South Asian Popular Culture, published by Routledge Journals, Taylor & Francis Ltd, stands as a premier scholarly publication dedicated to the dynamic and multifaceted cultural landscape of South Asia. With both ISSN 1474-6689 and E-ISSN 1474-6697, this journal has established its credibility in the field, evident in its Q2 ranking in Cultural Studies and Q1 in Visual Arts and Performing Arts as of 2023. The journal encompasses a broad range of themes, focusing on the interplay of popular culture, identity, media, and aesthetics in South Asian societies, and serves as a platform for innovative research that contributes to ongoing dialogues within the arts and humanities. Operating from the United Kingdom, it enjoys a respectable positioning in Scopus rankings—placing in the 87th percentile for Visual Arts and Performing Arts and the 73rd percentile in Cultural Studies—thus assuring researchers and academics of its significant impact. Although it is not offered under open access, South Asian Popular Culture continues to be an essential resource for scholars and practitioners keen on exploring the rich and evolving narratives that shape South Asian cultural expression.

Asian Diasporic Visual Cultures and the Americas is a pioneering journal published by BRILL, dedicated to exploring the intersections of visual culture, identity, and diaspora within the context of the Americas. With an ISSN of 2352-3077 and E-ISSN of 2352-3085, this journal has established itself as a significant resource for academics, researchers, and students interested in the visual arts and their broader social implications. Since its inception in 2015, the journal has been committed to fostering interdisciplinary dialogue, providing a platform for innovative research that examines how Asian diasporic communities express their identities through visual mediums. Despite its relatively recent establishment, it endeavors to challenge and expand the narratives related to visual arts in a diverse and globalized world. Though the journal currently does not offer open access options, it remains a vital asset for those engaged in understanding the critical dynamics of race, ethnicity, and culture in contemporary visual practices. Converging insights from both the arts and social sciences, this journal invites contributions that illuminate the complexities of diasporic experiences, making it a pertinent choice for those aiming to contribute to this evolving field.

Journal of British Cinema and Television, published by Edinburgh University Press, is a leading academic journal that explores the dynamic interplay between British cinema and television within the context of cultural studies. With an ISSN of 1743-4521 and E-ISSN of 1755-1714, this journal provides a platform for scholarly discourse, enabling researchers, professionals, and students to engage with critical analyses of screen media and its socio-political impact. As a Q3 journal in Communication and a Q1 journal in Visual Arts and Performing Arts for 2023, it occupies an influential position, particularly in the Arts and Humanities, where it ranks in the 90th percentile. The journal's scope encompasses a wide range of topics, from historical perspectives to contemporary practices in British visual culture, making it essential reading for anyone interested in the evolution and significance of screen studies in the UK. While it is not an open-access publication, the rigorous peer-review process ensures high academic standards and contributes to its esteemed reputation in the field. As it continues to converge from 2004 to 2024, the Journal of British Cinema and Television remains a vital resource for those seeking to deepen their understanding of British media and its global resonance.

Studies in European Cinema is an esteemed journal published by Routledge Journals, Taylor & Francis Ltd, focusing on the multifaceted realms of European cinema and its contextual relevance. With an ISSN of 1741-1548 and an E-ISSN of 2040-0594, this journal provides a dynamic platform for researchers and practitioners in the fields of Communication, Visual Arts, and Performing Arts. As reflected by its recent Scopus rankings, it holds a respectable position in the Arts and Humanities with an 84th percentile rank, indicating its significance and impact in the scholarly community. While not entirely open access, Studies in European Cinema seeks to foster critical discourse and analysis from 2004 to 2024, covering a broad spectrum of topics related to film studies, cultural representations, and the evolving narratives within European cinematic practices. Engaging with diverse theoretical frameworks, the journal aims to contribute to the vibrant dialogue surrounding European cinema, making it an essential resource for academics, filmmakers, and students alike who are passionate about exploring cinematic expression in a European context.

Transnational Screens is a premier academic journal published by Taylor & Francis Ltd, focusing on the dynamic intersections of visual arts, performing arts, and communication in a globalized context. Since its inception, the journal has garnered significant recognition, featuring in the Q1 category for Visual Arts and Performing Arts and Q3 for Communication as of 2023, reflecting its influential contributions to these fields. With a Scopus ranking placing it in the 78th percentile in Visual Arts and Performing Arts, this journal serves as a vital platform for researchers, professionals, and students aiming to explore the implications of transnational narratives in contemporary media and artistic practices. The journal is accessible to a diverse readership and promotes open dialogue through its commitment to publishing innovative and interdisciplinary research from 2020 to 2024. As a key resource for understanding the complexities of transnational screens, it invites submissions that push the boundaries of traditional scholarship and engage with pressing global issues through the lens of the visual and performing arts.

French Screen Studies is a distinguished journal published by Routledge Journals, Taylor & Francis Ltd, focusing on the dynamic interactions between film, media, and cultural studies within the context of French cinema. Since its inception in 2020, the journal has contributed significantly to the academic landscape, providing a platform for innovative research and critical discussion on visual arts and performance as reflected in its prestigious Q1 ranking in Visual Arts and Performing Arts for 2023. Despite being a burgeoning journal, it holds an impressive position within Scopus rankings, particularly in the Arts and Humanities sphere. Researchers and scholars will find the journal a vital resource, as it endeavors to explore the intersections of screen studies with broader social and cultural implications. Although currently not open access, French Screen Studies continues to foster an inclusive dialogue among academics, paving the way for future exploration of France’s influential cinematic heritage.

Visual Studies, published by Taylor & Francis Ltd, is a leading international journal that serves as a vital platform for interdisciplinary scholarship in the fields of visual arts, cultural studies, and anthropology. Established in 2002 and continuing strong through 2024, it holds impressive rankings including Q1 in Cultural Studies and Visual Arts and Performing Arts, as well as Q2 in Anthropology, reflecting its significant impact and prestige within these disciplines. With a robust Scopus ranking placing it in the 89th percentile for Visual Arts and Performing Arts, this journal does not only publish original research but also fosters rich dialogues on visual culture, representation, and critical theory. Although it is not open access, researchers, practitioners, and students alike can benefit from its rigorous peer-reviewed content, which contributes to advancing knowledge and understanding of visual phenomena. Located in the United Kingdom, Visual Studies continues to shape the conversations surrounding visual practices and their societal implications.

CAMERA OBSCURA, an esteemed journal published by DUKE UNIVERSITY PRESS, serves as a vital platform at the intersection of Visual Arts and Gender Studies. With its ISSN 0270-5346 and E-ISSN 1529-1510, this journal has been an influential contributor to critical discussions in cultural theory and visual culture from 2002 to 2024. Notably categorized in the Q4 quartile for Gender Studies and Q2 for Visual Arts and Performing Arts in 2023, CAMERA OBSCURA boasts a Scopus rank that reflects its growing impact within the academic community. Although currently not offered as an open-access publication, its rigorous peer-reviewed content remains crucial for researchers, professionals, and students alike, facilitating a deeper understanding of how visual representation shapes and is shaped by societal constructs. Set in the heart of the United States, the journal's commitment to exploring the complexities of gendered visuality emphasizes its importance within contemporary scholarship in these vibrant fields.

Fotocinema-Revista Cientifica de Cine y Fotografia is a leading open-access journal published by FOTOCINEMA since 2014, dedicated to the academic exploration of cinema and photography. Based in Spain, this journal serves as a vital platform for researchers, professionals, and students, fostering innovative discourse in the fields of Visual Arts, Performing Arts, and History. With an impressive Q2 rank in both History and Visual Arts, as well as a Q4 rank in Communication in 2023, Fotocinema reflects a commitment to high-quality scholarship, backed by Scopus rankings that highlight its growing influence within the academic community. By offering open access to its content, the journal ensures that significant research is available to a broader audience, encouraging collaboration and knowledge sharing across disciplines. As it continues its converged publication run from 2019 to 2024, Fotocinema stands at the forefront of cinematic and photographic studies, providing an essential resource for those dedicated to understanding the intricate relationships between visual media and society.

JCMS-Journal of Cinema and Media Studies, published by University of Texas Press, stands as a vital platform for scholars and practitioners in the realms of cinema, media, and visual arts. With an ISSN of 2578-4900 and an E-ISSN of 2578-4919, the journal has been a part of the academic landscape since its inception in 2018 and will continue to contribute valuable research until 2024. Notably ranked in the top tiers of Scopus, securing Q1 status in Visual Arts and Performing Arts and Q3 in Communication, JCMS features articles that critically engage with both traditional and contemporary issues in media studies. Located in the United States, the journal is committed to providing open access to a wide array of interdisciplinary research, fostering dialogue among researchers, students, and media professionals. By serving as a nexus for innovative scholarship and creative discourse, JCMS enriches our understanding of cinematic and media practices and their impact on society today.