ACTA MUSICOLOGICA, published by the International Musicological Society, stands as a pivotal journal within the field of Musicology, garnering attention from scholars and practitioners alike. With its ISSN 0001-6241, the journal serves as a vital platform for innovative research and discourse from 2002 to 2013 and again from 2016 to 2024, achieving a Q2 ranking in the 2023 Music category. Reflecting a commitment to excellence, it ranks #105 out of 180 in Arts and Humanities Music according to Scopus, placing it at the 41st percentile among its peers. Although not open access, ACTA MUSICOLOGICA ensures the dissemination of significant musical research, fostering scholarly exchange and exploration. This esteemed publication is essential for researchers, professionals, and students looking to deepen their understanding of musicology and contribute to ongoing academic conversations.

REVUE DE MUSICOLOGIE is a prominent academic journal dedicated to the diverse field of musicology, published by EDITIONS TRANSATLANTIQUES in France. With an ISSN of 0035-1601, this journal has been a key platform for researchers and scholars since its inception, fostering scholarly discourse and advancing the understanding of music's cultural, theoretical, and historical dimensions. Although it currently holds a Q4 category in Music according to the 2023 quartiles and is ranked #140 in the Scopus Arts and Humanities Music category, REVUE DE MUSICOLOGIE continues to publish valuable insights that contribute to the global musicological landscape. The journal does not offer open access, adhering to standard subscription models. Its primary objective is to provide a rigorous forum for original research articles, reviews, and theoretical discussions, making it an essential resource for academics, professionals, and students in the field of musicology. Located at 50 RUE JOSEPH DE MAISTRE, 75018 PARIS, FRANCE, it promises to remain a vital part of music research through 2023 and beyond.

Folk Music Journal, published by the English Folk Dance Song Society, is a prominent publication within the fields of Music and Visual Arts and Performing Arts. This journal, based in the United Kingdom at Cecil Sharp House, has been instrumental in advancing the study and appreciation of folk music, sharing invaluable research and insights from 2002 until its recent coverage concluded in 2020. Notably indexed with a Q3 rank in both the Music and Visual Arts categories for 2023, it stands as a significant resource for researchers, professionals, and students alike, contributing to a deeper understanding of folk music's cultural impact. Although it does not currently offer Open Access, the journal has fostered scholarly discourse, reflecting its vital role in the preservation and analysis of traditional musical forms.

PARERGON, the esteemed journal published by the Australian and New Zealand Association for Medieval and Early Modern Studies, serves as a vital platform for scholarly discourse within the fields of Arts and Humanities, Cultural Studies, History, Literature and Literary Theory, Religious Studies, and Visual Arts and Performing Arts. Established in 2002, PARERGON aims to contribute significantly to the understanding and appreciation of medieval and early modern studies by providing a forum for innovative research and critical analysis. With a commendable ranking within the Q4 category, it is regarded as a niche journal that, despite its humble rankings, attracts the attention of researchers, professionals, and students seeking avenues for intellectual growth. The journal does not offer Open Access, ensuring a focused readership commitment but may present challenges for broader dissemination. By bridging disciplines and fostering interdisciplinary dialogue, PARERGON plays an important role in enriching the academic landscape of its respective fields, making it a relevant choice for those invested in exploring historical and cultural narratives.

MUSIKTHEORIE is a pivotal journal dedicated to the field of music theory, published by LAABER-VERLAG. With its ISSN 0177-4182, this journal serves as an essential platform for scholars, educators, and practitioners interested in the multifaceted dimensions of music theory. Although it does not currently offer open access, it provides in-depth analyses and critical discourse on theoretical frameworks, compositional techniques, and historical perspectives in music. Despite its coverage in Scopus being discontinued after 2018 and ranking within the 5th percentile of Arts and Humanities - Music, MUSIKTHEORIE remains a respected publication for advancing knowledge and fostering collaboration within the musicological community. Researchers and students alike can benefit from its rich content and the insights shared within its pages.

Studia Slavica et Balcanica Petropolitana is an esteemed open-access journal, published by the Department of History at St. Petersburg State University, focusing on interdisciplinary research within the fields of Slavic and Balkan studies. Since its inception in 2007, the journal has made significant contributions to the academic discourse surrounding historical and contemporary issues pertinent to these regions, thus achieving a strong reputation among scholars. As of 2023, it is categorized in the Q2 quartile for History, ranked 873 out of 1760 in the arts and humanities segment, highlighting its impactful scholarly contributions. The journal operates out of Russia, with its editorial office located at Mendeleevskaya Liniya in St. Petersburg. Its accessible publishing model promotes widespread dissemination of knowledge, making it an invaluable resource for researchers, professionals, and students who aim to deepen their understanding of Slavic and Balkan societies from both historical and modern perspectives.

Empirical Musicology Review is a pioneering journal in the field of musicology, published by the Ohio State University School of Music. Established as an open access journal since 2006, it aims to foster interdisciplinary research by providing a platform for scholars to disseminate empirical studies and analyses related to music. With ISSN 1559-5749, this journal plays a crucial role in expanding the understanding of music through methodological rigor and innovative practices, catering to researchers, professionals, and students alike. By promoting the accessibility of high-quality research, Empirical Musicology Review significantly contributes to the evolving landscape of music studies and enhances the global dialogue surrounding music's theoretical and practical dimensions. The journal's commitment to open access ensures that its valuable insights reach a broad audience, encouraging further exploration and collaboration within the musicology community.

Plainsong & Medieval Music is a prestigious journal dedicated to the study of early music, particularly plainsong and its cultural contexts, published by Cambridge University Press. Established in 1992, this journal has become a vital resource for scholars in the field of musicology, offering a platform for the dissemination of high-quality research. With an impressive Q1 ranking in the Music category for 2023, it is recognized for its significant contribution to the academic discourse surrounding medieval music traditions. While the journal does not currently offer Open Access options, its rich content, ranging from peer-reviewed articles to critical reviews, remains accessible to researchers, professionals, and students eager to deepen their understanding of this nuanced area. Residing in Cambridge, England, the journal continues to embrace innovative research methodologies, ensuring it remains at the forefront of the evolving landscape of music studies.

JOURNAL OF MUSICOLOGICAL RESEARCH, published by Taylor & Francis Ltd, is an esteemed platform that delves into the field of musicology, contributing to the ongoing dialogue in music research and scholarship since its establishment in 1979. With an ISSN of 0141-1896 and an E-ISSN of 1547-7304, this journal serves as a vital resource for researchers, professionals, and students, offering insights into diverse musicological topics. Although currently categorized in Q4 in Music with Scopus rankings placing it at #110 out of 180 in the Arts and Humanities field, its commitment to excellence and broader discourses in music studies is evident. The journal does not have Open Access options, yet it provides accessible content through reputable academic channels, fostering scholarly exchanges within the community. It aims to publish high-quality research that advances understanding of musical practices and cultural implications, making it a critical resource for those passionate about music and its myriad influences.

The JOURNAL OF MEDIEVAL AND EARLY MODERN STUDIES, published by DUKE UNIVERSITY PRESS, is a distinguished platform dedicated to exploring the intricacies of medieval and early modern cultures through an interdisciplinary lens. With an ISSN of 1082-9636, this journal has been pivotal in advancing scholarship from 2002 to 2024, providing researchers, professionals, and students with insightful contributions that enhance understanding within the fields of Arts and Humanities and Cultural Studies. With its current standing as Q3 in both category quartiles for 2023 and respectable ranking in Scopus, this publication attracts a diverse readership and stimulates critical conversations about historical narratives and cultural phenomena. Although not an open-access journal, its rich content serves as an invaluable resource for those seeking to delve deeper into the complexities of past societies. The journal’s commitment to excellence in scholarship underscores its vital role in the academic community.