Ekphrasis-Images Cinema Theory Media

Scope & Guideline

Redefining the Landscape of Cinema and Media Studies

Introduction

Welcome to your portal for understanding Ekphrasis-Images Cinema Theory Media, featuring guidelines for its aims and scope. Our guidelines cover trending and emerging topics, identifying the forefront of research. Additionally, we track declining topics, offering insights into areas experiencing reduced scholarly attention. Key highlights include highly cited topics and recently published papers, curated within these guidelines to assist you in navigating influential academic dialogues.
LanguageMulti-Language
ISSN2067-631x
PublisherBABES-BOLYAI UNIV, FAC THEATRE & TELEVISION
Support Open AccessNo
Country-
Type-
Converge-
AbbreviationEKPRASIS / Ekprasis
Frequency2 issues/year
Time To First Decision-
Time To Acceptance-
Acceptance Rate-
Home Page-
AddressSTR MIHAIL KOGALNICEANU, NR 1, CLUJ-NAPOCA 400084, ROMANIA

Aims and Scopes

The journal 'Ekphrasis-Images Cinema Theory Media' serves as a multidisciplinary platform dedicated to the exploration of the intricate relationships between visual culture, cinema, and media theory. It aims to foster critical discourse around various forms of media and their impact on society, culture, and identity.
  1. Intermediality in Cinema and Media:
    The journal emphasizes the study of intermediality, exploring how different media forms interact and influence each other, particularly in cinema. This includes examining the transitions between film, photography, and digital media.
  2. Cultural and Historical Contexts:
    A core focus is on the cultural and historical contexts of films, especially in relation to Eastern European cinema and contemporary global narratives. The journal seeks to analyze how cultural values and historical traumas are represented and mediated through film.
  3. Multimodality and Identity:
    The exploration of multimodal representations within media, especially concerning identity construction, migration, and diaspora experiences, is a significant theme. The journal looks at how various modes of communication interact in the construction of identity.
  4. Critical Engagement with Popular Culture:
    The journal engages critically with popular culture, examining themes such as power dynamics, gender, race, and capitalism. It aims to reveal the underlying societal issues reflected in contemporary media and film.
  5. Essay Films and Self-representation:
    There is a unique emphasis on essay films as a form of self-representation and archival practice. The journal explores how personal narratives and collective memories are constructed through this genre, bridging personal and political discourses.
The journal has shown a clear evolution in its thematic focus, with emerging trends reflecting the changing landscape of cinema and media studies. This section outlines the significant themes that are gaining traction within the journal's publications.
  1. Ecocritical Perspectives in Media:
    A growing trend is the incorporation of ecocritical perspectives, examining how media representations engage with ecological themes and environmental concerns. This reflects a broader societal awareness of climate issues and the role of media in shaping ecological narratives.
  2. Trauma and Memory in Cinema:
    There is an increasing emphasis on trauma and memory, particularly in relation to collective historical experiences. Recent articles delve into how film serves as a medium for processing and representing trauma, especially within specific cultural contexts.
  3. Digital and Transmedia Practices:
    The exploration of digital media and transmedia storytelling is on the rise, reflecting the impact of technology on contemporary film practices. This includes discussions on how digital platforms transform viewer engagement and narrative construction.
  4. Counterpublics and Social Movements:
    The journal is increasingly addressing themes of counterpublics and social movements, particularly in the context of marginalized voices and alternative narratives in cinema. This trend highlights the role of media in activism and societal change.

Declining or Waning

While the journal continues to thrive in many areas, certain themes have shown a decline in frequency and emphasis over time. This section highlights those waning scopes, indicating shifts in scholarly interest.
  1. Traditional Narrative Structures:
    There appears to be a diminishing focus on traditional narrative structures in cinema, as recent publications lean more towards experimental forms and essayistic practices. This shift may reflect a broader trend in media studies towards more fragmented and non-linear storytelling.
  2. Mainstream Hollywood Cinema:
    The exploration of mainstream Hollywood cinema as a dominant focus has waned, with a noticeable increase in attention towards independent and international films. Scholars seem to be increasingly interested in alternative narratives and underrepresented voices.
  3. Historical Analysis of Early Cinema:
    The historical analysis of early cinema, while still relevant, has seen a decrease in dedicated articles. More recent works favor contemporary analysis, which may indicate a shift in the journal's focus towards current societal issues rather than historical retrospectives.

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