Quiroga-Revista de Patrimonio Iberoamericano, published by UNIV GRANADA, is a distinguished open-access journal dedicated to the fields of conservation, museology, and the visual and performing arts. Since its inception in 2012, the journal has provided a platform for scholars and practitioners to disseminate innovative research and critical discussions pertinent to Ibero-American heritage. With a growing impact, evidenced by its category quartiles ranking—Q3 in Conservation and Q2 in both Museology and Visual Arts and Performing Arts—as well as its Scopus rankings, Quiroga serves as an essential resource for researchers, professionals, and students who engage with the complexities of cultural preservation and artistic expression. The journal’s commitment to open access ensures the widespread availability of knowledge, fostering academic dialogue and collaboration within the global community. For inquiries, the journal can be reached at their offices located in Granada, Spain.

Studies in European Cinema is an esteemed journal published by Routledge Journals, Taylor & Francis Ltd, focusing on the multifaceted realms of European cinema and its contextual relevance. With an ISSN of 1741-1548 and an E-ISSN of 2040-0594, this journal provides a dynamic platform for researchers and practitioners in the fields of Communication, Visual Arts, and Performing Arts. As reflected by its recent Scopus rankings, it holds a respectable position in the Arts and Humanities with an 84th percentile rank, indicating its significance and impact in the scholarly community. While not entirely open access, Studies in European Cinema seeks to foster critical discourse and analysis from 2004 to 2024, covering a broad spectrum of topics related to film studies, cultural representations, and the evolving narratives within European cinematic practices. Engaging with diverse theoretical frameworks, the journal aims to contribute to the vibrant dialogue surrounding European cinema, making it an essential resource for academics, filmmakers, and students alike who are passionate about exploring cinematic expression in a European context.

GESTA-INTERNATIONAL CENTER OF MEDIEVAL ART is a distinguished journal published by University of Chicago Press, focusing on the intricate and rich tapestry of medieval art. With the ISSN 0016-920X and E-ISSN 2169-3099, it serves as a vital resource for scholars and enthusiasts alike, examining the evolution and influence of visual arts during the medieval period. This journal is indexed in Scopus, showcasing its ranking of #188 out of 667 in the field of Arts and Humanities, placing it within the 71st percentile. Moreover, it holds a notable Q3 categorization in Visual Arts and Performing Arts as of 2023, reflecting its significant contribution to academic discourse. Although it is not an open-access journal, GESTA provides invaluable insights and critical analyses that engage a broad audience including researchers, professionals, and students dedicated to medieval studies. With publication converging from 2002 to 2006 and continuing from 2008 to 2024, GESTA is committed to promoting a deeper understanding of art's historical contexts, making it an essential addition to any academic library.

French Screen Studies is a distinguished journal published by Routledge Journals, Taylor & Francis Ltd, focusing on the dynamic interactions between film, media, and cultural studies within the context of French cinema. Since its inception in 2020, the journal has contributed significantly to the academic landscape, providing a platform for innovative research and critical discussion on visual arts and performance as reflected in its prestigious Q1 ranking in Visual Arts and Performing Arts for 2023. Despite being a burgeoning journal, it holds an impressive position within Scopus rankings, particularly in the Arts and Humanities sphere. Researchers and scholars will find the journal a vital resource, as it endeavors to explore the intersections of screen studies with broader social and cultural implications. Although currently not open access, French Screen Studies continues to foster an inclusive dialogue among academics, paving the way for future exploration of France’s influential cinematic heritage.

Moving Image is a distinguished academic journal published by University of Minnesota Press, dedicated to the exploration and critical analysis of visual culture. With an ISSN of 1532-3978 and an E-ISSN of 1542-4235, this journal plays a vital role in advancing scholarship in the fields of Conservation, Visual Arts, and Performing Arts, offering insights from its notable publication history from 2013 to 2019 and again from 2021 to 2022. While it currently does not offer open access options, the journal is recognized as a crucial platform for disseminating research, reflected in its rankings—#442/667 in Visual Arts and Performing Arts and #87/103 in Conservation according to Scopus. Despite its placement in the Q4 quartile for both fields, Moving Image remains a key resource for scholars, students, and practitioners interested in the intricate dynamics of moving images in contemporary culture. Its commitment to fostering dialogue and innovation in visual studies ensures its relevance and influence within the academic community.

SituArte is an esteemed academic journal published by UNIV ZULIA-VENEZUELA, focusing on the interdisciplinary fields of art, culture, and social sciences, particularly within the Latin American context. With its ISSN 1856-7134 and E-ISSN 2542-3231, SituArte endeavors to foster critical discourse and promote innovative research that explores the dynamic interplay between visual culture and societal impacts. Although this journal does not currently offer open access options, it remains a vital resource for researchers, professionals, and students seeking to contribute to the evolving conversations in these disciplines. Situated in Maracaibo, Venezuela, SituArte emphasizes regional perspectives while engaging with global trends, making it an essential platform for disseminating scholarly work that challenges conventional paradigms and enriches the academic community.

Film International is a prominent journal dedicated to the exploration of film and its cultural, social, and artistic significance. Published by INTELLECT LTD, this journal serves as a platform for interdisciplinary studies in the field of film criticism, theory, and scholarship, contributing valuable insights from both established and emerging researchers. With an ISSN of 1651-6826 and an E-ISSN of 2040-3801, the journal is an essential resource for those engaged in the realms of communication, cultural studies, and visual arts, though it is currently classified in the lower quartiles of these fields (Q4). Noteworthy for its critical perspectives and diverse content, Film International enhances the dialogue surrounding cinematic practices and their impact on society. Researchers, professionals, and students can explore its rich assemblage of articles and reviews that reflect the evolving landscape of film studies, making it a significant addition to the academic community focused on the art of film.

STORIA DELL ARTE is a notable journal dedicated to the rich exploration of art history and its varied facets, published by LUCA EDITORI ARTE ROMA. With an ISSN of 0392-4513, this publication serves as a vital resource for researchers, professionals, and students in the fields of Visual Arts and Performing Arts. Although the journal's coverage in Scopus has been discontinued from 2014, it has been recognized in the Scopus ranking as positioned within the 31st percentile among 374 entries in its category, highlighting its relevance in the realm of arts and humanities. While it does not offer open access, the journal's commitment to enriching the discourse on art history makes it an essential read for anyone interested in visual culture and historical contexts. Based in the heart of Rome, at VIA NOVELLA, 22, ROMA 00199 RM, ITALY, STORIA DELL ARTE continues to inspire scholarly discussion and contribute valuable insights to the academic community.

The Journal of Victorian Culture, published by Oxford University Press, is an esteemed academic journal that explores the multifaceted cultural landscape of the Victorian era. With a publication history spanning from 1996 to 2024, this journal serves as a critical platform for scholars and practitioners in the fields of Cultural Studies, History, Literature and Literary Theory, and Visual Arts and Performing Arts. It currently holds notable rankings, including Q3 in Cultural Studies and History, and Q2 in Literature, making it a prominent resource in these disciplines. Targeted at an audience that includes dedicated researchers, professionals, and students, the journal promotes interdisciplinary exploration and innovation, encouraging contributors to engage deeply with Victorian themes and their influence on contemporary culture. For those interested in cutting-edge discussions and insights, the Journal of Victorian Culture provides access to rich, scholarly content that is indispensable for understanding the era's impact on modern artistic and social paradigms.

Studies in Eastern European Cinema is a distinguished journal dedicated to exploring the rich and diverse landscape of cinematic art in Eastern Europe. Published by Routledge Journals, Taylor & Francis Ltd, this journal has carved a unique niche since its inception in 2010, providing insightful analysis and fostering dialogue among scholars, professionals, and students in the fields of Communication and Visual Arts and Performing Arts. With a current impact factor reflected in its respective quartile rankings, which position it in Q4 in Communication and Q2 in Visual Arts and Performing Arts, the journal serves as an essential platform for research and discourse on the cinematic contributions of Eastern Europe. Featuring contributions that analyze historical contexts, artistic trends, and cultural implications, it aims to broaden the understanding of Eastern European cinema's role within the global film landscape. While it offers a traditional subscription model, its ongoing commitment from 2010 to 2024 ensures it remains at the forefront of academic inquiries, appealing to a growing audience dedicated to the appreciation and scholarship of Eastern European cinematic arts.