Boletin de Arte-UMA is a distinguished academic journal published by the University of Malaga, Department of History of Art, focusing on the rich interplay between history, visual arts, and performing arts. Operating under an Open Access model since 2013, this journal ensures that valuable research is freely available for scholars and practitioners worldwide. With an impact factor currently reflecting its academic rigor through its Q2 ranking in History and Q1 ranking in Visual Arts and Performing Arts, Boletin de Arte-UMA serves as a vital platform for cutting-edge research, critical analysis, and the promotion of cultural heritage studies. Based in Malaga, Spain, the journal not only provides insights into its thematic scope but also fosters a global dialogue among researchers, professionals, and students passionate about the visual and performing arts.

Radovi Instituta za Povijest Umjetnosti-Journal of the Institute of Art History is a distinguished academic journal dedicated to the exploration and critical analysis of art history, with a special emphasis on the visual arts and performing arts. Published by INST POVIJEST UMJETNOSTI-INST ART HISTORY in Croatia, this journal provides an essential platform for researchers and practitioners to disseminate their findings and engage in scholarly discourse. Since its transition to Open Access in 2008, it has significantly increased the accessibility of its content, fostering a global exchange of ideas. The journal is indexed in notable databases, reflecting its impact within its field, with a current ranking that places it in the Q4 category for History and in Q3 for Visual Arts and Performing Arts. As it spans its converged years from 2015 to 2024, Radovi is poised to expand its influence and continue contributing to the understanding of art historical narratives. Researchers, professionals, and students alike will find this journal a valuable resource for contemporary discussions and theoretical advancements in the study of art.

Baltic Journal of Art History is a prominent academic journal published by UNIV TARTU PRESS, focusing on the rich tapestry of art historical research within the Baltic region and beyond. With its ISSN 1736-8812 and E-ISSN 2346-5581, the journal serves as a vital platform for scholars, artists, and historians to disseminate innovative findings and critical analyses in the fields of History and Visual Arts and Performing Arts. Established in 2017, it has gained recognition in academic circles, achieving a Q3 ranking in History and a Q2 ranking in Visual Arts and Performing Arts as of 2023. Despite not being open access, the journal continues to attract a diverse readership eager to engage with its rigorous, peer-reviewed content. Situated in Estonia, the journal not only enriches the regional scholarly discourse but also contributes significantly to global conversations on art history. Positioned at a pivotal intersection of various disciplines, the Baltic Journal of Art History invites researchers and practitioners alike to explore the aesthetic and cultural narratives that shape our understanding of art.

RACAR - Revue d'Art Canadienne (Canadian Art Review), published by the University Art Association of Canada, stands as a pivotal academic journal in the field of Canadian art history and cultural studies. With its ISSN 0315-9906 and E-ISSN 1918-4778, RACAR serves as a vital platform for scholarly research and discourse, aiming to illuminate the rich tapestry of Canada's artistic heritage. Although not an open-access journal, it is committed to disseminating high-quality peer-reviewed articles that contribute to the ongoing dialogue about art in Canada. The journal's focus encompasses a diverse range of topics, from contemporary visual arts to historical investigations, appealing to researchers, professionals, and students alike. Based at the Department of History in Art at University of Victoria, RACAR fosters a critical understanding of Canadian art within broader national and global contexts, making it an essential resource for anyone engaged in this vibrant field of study.

REVUE DE L'ART, published by EDITIONS C N R S, is a significant scholarly journal that focuses on the diverse realms of visual arts and performing arts. With an ISSN of 0035-1326, the journal serves as a vital forum for researchers, professionals, and students, engaging them in contemporary discourses surrounding artistic practices and critical theories. While it currently holds a Q4 ranking in the Visual Arts and Performing Arts category for 2023, with a Scopus ranking of #578 out of 667, REVUE DE L'ART emphasizes the importance of innovative research and interdisciplinary studies in the arts. Although it is not an open access publication, the journal ensures that high-quality scholarship remains accessible to professionals and student communities in France and beyond. The journal’s commitment to artistic investigation and analysis continues to contribute significantly to the understanding of art within historical and contemporary contexts, making it a crucial resource for anyone engaged in these fields.

Papers of the British School at Rome, published by Cambridge University Press, is a prestigious journal that has been contributing to the fields of archaeology, history, and visual arts since its inception in 1902. With an ISSN of 0068-2462 and an E-ISSN of 2045-239X, this journal serves as an essential platform for innovative research and scholarly dialogue that explores the rich cultural heritage of Rome and its surrounding areas. The journal is ranked in the top quartiles for various categories, including Q1 in Visual Arts and Performing Arts, reflecting its significant impact and relevance in these fields. Despite its non-open access status, the journal boasts a robust readership, comprising researchers, professionals, and students eager to delve into the scholarly discussions it fosters. The Scopus rankings further affirm its reputation, with high percentiles in key areas, marking it as a vital resource for anyone invested in the academic study of classical and contemporary Roman culture. The journal's objective is to promote interdisciplinary research, making it a cornerstone for advancements in art history and archaeological studies.

ARTMargins, published by MIT Press, stands at the intersection of cultural studies, history, and the visual and performing arts. Since its inception in 2012, this journal has provided a platform for critical dialogue and scholarly inquiry into contemporary art and its socio-political contexts, exploring the margins of artistic practice and representation. With a current Q3 ranking in Cultural Studies and History, and a Q2 ranking in Visual Arts and Performing Arts, ARTMargins is recognized for its impactful contributions to its fields, despite facing significant competition. The journal caters to academics, professionals, and students eager to delve into nuanced analyses and interdisciplinary approaches that challenge traditional narratives. As an essential resource for those studying art's role in society, ARTMargins fosters a deeper understanding of how culture shapes and is shaped by ephemeral artistic expressions. While the journal operates under a subscription model, it remains committed to accessibility and wide-reaching discourse within the academic community.

Sztuka i Dokumentacja-Art & Documentation is a pioneering open-access journal published by ACAD FINE ARTS GDANSK, focusing on the intersections of art, documentation, and artistic practices. Since its inception in 2009, this journal has committed itself to fostering a vibrant scholarly discourse within the fields of art history, visual documentation, and cultural criticism. With an ISSN of 2080-413X, it provides a platform for researchers, practitioners, and students to contribute to and access high-quality artistic research and theoretical investigations. The journal's open-access model ensures that studies are readily available to a global audience, promoting the dissemination of innovative ideas and dialogue in the contemporary art world. With its dedication to advancing the understanding of art through rigorous documentation and research, Sztuka i Dokumentacja serves as an essential resource for anyone seeking to explore the dynamic and multifaceted relationship between art and its documentation.

Taida Journal of Art History, published by NATIONAL TAIWAN UNIVERSITY, GRADUATE INSTITUTE OF ART, is a pioneering academic journal dedicated to the exploration and critique of art history, particularly within the unique cultural context of Taiwan. Since its inception in 2018, the journal has become an important platform for scholarly discourse, offering insights into the evolution of visual arts and performing arts, alongside comprehensive studies in history. With an ISSN of 1023-2095, it currently ranks within the Q4 category in Arts and Humanities (Miscellaneous) and the Q3 category in History and Visual Arts and Performing Arts, indicating its growing influence in these fields. Researchers, professionals, and students alike can benefit from its rigorous peer-reviewed articles that bridge theoretical frameworks with practical applications, making it an essential resource for those engaged in the arts and humanities. This commitment to fostering academic excellence is reflected in its Scopus rankings, where it stands at Rank #338/667 in Visual Arts and Performing Arts and Rank #1027/1760 in History. Engage with the Taida Journal of Art History to gain deeper insights into the evolving narratives of artistic expression.

STUDI PIEMONTESI is a distinguished journal published by CENT STUD PIEMONTESI, dedicated to the exploration and analysis of cultural and historical phenomena with a particular focus on the Piedmont region of Italy. Established with the intent to foster scholarly dialogue and research, this journal serves as a valuable resource for academics, researchers, and students in the fields of Cultural Studies and History. With its ISSN 0392-7261, and recent ranking in the Q4 category for both Cultural Studies and History, STUDI PIEMONTESI offers a platform for critical examination of regional heritage and societal developments from 2002 to 2020, with contributions resuming in 2022. Although the journal operates without an open access model, it remains committed to the dissemination of knowledge and research pertinent to the complexities of cultural identity and historical discourse. Scholars engaged in interdisciplinary studies will find the insights published herein invaluable for their work, positioning this journal as an essential reference in the academic landscape.