categorized in Q4 in Music with Scopus rankings placing it at #110 out of 180 in the Arts and Humanities field, its commitment to excellence and broader discourses in music studies is evident. The journal does not have Open Access options, yet it provides accessible content through reputable academic channels, fostering scholarly exchanges within the community. It aims to publish high-quality research that advances understanding of musical practices and cultural implications, making it a critical resource for those passionate about music and its myriad influences.

JAMES JOYCE QUARTERLY is a distinguished journal devoted to the scholarship and exploration of the works of James Joyce, a pivotal figure in modern literature. Published by University of Tulsa, this journal plays a vital role in fostering a deeper understanding of Joyce's contributions to literary theory and narrative innovation. The journal does not currently offer Open Access options, yet it continually engages with both established scholars and emerging voices in the field. With its ISSN 0021-4183 and E-ISSN 1938-6036, the JAMES JOYCE QUARTERLY has established itself within the literature and literary theory landscape, earning a 2023 Scopus rank of #842 out of 1,106 in its category, which places it in the 23rd percentile. Engaging readers from its inception in 1989 and through various publication cycles, this quarterly invites contributions that challenge, critique, and expand upon Joycean studies. As a Q4 journal, it serves as an accessible platform for emerging research in literary scholarship, making it an invaluable resource for researchers, professionals, and students seeking to delve deeper into the nuances of Joyce's literary prowess.