Etica & Cine

Scope & Guideline

Exploring the Ethical Lens of Cinema

Introduction

Explore the comprehensive scope of Etica & Cine through our detailed guidelines, including its aims and scope. Stay updated with trending and emerging topics, and delve into declining areas to understand shifts in academic interest. Our guidelines also showcase highly cited topics, featuring influential research making a significant impact. Additionally, discover the latest published papers and those with high citation counts, offering a snapshot of current scholarly conversations. Use these guidelines to explore Etica & Cine in depth and align your research initiatives with current academic trends.
LanguageMulti-Language
ISSN2250-5660
PublisherUNIV BUENOS AIRES, FAC PSYCHOLOGY
Support Open AccessNo
Country-
Type-
Converge-
AbbreviationETICA CINE / Etica Cine
Frequency3 issues/year
Time To First Decision-
Time To Acceptance-
Acceptance Rate-
Home Page-
AddressRES INST, INDEPENDENCIA 3065, THIRD FLR, BUENOS AIRES 00000, ARGENTINA

Aims and Scopes

Etica & Cine is a journal dedicated to the intersection of ethics, psychoanalysis, and cinema, exploring how film serves as a medium for philosophical and ethical discussions. The journal emphasizes the analysis of cinematic representations of the human condition, societal issues, and the psychological implications of film narratives.
  1. Psychoanalytic Film Criticism:
    The journal explores the relationship between psychoanalysis and cinema, examining how film can reflect and influence psychological states and societal norms.
  2. Ethics and Human Rights in Film:
    It addresses themes of ethics and human rights, analyzing how films depict moral dilemmas, social justice, and cultural trauma.
  3. Cinematic Representations of Identity:
    The journal investigates how cinema portrays various identities, including gender, race, and sexuality, and the implications of these representations.
  4. Cinematic Aesthetics and Philosophy:
    It engages with philosophical questions surrounding aesthetics in film, such as the nature of reality and the human experience as depicted through cinematic art.
  5. Cultural and Political Critique:
    The journal often critiques cultural and political dimensions within cinema, evaluating how films respond to and shape societal discourses.
Recent publications in Etica & Cine reflect evolving interests and themes that resonate with contemporary societal issues, psychological discourse, and philosophical inquiry. These emerging scopes indicate a dynamic and responsive academic environment.
  1. Hybrid and Transgressive Bodies:
    An increasing focus on the representation of hybrid and transgressive bodies in cinema reflects contemporary discussions on identity, gender fluidity, and posthumanism.
  2. Psychoanalysis and Memory:
    Themes relating to memory—particularly in the context of psychoanalysis—are gaining traction, exploring how films engage with personal and collective memory.
  3. Environmental and Societal Critique:
    A trend towards analyzing the relationship between cinema and ecological concerns is emerging, emphasizing how films address environmental crises and societal challenges.
  4. Digital and Technological Discourse:
    There is a growing interest in the impact of digital technology on cinema, including discussions around artificial intelligence and the implications of digital storytelling.
  5. Interdisciplinary Approaches:
    The journal increasingly embraces interdisciplinary methods, combining insights from psychology, philosophy, and cultural studies to deepen the analysis of films.

Declining or Waning

While Etica & Cine continues to publish diverse topics, certain themes have shown a decline in frequency or prominence over recent years. These waning scopes may indicate shifting interests within the academic community or changing societal contexts.
  1. Traditional Narrative Structures:
    There appears to be a decreasing focus on conventional narrative analyses, as scholars increasingly favor exploring non-linear storytelling and experimental forms in cinema.
  2. Historical Film Analysis:
    The emphasis on analyzing historical films has lessened, possibly due to a growing interest in contemporary issues and the representation of current societal challenges.
  3. Mainstream Genre Criticism:
    Critiques of mainstream film genres, such as romantic comedies or action films, seem to be less prominent, suggesting a shift towards more avant-garde and independent cinema studies.
  4. Focus on Western Cinema:
    There is a noticeable decline in the analysis of Western cinema, with a growing inclination towards exploring global cinema and non-Western narratives.
  5. Film Reviews and Summaries:
    The journal has moved away from traditional film reviews or summaries, focusing more on theoretical and philosophical discussions rather than descriptive critiques.

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