Early Popular Visual Culture

Scope & Guideline

Advancing Scholarship in Historical and Contemporary Visual Phenomena

Introduction

Welcome to the Early Popular Visual Culture information hub, where our guidelines provide a wealth of knowledge about the journal’s focus and academic contributions. This page includes an extensive look at the aims and scope of Early Popular Visual Culture, highlighting trending and emerging areas of study. We also examine declining topics to offer insight into academic interest shifts. Our curated list of highly cited topics and recent publications is part of our effort to guide scholars, using these guidelines to stay ahead in their research endeavors.
LanguageEnglish
ISSN1746-0654
PublisherROUTLEDGE JOURNALS, TAYLOR & FRANCIS LTD
Support Open AccessNo
CountryUnited Kingdom
TypeJournal
Convergefrom 2009 to 2024
AbbreviationEARLY POPUL VIS CULT / Early Popul. Vis. Cult.
Frequency4 issues/year
Time To First Decision-
Time To Acceptance-
Acceptance Rate-
Home Page-
Address2-4 PARK SQUARE, MILTON PARK, ABINGDON OX14 4RN, OXON, ENGLAND

Aims and Scopes

The journal "Early Popular Visual Culture" focuses on the intersection of visual culture, media history, and the evolving narratives surrounding early cinema and related visual arts. It aims to provide a platform for scholarly exploration of visual culture's role in shaping societal perceptions, artistic expression, and historical narratives.
  1. Interdisciplinary Exploration of Early Visual Culture:
    The journal emphasizes an interdisciplinary approach, integrating perspectives from film studies, art history, literature, and cultural studies to provide a comprehensive understanding of early visual media.
  2. Focus on Historical Contextualization:
    Research often situates visual culture within historical frameworks, exploring how early cinema and visual practices reflect and influence societal norms, politics, and cultural movements.
  3. Examination of Marginalized Voices:
    A significant portion of the journal's content addresses underrepresented perspectives in visual culture, including the experiences of women, minorities, and non-Western cultures within the context of cinema and media.
  4. Engagement with Technological Advances:
    The journal frequently discusses the impact of technological advancements on visual culture, such as the evolution of film techniques, cinematic exhibition practices, and the role of emerging media in shaping audience experiences.
  5. Cultural Syncretism and Transnational Studies:
    There is a consistent focus on cultural exchange and transnational influences in early visual media, examining how different cultural narratives intersect and inform one another.
The journal "Early Popular Visual Culture" has experienced shifts in focus, with several themes emerging as prominent areas of interest in recent publications. These trends reflect the evolving landscape of visual culture studies and the journal's responsiveness to contemporary scholarly conversations.
  1. Ecology and Visual Culture:
    Recent papers have begun to explore the relationship between ecology and visual culture, investigating how environmental themes are represented in early art and cinema, reflecting a growing awareness of ecological issues.
  2. Aural Imaginations in Visual Media:
    There is an emerging interest in the interplay between sound and image, particularly how auditory experiences shape visual culture and audience perceptions, indicating a broader engagement with multisensory approaches.
  3. Historical Investigations of Cinema's Influence:
    Papers analyzing historical figures and events related to cinema's development, such as the influence of political regimes on film production, have gained traction, showcasing a renewed interest in cinema's socio-political dimensions.
  4. Gender and Representation:
    An increasing focus on gender dynamics within visual culture, particularly in relation to historical figures and movements, reflects a growing commitment to understanding the complexities of gender representation.
  5. Experimental Media and Archaeology:
    The journal has seen a rise in discussions around experimental media practices and media archaeology, emphasizing innovative methodologies for studying early visual culture and its artifacts.

Declining or Waning

While "Early Popular Visual Culture" continues to thrive in many areas, certain themes have shown a decline in prominence in recent publications. This may reflect shifts in scholarly interests or broader trends in the field of visual culture studies.
  1. Traditional Film Histories:
    There has been a noticeable decrease in conventional film history narratives that focus solely on major filmmakers or landmark films, suggesting a shift towards more nuanced and diverse explorations of visual culture.
  2. Focus on Mainstream Cinema:
    Research centered on mainstream cinema's impact and significance appears to be waning, as the journal increasingly highlights experimental, independent, and marginalized cinema.
  3. Static Representations of Gender:
    Previous discussions around gender representations in early cinema have become less frequent, as the journal moves towards more dynamic explorations of gender fluidity and intersectionality.
  4. Regional Studies:
    While regional studies of early cinema were once a prominent feature, there seems to be a decline in this focus, possibly due to a broader interest in transnational and global perspectives.
  5. Historical Reenactments:
    The analysis of historical reenactments in visual culture is less frequently addressed, indicating a potential shift towards more contemporary interpretations of visual narratives.

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