EARLY MUSIC

Scope & Guideline

Illuminating the Legacy of Musical Traditions

Introduction

Welcome to your portal for understanding EARLY MUSIC, featuring guidelines for its aims and scope. Our guidelines cover trending and emerging topics, identifying the forefront of research. Additionally, we track declining topics, offering insights into areas experiencing reduced scholarly attention. Key highlights include highly cited topics and recently published papers, curated within these guidelines to assist you in navigating influential academic dialogues.
LanguageEnglish
ISSN0306-1078
PublisherOXFORD UNIV PRESS
Support Open AccessNo
CountryUnited Kingdom
TypeJournal
Convergefrom 1973 to 2024
AbbreviationEARLY MUSIC / Early Music
Frequency4 issues/year
Time To First Decision-
Time To Acceptance-
Acceptance Rate-
Home Page-
AddressGREAT CLARENDON ST, OXFORD OX2 6DP, ENGLAND

Aims and Scopes

The journal 'Early Music' is dedicated to the study, performance, and dissemination of music from the medieval through the early modern periods. It serves as a platform for research that explores various dimensions of early music, including its historical context, performance practice, and cultural significance.
  1. Historical Musicology:
    Focuses on the historical development of music from the medieval to the early modern period, analyzing composers, works, and their societal impact.
  2. Performance Practice:
    Investigates the techniques and methods used in the performance of early music, emphasizing historical authenticity and the interpretation of period instruments.
  3. Cross-Cultural Studies:
    Explores the interactions between different musical traditions and cultures, examining how early music has influenced and been influenced by various global contexts.
  4. Music and Society:
    Studies the relationship between music and social, political, and religious structures, including how music functions in rituals, celebrations, and daily life.
  5. Manuscript Studies and Archival Research:
    Engages with primary sources such as manuscripts and archives to uncover new insights into the creation and transmission of early music.
In recent years, 'Early Music' has seen a notable evolution in its thematic focus, with several emerging trends that reflect current scholarly interests in the field. These trends highlight the journal's responsiveness to contemporary issues and interdisciplinary approaches.
  1. Interdisciplinary Approaches:
    Research that intersects musicology with other fields such as history, literature, and visual arts is on the rise, reflecting a broader understanding of music's cultural significance.
  2. Digital Humanities in Musicology:
    The integration of digital tools and methodologies is becoming increasingly prominent, with studies utilizing technology to analyze, preserve, and disseminate early music.
  3. Focus on Gender and Identity:
    There is a growing emphasis on gender studies and the role of identity in early music, exploring how gender dynamics have shaped musical practices and representations.
  4. Revival of Historical Instruments:
    An increasing interest in the performance and study of historical instruments is evident, with research focusing on their construction, sound characteristics, and role in early music ensembles.
  5. Global Perspectives on Early Music:
    The journal is expanding its focus to include global musical traditions and their interactions with European music, highlighting a more inclusive view of early music's history.

Declining or Waning

While 'Early Music' maintains a robust focus on various aspects of early music studies, certain themes appear to be diminishing in prominence over recent years. These waning scopes may reflect shifting interests in research methodologies or the evolving landscape of musicology.
  1. Traditional Musicology:
    There seems to be a decline in strictly traditional musicological approaches that focus solely on analysis of scores and music theory without considering broader cultural contexts.
  2. Exclusively Western Canon:
    The focus on the Western canon of early music appears to be decreasing as the journal embraces a more global perspective, integrating non-Western musical traditions.
  3. Narrow Biographical Studies:
    Research centered on individual composers' biographies is becoming less frequent, with a shift towards more thematic and contextual explorations that encompass wider socio-cultural movements.
  4. Static Performance Practices:
    There is less emphasis on rigid historical performance practices. Instead, the journal is increasingly examining the fluidity and adaptability of performance in contemporary contexts.
  5. Isolated Genre Studies:
    Studies focusing on isolated genres or specific types of early music are waning, as interdisciplinary approaches that connect various genres and forms are becoming more favored.

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