Quintana-Revista do Departamento de Historia da Arte, published by the Universidade de Santiago de Compostela, is a distinguished academic journal that focuses on the critical analysis and exploration of visual arts and performing arts. With its ISSN 1579-7414 and E-ISSN 2340-0005, this journal serves as a vital platform for researchers, professionals, and students interested in the depth of art history and cultural discourse. Operating under a Q4 category in the realm of Visual Arts and Performing Arts, the journal is committed to fostering scholarly dialogue and advancing knowledge in the field. Though it currently does not offer open access options, it remains an invaluable resource for those aiming to contribute to and understand the evolving landscape of art history. The journal covers converged years from 2011 to 2012 and 2014 to 2024, highlighting its ongoing relevance and adaptability to contemporary discussions. As it continues to enhance its visibility and impact within the 20th percentile of its category according to Scopus rankings, Quintana invites contributions that deepen our understanding of artistic expression and cultural heritage.

Boletin de Arte-UMA is a distinguished academic journal published by the University of Malaga, Department of History of Art, focusing on the rich interplay between history, visual arts, and performing arts. Operating under an Open Access model since 2013, this journal ensures that valuable research is freely available for scholars and practitioners worldwide. With an impact factor currently reflecting its academic rigor through its Q2 ranking in History and Q1 ranking in Visual Arts and Performing Arts, Boletin de Arte-UMA serves as a vital platform for cutting-edge research, critical analysis, and the promotion of cultural heritage studies. Based in Malaga, Spain, the journal not only provides insights into its thematic scope but also fosters a global dialogue among researchers, professionals, and students passionate about the visual and performing arts.

Eidola - International Journal of Classical Art History, published by Fabrizio Serra Editore, is dedicated to exploring the intricate connections between classical art and history. With an ISSN of 1824-6192 and an E-ISSN of 1826-719X, this journal stands as a pivotal resource for researchers, academics, and students within the realms of Classics, Visual Arts, and Performing Arts. Despite its recent establishment, having converged in the years 2019 to 2023, Eidola has carved out a place in various category quartiles, specifically achieving Q3 in Classics and Visual Arts and Q4 in History for 2023, indicating its growing influence in the field. Its Scopus rankings (Rank #163/170 in Classics and Rank #638/667 in Visual Arts and Performing Arts) further reflect its contribution to scholarly discourse, albeit in a competitive landscape. Though not openly accessible, the publication prioritizes substantial research, original scholarship, and critical reviews that enhance the understanding of classical art within broader historical contexts. For anyone invested in the dialogues surrounding art history, Eidola presents a vital avenue for engagement and scholarly exploration.

Umeni-Art is a prominent journal in the field of visual arts and performing arts, published by the Institute of Art History, Academy of Sciences, Czech Republic. With its ISSN 0049-5123 and E-ISSN 1804-6509, the journal has established itself as a critical platform for scholarly discourse and artistic expression since its inception in 2002. Although currently classified in Q4 within the Arts and Humanities category, it aims to elevate the understanding and appreciation of the arts through rigorous research and innovative perspectives. The journal's Scopus ranking places it at Rank #573/667, reflecting its growing contribution to the field and expanding reach within the artistic community. With a focus on fostering collaboration among researchers, practitioners, and students, Umeni-Art seeks to enrich the academic landscape with significant findings and discussions that inspire future research and creative endeavors. While it does not offer open access, the journal remains a valuable resource for those vested in exploring the dynamic interplay between art, culture, and society in the contemporary context.

ARS Orientalis is a distinguished academic journal published by the Smithsonian Institution's Freer Gallery of Art, specializing in the fields of archaeology, cultural studies, and the visual and performing arts. With an ISSN of 0571-1371, this journal contributes significantly to scholarly discourse, having established a robust timeline of publication since its inception, notably from 2001 to 2006, 2010 to 2012, 2014 to 2017, and resuming again from 2022 to 2023. Though currently not open access, it maintains a respectable standing in the academic community with a categorization into Q3 quartiles across several disciplines, highlighting its relevance amid rigorous scholarly evaluation. The journal is particularly valuable for researchers, professionals, and students who seek to explore interdisciplinary connections within its scope. Situated in the United States, it aims to disseminate insightful research that bridges the gap between traditional scholarship and contemporary studies in visual culture and archaeological findings.

SOURCE-NOTES IN THE HISTORY OF ART is a vital publication in the field of visual arts and performing arts, managed by the prestigious University of Chicago Press. With its ISSN 0737-4453 and E-ISSN 2328-207X, the journal serves as a scholarly platform for researchers, professionals, and students who are passionate about exploring the intricacies of art history. Although it currently holds a Q4 ranking in 2023, it provides a unique contribution by documenting and analyzing various dimensions of artistic endeavors, from historical references to contemporary practices. Despite being a newer entrant in the academic landscape, its focus on detailed source notes allows for deeper understanding and connections within art scholarship. Situated in the heart of Chicago, a city rich in artistic heritage, this journal is committed to promoting critical discourse and fostering awareness of the evolving narratives in art history. As the journal continues to cultivate rigorous academic dialogue, it stands as an essential resource for those dedicated to advancing and enriching the study of the arts.

Nka-Journal of Contemporary African Art is a premier academic publication dedicated to exploring the rich tapestry of contemporary African art and its intersections with culture, society, and identity. Published by DUKE UNIVERSITY PRESS, this journal offers a platform for critical discourse and innovative research within the fields of Visual Arts and Anthropology, earning a commendable ranking in both categories, with a Q2 designation in Visual Arts and Performing Arts. Established in 2019, Nka serves to illuminate the dynamic and evolving narratives of African artists, providing a vital connection for scholars and practitioners engaged with African cultural production. Although currently not open access, the journal aims to foster intellectual engagement and promote inclusivity in the arts, making it an essential resource for those seeking to deepen their understanding of contemporary African artistic practices. With an address based in the heart of Durham, North Carolina, Nka invites contributions from a diverse range of voices to enrich the discourse surrounding contemporary African art.

Visual Resources, an esteemed journal published by Routledge Journals, Taylor & Francis Ltd, serves as a vital platform for scholarly research in the fields of Museology and Visual Arts and Performing Arts. With an ISSN of 0197-3762 and an E-ISSN of 1477-2809, this journal has navigated the academic landscape since its inception in 1980, continuing to amplify critical dialogues up to 2024. Positioning itself within category quartiles as Q3 for both museology and visual arts, the journal ranks at #302/667 in the Visual Arts and Performing Arts category and #41/83 in Museology according to Scopus, reflecting a significant yet competitive standing. Although not designated as Open Access, the publication remains accessible through institutional subscriptions, catering to a diverse audience of researchers, professionals, and students. By disseminating pioneering research and innovative methodologies pertinent to visual culture and museum practices, Visual Resources plays an indispensable role in advancing knowledge in its disciplines and connects academia with contemporary practice.

Lino - Revista Anual de Historia del Arte is a distinguished journal dedicated to advancing scholarly research in the fields of History and Visual Arts. Published by UNIV OVIEDO in Spain, this annual publication has been fostering academic dialogue since its inception in 2012 and continues to enrich the scholarly landscape through 2024. With its ISSN 0211-2574 and E-ISSN 2341-1139, the journal serves as an accessible repository for critical insights and innovative perspectives. As a member of the Q3 category in both History and Visual Arts and Performing Arts, it is poised to contribute significantly to ongoing discussions in these areas, despite its current standing in Scopus rankings. Lino's mission is to promote a deeper understanding of art history through rigorous research and high-quality publications that resonate with researchers, professionals, and students alike. The journal's commitment to scholarly excellence ensures that it remains a vital source of knowledge for those invested in the dynamic intersection of visual culture and historical analysis.

MITTEILUNGEN DES KUNSTHISTORISCHEN INSTITUTES IN FLORENZ, published by LIBRERIA SALIMBENI, is a prestigious journal based in Germany that serves as a vital resource for scholars and practitioners in the fields of history, visual arts, and performing arts. With an ISSN of 0342-1201, this journal reflects significant academic excellence, as evidenced by its Scopus rankings, placing it in the second quartile (Q2) for both History and Visual Arts and Performing Arts in 2023. The journal covers a broad scope from 2002 to 2010 and from 2013 to 2023, focusing on interdisciplinary studies that bridge historical context with contemporary artistic practices. Although not open access, MITTEILUNGEN continues to contribute important insights and critical discourse, making it an essential read for researchers, professionals, and students committed to advancing knowledge in these dynamic fields.