WORD & IMAGE

Scope & Guideline

Bridging Disciplines: Where Words Meet Images

Introduction

Immerse yourself in the scholarly insights of WORD & IMAGE with our comprehensive guidelines detailing its aims and scope. This page is your resource for understanding the journal's thematic priorities. Stay abreast of trending topics currently drawing significant attention and explore declining topics for a full picture of evolving interests. Our selection of highly cited topics and recent high-impact papers is curated within these guidelines to enhance your research impact.
LanguageEnglish
ISSN0266-6286
PublisherROUTLEDGE JOURNALS, TAYLOR & FRANCIS LTD
Support Open AccessNo
CountryUnited Kingdom
TypeJournal
Convergefrom 1985 to 2024
AbbreviationWORD IMAGE / Word Image
Frequency4 issues/year
Time To First Decision-
Time To Acceptance-
Acceptance Rate-
Home Page-
Address2-4 PARK SQUARE, MILTON PARK, ABINGDON OX14 4RN, OXON, ENGLAND

Aims and Scopes

The journal WORD & IMAGE serves as a scholarly platform that explores the intricate relationship between verbal and visual narratives across various media. It fosters interdisciplinary research that examines how words and images interact, influence, and reflect cultural, historical, and artistic contexts.
  1. Intermedial Studies:
    The journal emphasizes the study of intermediality, focusing on how different forms of media (text, image, and performance) converge and influence one another in artistic and cultural production.
  2. Cultural Narratives:
    Research often addresses the cultural narratives conveyed through visual art and literature, exploring themes of identity, representation, and societal issues as portrayed through these media.
  3. Historical Contextualization:
    Papers frequently delve into historical contexts, analyzing how specific periods have shaped the creation and reception of visual and textual works, including adaptations and reinterpretations.
  4. Ekphrasis and Adaptation:
    The journal features a consistent focus on ekphrasis—the verbal representation of visual art—and the study of literary adaptations, highlighting the dynamics between original works and their reimagined forms.
  5. Theoretical Frameworks:
    Contributions often employ diverse theoretical frameworks from art history, literary theory, and cultural studies, facilitating a nuanced understanding of the connections between word and image.
The journal has shown a dynamic evolution in its thematic focus, with several trends and emerging scopes that reflect contemporary scholarly dialogues and cultural phenomena. These themes highlight the journal's responsiveness to current artistic and academic landscapes.
  1. Multimodal and Digital Narratives:
    There is an increasing trend towards exploring multimodal narratives, particularly in relation to digital platforms and how they influence the production and reception of texts and images.
  2. Critical Race and Identity Studies:
    Recent publications show a growing emphasis on critical race theory and identity studies, examining how race, gender, and cultural identity are represented in visual and textual forms.
  3. Ecological and Environmental Themes:
    Emerging themes related to ecology and environmentalism are becoming more prominent, as scholars investigate how visual and textual narratives address contemporary ecological crises.
  4. Transmedia Adaptations:
    A notable increase in research on transmedia adaptations reflects the exploration of how stories traverse different media forms, emphasizing the fluidity of narrative across platforms.
  5. Interdisciplinary Approaches to Art and Literature:
    There is a marked trend towards interdisciplinary approaches that incorporate insights from sociology, anthropology, and media studies, enriching the analysis of word and image relationships.

Declining or Waning

While WORD & IMAGE has consistently explored various themes, certain topics appear to be diminishing in frequency or prominence in recent publications. This shift may reflect changing scholarly interests or the evolving nature of media studies.
  1. Traditional Art Historical Analysis:
    There has been a noticeable decrease in papers focusing solely on traditional art historical analysis without integrating contemporary theoretical approaches or interdisciplinary methods.
  2. Static Representations:
    Themes centered around static representations of art, such as straightforward visual analysis without contextual or performative elements, seem to be less prevalent in recent issues.
  3. Narrowly Defined Genres:
    Research focusing on narrowly defined genres of literature or art, without considering broader intermedial relationships or contemporary adaptations, is becoming less common.
  4. Historical Monographs:
    There has been a decline in articles that strictly adhere to historical monographs or biographies of artists, shifting instead towards analyses that incorporate multiple media and contemporary relevance.
  5. Regional Focus without Global Context:
    Papers that focus exclusively on regional art or literature without connecting to global discourses or cross-cultural comparisons are appearing less frequently.

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