Eikon Imago

Scope & Guideline

Fostering Critical Discourse in the Heart of Humanities.

Introduction

Welcome to your portal for understanding Eikon Imago, featuring guidelines for its aims and scope. Our guidelines cover trending and emerging topics, identifying the forefront of research. Additionally, we track declining topics, offering insights into areas experiencing reduced scholarly attention. Key highlights include highly cited topics and recently published papers, curated within these guidelines to assist you in navigating influential academic dialogues.
LanguageMulti-Language
ISSN2254-8718
PublisherUNIV COMPLUTENSE MADRID, FAC GEOGRAFIA & HISTORIA
Support Open AccessYes
CountrySpain
TypeJournal
Convergefrom 2019 to 2024
AbbreviationEIKON IMAGO / Eikon Imago
Frequency2 issues/year
Time To First Decision-
Time To Acceptance-
Acceptance Rate-
Home Page-
AddressAVE COMPLUTENSE S-N, MADRID 28040, SPAIN

Aims and Scopes

Eikon Imago focuses on the interdisciplinary exploration of visual culture, art history, and the interplay between images and society. The journal encompasses a wide range of methodologies and perspectives, fostering a rich dialogue among scholars in the humanities.
  1. Interdisciplinary Approaches to Visual Culture:
    The journal emphasizes the integration of various disciplines, including art history, literature, and cultural studies, to analyze visual phenomena and their societal implications.
  2. Historical Contextualization of Art:
    Eikon Imago explores the historical dimensions of art, investigating how artworks function within their specific cultural and temporal contexts, thus contributing to a deeper understanding of visual history.
  3. Theoretical Investigations of Iconography:
    The journal promotes rigorous theoretical discussions around iconography and its role in conveying meaning, symbolism, and cultural narratives, particularly in religious and political contexts.
  4. Contemporary Issues in Visual Studies:
    Eikon Imago addresses contemporary challenges and themes in visual studies, such as the impact of digital media, globalization, and postcolonial critiques on the understanding of visual culture.
  5. Environmental and Social Dimensions of Art:
    The journal highlights studies that connect art with environmental concerns and social movements, reflecting on how visual culture can engage with pressing contemporary issues.
Eikon Imago is witnessing the rise of several innovative themes that reflect contemporary interests in the field of visual studies. This section outlines these emerging scopes.
  1. Digital Humanities and Visual Culture:
    There is an increasing focus on utilizing digital humanities methodologies to analyze visual culture, indicating a trend towards integrating technology with art historical research.
  2. Intermediality and Hybrid Forms:
    The exploration of intermediality—how different media interact and influence one another—is gaining traction, reflecting contemporary artistic practices and theoretical frameworks.
  3. Decolonial Perspectives in Art:
    Emerging themes around decoloniality in art history are becoming more prominent, emphasizing the need to reassess historical narratives and representations through a critical lens.
  4. Environmental Art and Activism:
    Research that connects visual culture with environmental activism is on the rise, showcasing the relevance of art in addressing ecological concerns and social justice.
  5. Artificial Intelligence and Visual Creation:
    The intersection of artificial intelligence and visual arts is emerging as a significant theme, exploring the implications of technology on creativity, authorship, and ethical considerations.

Declining or Waning

While Eikon Imago has a robust array of topics, some themes appear to be diminishing in frequency or significance based on recent publications. This section highlights those waning scopes.
  1. Traditional Art Historical Narratives:
    There seems to be a decline in papers focusing solely on traditional art historical narratives without interdisciplinary connections, indicating a shift towards more integrative approaches.
  2. Static Iconographic Studies:
    Research that examines iconography in a static context, without considering its dynamic interactions with contemporary society or technology, is becoming less prevalent.
  3. Regional Studies in Isolation:
    The focus on art within isolated regional contexts, without consideration for global exchanges or influences, shows a decrease, suggesting a trend towards more global perspectives.

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