Welt der Slaven-Halbjahresschrift fur Slavistik is a distinguished academic journal dedicated to the field of Slavic studies, published by Harrassowitz Verlag. With a focus on the rich tapestry of Slavic languages, literature, and cultural theory, this journal provides a vital platform for scholars, researchers, and students interested in the complexities of Slavic linguistics and literary expression. It operates on a semi-annual basis, encompassing converged years from 2002 to 2015 and continuing from 2017 to 2024, ensuring a continuous dialogue in an evolving academic landscape. Despite its Q4 and Q3 rankings in various categories—such as Linguistics and Language, Literature and Literary Theory, and Visual Arts and Performing Arts—its impact is noteworthy, with Scopus ranks that place it within the upper percentiles of arts and humanities fields. While currently not an open access publication, it remains an essential resource for those engaged in the interdisciplinary exploration of Slavic cultures and their global significance. The journal emphasizes innovative research and critical analysis, making it a key contribution to the ongoing discourse in Slavistics.

Religion and the Arts is a distinguished scholarly journal published by BRILL, based in the Netherlands, with a dedicated focus on the interdisciplinary exploration of religion and its interplay with various artistic expressions from historical and contemporary perspectives. Established in 1996, this journal serves as a vital platform for researchers, professionals, and students interested in Cultural Studies, History, Religious Studies, and the Visual and Performing Arts. Despite its current classification in the Q4 category across multiple fields, it remains committed to advancing academic discourse and fostering innovative approaches to understanding the complex relationships between spirituality and artistic creation. With its ISSN 1079-9265 and E-ISSN 1568-5292, the journal invites submissions that contribute to enriching this dynamic field, ensuring that a diverse range of voices and perspectives are represented. Although not an Open Access publication, the journal’s content continues to be pivotal for scholarly engagement and is essential reading for those dedicated to the study of art's profound connections with religious traditions.

Studi Pasoliniani-Rivista Internazionale is a distinguished academic journal dedicated to the exploration of the works and influence of Pier Paolo Pasolini, an eminent figure in Italian literature and cinema. Published by Fabrizio Serra Editore in Italy, this journal adheres to a multidisciplinary approach that encompasses critical analyses in linguistics, literature, and literary theory, making it a valuable resource for researchers and scholars seeking to deepen their understanding of Pasolini's legacy. Currently, Studi Pasoliniani holds a Q4 quartile ranking in both Linguistics and Language and Literature and Literary Theory, reflecting its commitment to fostering scholarly discourse within these fields. Although the journal does not operate under an open access model, its publication from 2019 to 2023 assures that its content remains relevant and beneficial for academic inquiry. Researchers, professionals, and students alike will find this journal an indispensable venue for engaging with contemporary interpretations and critiques of Pasolini's oeuvre, amidst the rich cultural and historical contexts that inform his work.

Imagologiya i Komparativistika-Imagology and Comparative Studies is a distinguished academic journal published by TOMSK STATE UNIVERSITY in the Russian Federation, focusing on the dynamic interplay between various cultural narratives and comparative methodologies. Since its inception, the journal has become a vital platform for the dissemination of research in fields such as communication, cultural studies, literature and literary theory, and the visual and performing arts. With an evolving scope from 2018 to 2024, it aims to foster interdisciplinary dialogue and promote scholarly examination of cultural phenomena from multiple perspectives. Despite its Q4 status in Communication and rankings that suggest emerging influence within its field, it occupies crucial quartiles in Cultural Studies, Literary Theory, and the Arts, encouraging researchers and students to contribute to its growth. Although currently not an open access journal, its significance lies in its commitment to enriching the understanding of imagology and comparative studies. The journal serves as both a scholarly resource and a catalyst for innovative ideas, making it essential for anyone invested in the arts and humanities.

WORD & IMAGE is a distinguished journal published by Routledge Journals, Taylor & Francis Ltd, focusing on the dynamic interplay between visual and verbal communication. Established in 1985, this esteemed journal covers a wide array of topics within linguistics, literature, and visual arts, contributing significantly to these interdisciplinary fields. With a commitment to fostering scholarly dialogue and innovation, WORD & IMAGE presents qualitative research, critical analyses, and theoretical explorations that illuminate the complex relationships between text and image. The journal's current impact factor reflects its role in nurturing academic discourse, making it a vital resource for researchers, professionals, and students alike. Although currently not open access, the journal maintains a rigorous peer-review process to ensure the highest academic standards. As it continues to engage a global audience, WORD & IMAGE serves as a key platform for advancing knowledge at the intersection of language and visual culture.

Explorations in Renaissance Culture, published by BRILL, is a pivotal academic journal that delves into the multifaceted aspects of Renaissance studies, encompassing Cultural Studies, History, Literature and Literary Theory, Music, Philosophy, and the Visual Arts. Established in 1976 and operating without an open access model, the journal has evolved as a critical platform for scholars and enthusiasts alike, providing rigorous analysis and innovative perspectives on the cultural currents of the Renaissance era. With an ISSN of 0098-2474 and an E-ISSN of 2352-6963, it has garnered a respectable standing among academic peers, evidenced by its quartile ranking in the Q4 category across multiple fields as of 2023 and its Scopus rankings, which acknowledge its role within the broader arts and humanities disciplines. Based in the Netherlands, the journal plays a vital role in fostering scholarly dialogue and advancing research, making it an essential resource for researchers, professionals, and students committed to expanding their understanding of this transformative period in history.

GERMAN QUARTERLY, published by Wiley, is a distinguished academic journal that serves as a vital platform for scholarly discourse in the fields of Cultural Studies, Literature and Literary Theory, and Visual Arts and Performing Arts. With an ISSN of 0016-8831 and an E-ISSN of 1756-1183, this journal is committed to exploring the complexities of German literature and culture from a multi-faceted perspective. It stands out in its categories, ranking Q3 in Cultural Studies and Q2 in both Literature and Literary Theory and Visual Arts and Performing Arts, as of 2023. Its Scopus ranking highlights its relevance and contribution to ongoing dialogues within the arts and humanities, making it an essential read for researchers and professionals alike. Although not an open-access journal, GERMAN QUARTERLY maintains a rigorous peer-review process, ensuring that published works meet the highest standards of academic quality. With converged contributions from 2002 to 2024, it continues to provide valuable insights and foster a deeper understanding of German heritage and its impact on contemporary culture. The journal is an indispensable resource for students and researchers seeking to broaden their knowledge and engage with the latest scholarship in these vital areas of study.

Roczniki Humanistyczne, published by the John Paul II Catholic University of Lublin, is a distinguished scholarly journal that has been contributing to the fields of History, Linguistics and Language, Literature and Literary Theory, and Visual Arts and Performing Arts since its inception in 1983. With a notable reputation, the journal has achieved impressive quartile rankings, including Q1 in Literature and Literary Theory and Q1 in Visual Arts and Performing Arts as of 2023, reflecting its significant impact and relevance within the academic community. Although not open access, its rigorous selection process ensures the publication of high-quality research that engages scholars and students alike. The journal, indexed under ISSN 0035-7707 and E-ISSN 2544-5200, serves as an essential platform for interdisciplinary dialogue and exploration, making it a vital resource for researchers and practitioners aiming to stay abreast of trends and discussions in the humanities.

NEUE RUNDSCHAU is a prominent journal published by S Fischer Verlag GmbH, specializing in the fields of literature and literary theory, as well as visual arts and performing arts. With its roots tracing back to its inception in 1969, this journal has evolved significantly, providing a platform for critical discourse and innovative scholarship in the arts and humanities. Although it experienced coverage changes, the journal remains a vital resource for researchers and academics, contributing to the rich dialogue surrounding cultural studies and artistic expression. Furthermore, while it is not available through open access, NEUE RUNDSCHAU offers essential insights into contemporary literary trends and artistic movements, ensuring its relevance and importance within the academic sphere. With Scopus rankings including a position in the 16th percentile for literature and literary theory, and a 10th percentile placement in cultural studies, the journal embodies a commitment to quality scholarly contributions, making it an invaluable asset for students, professionals, and researchers alike.

NEW GERMAN CRITIQUE is a prominent academic journal published by Duke University Press, focusing on the dynamic intersections of German studies, cultural theory, and social thought. With its ISSN 0094-033X and E-ISSN 1558-1462, this journal facilitates a critical dialogue within the Arts and Humanities and Cultural Studies fields. As a Q3-ranked journal in both categories as of 2023, it represents a significant platform for scholars exploring contemporary issues through a German lens, addressing themes of identity, memory, and cultural politics. Although NEW GERMAN CRITIQUE is not an open-access journal, it remains a crucial resource for researchers, professionals, and students interested in the evolving landscape of cultural studies, inviting contributions that foster innovative perspectives and facilitate intellectual exchange. Founded in 1988 and continuing its vital discourse into 2024, the journal is headquartered in Durham, North Carolina, and serves as a touchstone for those engaged in the complexities of modern German culture and its global implications.