ARTMargins, published by MIT Press, stands at the intersection of cultural studies, history, and the visual and performing arts. Since its inception in 2012, this journal has provided a platform for critical dialogue and scholarly inquiry into contemporary art and its socio-political contexts, exploring the margins of artistic practice and representation. With a current Q3 ranking in Cultural Studies and History, and a Q2 ranking in Visual Arts and Performing Arts, ARTMargins is recognized for its impactful contributions to its fields, despite facing significant competition. The journal caters to academics, professionals, and students eager to delve into nuanced analyses and interdisciplinary approaches that challenge traditional narratives. As an essential resource for those studying art's role in society, ARTMargins fosters a deeper understanding of how culture shapes and is shaped by ephemeral artistic expressions. While the journal operates under a subscription model, it remains committed to accessibility and wide-reaching discourse within the academic community.

OCTOBER is a seminal journal published by MIT PRESS that spans a diverse array of interdisciplinary themes within the humanities, specifically focusing on literature and literary theory, music, and the visual arts and performing arts. Established in 2002, this journal has become a cornerstone for scholars and practitioners seeking critical discourse and innovative research across its converged fields, maintaining a respectable impact factor that attests to its influence in academic circles. While OCTOBER currently does not offer open access, it provides valuable insights and analysis that drive contemporary thought and discussion, positioned in the Q2 and Q3 quartiles of Scopus rankings. The journal’s commitment to high-quality scholarship makes it an essential resource for those looking to deepen their understanding of cultural and artistic practices, reflecting the evolving landscape of the arts and humanities from a rigorously theoretical perspective.

KONSTHISTORISK TIDSKRIFT is a distinguished journal dedicated to the exploration of art history and its intersections with visual and performing arts. Published by Routledge Journals, Taylor & Francis Ltd, this esteemed publication has been a vital resource for scholars and professionals alike since its inception in 1932, with a mission to advance the understanding of historical and contemporary artistic expression. Operating from the United Kingdom, it currently occupies a commendable Q3 Quartile ranking in both History and Visual Arts and Performing Arts categories for 2023, according to Scopus metrics. With an engaging array of peer-reviewed articles, the journal serves as a platform for critical discourse, fostering an inclusive intellectual community. As it looks ahead to its convergence into 2024, KONSTHISTORISK TIDSKRIFT promises to enrich the academic landscape with impactful research and insights, making it a vital resource for researchers, professionals, and students passionate about the field.

ArtCultura-Revista de História Cultura e Arte, published by Universidade Federal de Uberlândia, is a leading peer-reviewed journal in the fields of cultural, historical, and artistic studies. With its commitment to Open Access publishing since 2007, the journal provides an invaluable platform for researchers, professionals, and students to disseminate and access high-quality research without financial barriers. The journal's dedication to scholarly excellence is reflected in its robust editorial process and diverse range of articles that delve into the intricate connections between art and culture, promoting interdisciplinary dialogue and global perspectives. Situated in Brazil, ArtCultura plays a pivotal role in enhancing the visibility of Latin American contributions to these vital fields, thereby fostering academic collaboration and cultural understanding. We invite you to explore the rich tapestry of ideas and insights published in our journal, located at AV PARA, 1720 CAMPUS UMUARAMA, UBERLANDIA 38400-902, BRAZIL.

GOYA, published by the esteemed FUNDACION LAZARO GALDIANO, is a pivotal journal in the field of Visual Arts and Performing Arts. With an ISSN of 0017-2715, this Spanish journal serves as a critical platform for scholars, artists, and practitioners to engage with contemporary issues, trends, and methodologies in the arts. Since its inception, GOYA has strived to illuminate the intersection of artistic expression and cultural discourse, with coverage spanning from 2002 to 2024. The journal proudly holds a Q3 category ranking in the 2023 Scopus assessments for its field, reflecting its respected position among peers, with a notable rank of #377 out of 667. Though it does not follow an Open Access model, GOYA continues to contribute significantly to the academic landscape, enabling a deeper understanding of artistic practices and their societal implications. Researchers and students alike will find the journal an invaluable resource for insights and inspiration within the dynamic realm of the arts.

REVUE DE L'ART, published by EDITIONS C N R S, is a significant scholarly journal that focuses on the diverse realms of visual arts and performing arts. With an ISSN of 0035-1326, the journal serves as a vital forum for researchers, professionals, and students, engaging them in contemporary discourses surrounding artistic practices and critical theories. While it currently holds a Q4 ranking in the Visual Arts and Performing Arts category for 2023, with a Scopus ranking of #578 out of 667, REVUE DE L'ART emphasizes the importance of innovative research and interdisciplinary studies in the arts. Although it is not an open access publication, the journal ensures that high-quality scholarship remains accessible to professionals and student communities in France and beyond. The journal’s commitment to artistic investigation and analysis continues to contribute significantly to the understanding of art within historical and contemporary contexts, making it a crucial resource for anyone engaged in these fields.

The Australian and New Zealand Journal of Art, published by Taylor & Francis Ltd, stands as a critical platform for scholarly discourse in the fields of art, visual arts, and performing arts, contributing to the ongoing dialogue regarding contemporary artistic practices and methodologies across Australia and New Zealand. With an ISSN of 1443-4318 and an E-ISSN of 2203-1871, this journal invites submissions that strive for innovation and insightful critique, aiming to foster a deeper appreciation and understanding of diverse artistic expressions. Despite its classification in the fourth quartile under the Arts and Humanities categories, it continues to attract attention within its niche, as evidenced by its Scopus rankings, indicating its vital role in the academic landscape. The journal is committed to bridging the gap between research and practice, providing access to a wealth of interdisciplinary knowledge for researchers, professionals, and students alike.

South African Journal of Art History is a premier academic publication dedicated to the exploration and critical analysis of art history within the South African context. Published by the Art Historical Work Group South Africa (AHWG), this journal serves as a vital platform for researchers, professionals, and students alike to disseminate innovative research and engage with diverse perspectives on visual culture. With an ISSN of 0258-3542, the journal aims to elevate the study of art history, contributing significantly to the scholarly community's understanding of both local and international art narratives. Although currently not an open access journal, it is committed to high academic standards and in-depth scholarship, ensuring that each article published meets rigorous criteria. As South Africa continues to position itself at the forefront of global art discourse, the South African Journal of Art History stands out as a critical resource for anyone interested in the intersections of art, culture, and history within this dynamic region.

Imafronte-Revista de Historia del Arte is a premier scholarly journal published by the University of Murcia, dedicated to advancing the field of art history. With an ISSN of 0213-392X and an E-ISSN of 1989-4562, this open-access journal has been serving the academic community since 1985, ensuring that research is widely available and accessible. Nestled in the heart of Spain at the Campus de Espinardo in Murcia, Imafronte invites contributions that span a myriad of topics within art history, providing a rich platform for critical analysis and interdisciplinary dialogue. Its commitment to fostering scholarly communication and innovation makes it an essential resource for researchers, professionals, and students alike, eager to explore the nuances of artistic heritage and contemporary discourse in the arts.

Laboratorio de Arte is an esteemed journal published by UNIV SEVILLA, EDITORIAL, specializing in the interdisciplinary fields of Arts and Humanities, Conservation, Museology, and Visual Arts. With an impactful presence in research since its inception, the journal has been open access since 2006, promoting the free dissemination of knowledge and fostering academic dialogue among scholars, professionals, and students. The journal adheres to rigorous academic standards, reflected in its categorization within the Q2 and Q3 quartiles across various disciplines, and its commendable rankings in Scopus make it an essential resource for those engaged in the arts. The h-index for this journal showcases its contribution to the field, further solidifying its importance in contemporary research. As it continues to evolve through 2023 and beyond, Laboratorio de Arte serves as a vital platform for innovative thoughts and practices within the vibrant landscape of artistic and cultural studies.