HISTORY OF PHOTOGRAPHY

Scope & Guideline

Navigating the Narrative: The Scholarly Exploration of Photography

Introduction

Explore the comprehensive scope of HISTORY OF PHOTOGRAPHY through our detailed guidelines, including its aims and scope. Stay updated with trending and emerging topics, and delve into declining areas to understand shifts in academic interest. Our guidelines also showcase highly cited topics, featuring influential research making a significant impact. Additionally, discover the latest published papers and those with high citation counts, offering a snapshot of current scholarly conversations. Use these guidelines to explore HISTORY OF PHOTOGRAPHY in depth and align your research initiatives with current academic trends.
LanguageMulti-Language
ISSN0308-7298
PublisherTAYLOR & FRANCIS LTD
Support Open AccessNo
CountryUnited Kingdom
TypeJournal
Convergefrom 1977 to 2024
AbbreviationHIST PHOTOGR / Hist. Photogr.
Frequency4 issues/year
Time To First Decision-
Time To Acceptance-
Acceptance Rate-
Home Page-
Address2-4 PARK SQUARE, MILTON PARK, ABINGDON OR14 4RN, OXON, ENGLAND

Aims and Scopes

The journal 'History of Photography' serves as a platform for scholarly discourse on the multifaceted roles of photography throughout history. It emphasizes critical analysis and interdisciplinary approaches, exploring how photography intersects with culture, politics, and societal change.
  1. Historical Analysis of Photography:
    The journal focuses on the evolution of photography as an art form and a medium of communication, examining its historical contexts and technological advancements.
  2. Cultural and Social Impacts:
    It explores the social implications of photography, including its role in shaping identities, cultural narratives, and political movements.
  3. Interdisciplinary Approaches:
    The journal encourages interdisciplinary research that incorporates perspectives from art history, cultural studies, sociology, and media studies.
  4. Ethics and Representation:
    A significant emphasis is placed on the ethical dimensions of photography, particularly concerning representation, consent, and the impact of visual culture on societal perceptions.
  5. Global Perspectives:
    The journal highlights diverse global perspectives in photography, reflecting on how different cultures engage with photographic practices and their histories.
The journal has seen a dynamic evolution in its thematic focus, with several emerging trends reflecting current societal issues and academic interests. This section highlights these trending themes, showcasing their relevance in contemporary discourse.
  1. Photography and Social Justice:
    Recent publications increasingly address the role of photography in social justice movements, emphasizing its power to document, advocate, and influence public perception.
  2. Intersectionality in Visual Culture:
    There is a growing interest in exploring intersectionality within photographic practices, focusing on how factors like race, gender, and class intersect in visual representation.
  3. Digital Photography and New Media:
    The impact of digital technology and social media on photography is a prominent theme, as scholars examine how these platforms reshape photographic practices and viewer engagement.
  4. Photography as Historical Evidence:
    The use of photography as a primary source for historical evidence is gaining traction, with an emphasis on its role in documenting significant events and cultural shifts.
  5. Environmental and Ecological Photography:
    Emerging discussions around environmental issues and ecological representation in photography highlight the medium's role in raising awareness about climate change and conservation.

Declining or Waning

While 'History of Photography' continues to thrive in various thematic areas, certain themes have shown a decline in prominence. This section outlines those waning scopes, reflecting shifts in scholarly focus.
  1. Traditional Photographic Techniques:
    There has been a noticeable decrease in publications focusing solely on traditional photographic techniques, as contemporary discussions shift towards digital and conceptual practices.
  2. Art Photography as Isolated Study:
    The examination of art photography in isolation from its cultural and political contexts appears less frequently, with a growing trend towards integrating these discussions.
  3. Nostalgia for Historical Photographic Movements:
    Research centered on nostalgia for historical photographic movements, such as pictorialism, has diminished, as scholars increasingly prioritize contemporary relevance.
  4. Technical Innovations in Photography:
    While once a prominent theme, discussions on technical innovations in photography have waned, as the focus has shifted towards the implications of these technologies rather than their mechanics.
  5. Regional Studies with Limited Scope:
    Regional studies that do not connect to broader themes of globalization or cultural exchange are becoming less common, indicating a preference for more interconnected narratives.

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