OCTOBER is a seminal journal published by MIT PRESS that spans a diverse array of interdisciplinary themes within the humanities, specifically focusing on literature and literary theory, music, and the visual arts and performing arts. Established in 2002, this journal has become a cornerstone for scholars and practitioners seeking critical discourse and innovative research across its converged fields, maintaining a respectable impact factor that attests to its influence in academic circles. While OCTOBER currently does not offer open access, it provides valuable insights and analysis that drive contemporary thought and discussion, positioned in the Q2 and Q3 quartiles of Scopus rankings. The journal’s commitment to high-quality scholarship makes it an essential resource for those looking to deepen their understanding of cultural and artistic practices, reflecting the evolving landscape of the arts and humanities from a rigorously theoretical perspective.

PRINT QUARTERLY is a prestigious journal dedicated to the exploration of visual arts and performing arts, published by PRINT QUARTERLY PUBLICATIONS in the United Kingdom. With an ISSN of 0265-8305, this journal has been a pivotal resource since its inception, particularly notable for its diverse range of scholarly articles aimed at both practitioners and academics. Although it does not currently provide open access, PRINT QUARTERLY is indexed in Scopus, ranking #392 out of 584 with a Q3 quartile classification in the 2023 category for Visual Arts and Performing Arts, reflecting its credible contribution to the field. The journal serves as a vital platform for researchers, professionals, and students to engage with contemporary issues, foster academic discourse, and expand understanding of visual and performing arts. As it continues to influence these dynamic disciplines, PRINT QUARTERLY remains an essential resource for those dedicated to the study and practice of the arts.

NEUE RUNDSCHAU is a prominent journal published by S Fischer Verlag GmbH, specializing in the fields of literature and literary theory, as well as visual arts and performing arts. With its roots tracing back to its inception in 1969, this journal has evolved significantly, providing a platform for critical discourse and innovative scholarship in the arts and humanities. Although it experienced coverage changes, the journal remains a vital resource for researchers and academics, contributing to the rich dialogue surrounding cultural studies and artistic expression. Furthermore, while it is not available through open access, NEUE RUNDSCHAU offers essential insights into contemporary literary trends and artistic movements, ensuring its relevance and importance within the academic sphere. With Scopus rankings including a position in the 16th percentile for literature and literary theory, and a 10th percentile placement in cultural studies, the journal embodies a commitment to quality scholarly contributions, making it an invaluable asset for students, professionals, and researchers alike.

COMITATUS: A Journal of Medieval and Renaissance Studies, published by the University of California Center for Medieval and Renaissance Studies, serves as a critical platform for exploring the complexities of medieval and Renaissance eras through diverse scholarly lenses. With an ISSN of 0069-6412 and a dedicated E-ISSN of 1557-0290, this journal operates primarily in the United States, delivering rigorous academic discourse aimed at historians, literary critics, and art scholars alike. Although currently classified in the Q4 category within its fields in 2023, including History, Literature and Literary Theory, and Visual Arts and Performing Arts, COMITATUS invites submissions that challenge prevailing narratives and introduce innovative perspectives on cultural phenomena. It has been publishing since 2002 with periods of convergence spanning from 2002 to 2009, and from 2017 to 2023. The journal's commitment to open dialogue and research dissemination makes it an essential resource for students, professionals, and researchers interested in medieval and Renaissance studies, fostering a deeper understanding of these pivotal historical periods.

I Tatti Studies, published by University of Chicago Press, is a distinguished academic journal that focuses on the intersections of history, literature, music, visual arts, and performing arts, with a rigorous approach to scholarship that draws from a broad array of disciplines. Operating from Italy, this journal serves as a vital platform for critical exploration and dissemination of research in its fields. While it currently holds a Quartile 4 ranking in multiple categories, including History and Literature and Literary Theory, making it a unique entry point for emerging scholars to contribute and engage with contemporary academic discourse. Although it does not offer open access, it maintains a commitment to academic excellence, as reflected in its historical convergence years and relevance in the arts and humanities sectors. The journal is particularly important for those invested in the study of cultural contexts and artistic expressions, appealing broadly to researchers, professionals, and students alike.

GRADIVA is a distinguished journal published by Casa Editrice Leo S Olschki, focusing on the fields of literature and literary theory. With an ISSN of 0363-8057, this scholarly publication serves as a platform for innovative research and critical discourse within the humanities. Although not currently following an open access model, GRADIVA provides valuable insights into literary studies, encompassing a broad array of topics from classical to contemporary texts. The journal has seen significant evolution, operating from 2002 to 2012 and continuing its legacy from 2017 to 2024. In the 2023 Scopus rankings, it is positioned in the Q4 category, indicating a niche but dedicated place among literature journals, currently ranked at #1055 out of 1106 in the Arts and Humanities field, reflecting its focused yet important contribution to scholarly discussions. Researchers, professionals, and students interested in the intricate interplay of literature and theory are encouraged to engage with this publication, as it remains an essential resource for understanding the dynamics within literary scholarship.

ROMANTISME is a distinguished academic journal published by EDITIONS SEDES, focusing on the rich interdisciplinary exploration of Romanticism in its various manifestations through history, literature, and the arts. Serving as a significant conduit for scholarly discourse, ROMANTISME invites researchers and practitioners to delve into comparative studies that bridge cultural, historical, and artistic insights. Though it holds a Q4 category ranking across multiple fields, including Cultural Studies, History, and Literature and Literary Theory, its commitment to advancing the understanding of the Romantic era remains strong. The journal, with an ISSN of 0048-8593 and an E-ISSN of 1957-7958, does not currently offer Open Access, but is accessible through various academic institutions, ensuring its content reaches a broad audience keen on enhancing their knowledge in this niche yet impactful scholarly domain. With its headquarters in Paris, France, ROMANTISME is poised to contribute significantly to the academic landscape from 1981 to 2024, making it a vital resource for students and researchers alike keen to interrogate the lasting legacy of Romantic thought and its relevance today.

VIVARIUM - AN INTERNATIONAL JOURNAL FOR THE PHILOSOPHY AND INTELLECTUAL LIFE OF THE MIDDLE AGES AND RENAISSANCE is a distinguished academic journal published by BRILL. Established in the Netherlands, this journal serves as a crucial platform for scholars and researchers interested in exploring the multifaceted intellectual currents that shaped the Middle Ages and Renaissance. With a commendable Q2 ranking in both History and Philosophy categories, VIVARIUM holds an esteemed place in the academic community, reflecting its significant contribution to these fields. The journal covers a broad temporal scope, accommodating research published from 1963 to the present, ensuring a rich archival resource for comparative and historical analysis. Despite being a non-open access periodical, its well-circulated articles are essential readings for students and professionals alike, aiming to deepen the understanding of philosophical thought and its implications across eras. As the study of these historic periods continues to resonate in contemporary discourse, VIVARIUM stands as a beacon for intellectual engagement and scholarly dialogue.

Studi Pasoliniani-Rivista Internazionale is a distinguished academic journal dedicated to the exploration of the works and influence of Pier Paolo Pasolini, an eminent figure in Italian literature and cinema. Published by Fabrizio Serra Editore in Italy, this journal adheres to a multidisciplinary approach that encompasses critical analyses in linguistics, literature, and literary theory, making it a valuable resource for researchers and scholars seeking to deepen their understanding of Pasolini's legacy. Currently, Studi Pasoliniani holds a Q4 quartile ranking in both Linguistics and Language and Literature and Literary Theory, reflecting its commitment to fostering scholarly discourse within these fields. Although the journal does not operate under an open access model, its publication from 2019 to 2023 assures that its content remains relevant and beneficial for academic inquiry. Researchers, professionals, and students alike will find this journal an indispensable venue for engaging with contemporary interpretations and critiques of Pasolini's oeuvre, amidst the rich cultural and historical contexts that inform his work.

RENAISSANCE QUARTERLY, published by Cambridge University Press, is a premier academic journal dedicated to the exploration and scholarship of Renaissance studies, encompassing history, literature, and the visual and performing arts. With an impressive impact factor reflecting its scholarly significance, it holds a distinguished position in the prestigious Q2 quartile across various categories, including History, Literature and Literary Theory, and Visual Arts and Performing Arts as of 2023. The journal caters to a broad audience of researchers, professionals, and students eager to engage deeply with Renaissance scholarship through a curated collection of articles, reviews, and critical essays. Although it does not provide open access options, RENAISSANCE QUARTERLY plays an essential role in advancing the academic discourse of the Renaissance period, fostering connections within the global scholarly community. Since its inception in 1971, it has continuously contributed valuable insights and perspectives on the multifaceted dimensions of Renaissance culture, making it a vital resource for anyone invested in this rich field of study.