FILM CRITICISM is a prestigious open-access journal dedicated to the study and review of cinema, offering a platform for scholars, critics, and students to engage deeply with the evolving landscape of film. Published by Film Criticism and based in the United States at Allegheny College, this journal has been contributing to film studies since 2002, with recent issues spanning from 2023 to 2024. Registered under ISSN 0163-5069, it is recognized in the Visual Arts and Performing Arts categories, achieving a commendable rank of #372 out of 667 in Scopus, placing it in the 44th percentile of its field. With an open-access policy implemented since 2016, FILM CRITICISM not only broadens accessibility to scholarly work but also enhances the dialogue around cinematic narratives, theories, and critiques. The journal's relevance is underscored by its current Q3 ranking, making it an essential resource for researchers and professionals alike who are invested in the critical examination of film.

Hrvatski Filmski Ljetopis, published by the Croatian Film Clubs Association, serves as a pivotal academic journal in the field of film studies, celebrating and analyzing the rich cinematic heritage of Croatia and beyond. With an ISSN of 1330-7665, this journal caters to researchers, practitioners, and students who are passionate about the art of filmmaking, encompassing both theoretical discourse and practical implications. Although it is not currently available as an open-access publication, its curated content is of significant value to anyone interested in the evolution, critique, and history of film in a Croatian context, having previously been indexed in Scopus until coverage was discontinued. The journal operates out of Zagreb, Croatia, at the Croatian Film Clubs Association headquarters, and aims to foster scholarly dialogue while contributing to the broader field of national and international cinematography.

JCMS-Journal of Cinema and Media Studies, published by University of Texas Press, stands as a vital platform for scholars and practitioners in the realms of cinema, media, and visual arts. With an ISSN of 2578-4900 and an E-ISSN of 2578-4919, the journal has been a part of the academic landscape since its inception in 2018 and will continue to contribute valuable research until 2024. Notably ranked in the top tiers of Scopus, securing Q1 status in Visual Arts and Performing Arts and Q3 in Communication, JCMS features articles that critically engage with both traditional and contemporary issues in media studies. Located in the United States, the journal is committed to providing open access to a wide array of interdisciplinary research, fostering dialogue among researchers, students, and media professionals. By serving as a nexus for innovative scholarship and creative discourse, JCMS enriches our understanding of cinematic and media practices and their impact on society today.

Studies in European Cinema is an esteemed journal published by Routledge Journals, Taylor & Francis Ltd, focusing on the multifaceted realms of European cinema and its contextual relevance. With an ISSN of 1741-1548 and an E-ISSN of 2040-0594, this journal provides a dynamic platform for researchers and practitioners in the fields of Communication, Visual Arts, and Performing Arts. As reflected by its recent Scopus rankings, it holds a respectable position in the Arts and Humanities with an 84th percentile rank, indicating its significance and impact in the scholarly community. While not entirely open access, Studies in European Cinema seeks to foster critical discourse and analysis from 2004 to 2024, covering a broad spectrum of topics related to film studies, cultural representations, and the evolving narratives within European cinematic practices. Engaging with diverse theoretical frameworks, the journal aims to contribute to the vibrant dialogue surrounding European cinema, making it an essential resource for academics, filmmakers, and students alike who are passionate about exploring cinematic expression in a European context.

CINEFORUM is a distinguished journal published by the FEDERAZIONE ITALIANA CINEFORUM, focusing on the vibrant field of Visual Arts and Performing Arts. With an ISSN of 0009-7039, this journal serves as a significant platform for researchers and practitioners interested in critical discussions and analyses pertaining to cinema and performance. Although coverage in Scopus discontinued in 2020, CINEFORUM has established its standing with a category ranking in the Q4 quartile for Visual Arts, reflecting its niche yet passionate readership in the arts community. Based in Bergamo, Italy, the journal aims to foster a deeper understanding of cinematic and performative texts, offering insights and scholarly contributions that enhance the discourse within these artistic domains. Catering to an audience that includes researchers, professionals, and students, CINEFORUM remains an essential resource for those looking to explore the intersection of theory and practice in cinema and performing arts.

Cinema: Journal of Philosophy and the Moving Image is a distinguished open-access journal dedicated to the critical analysis of cinema through the lenses of philosophy and cultural theory. Published by the esteemed New University of Lisbon's IFILNOVA - Nova Philosophy Institute, this journal has been a crucial platform for the dissemination of innovative and interdisciplinary research since its establishment in 2010. With an ISSN of 1647-8991 and a significant presence in both Communication and Visual Arts categories, it currently holds a Q4 ranking in 2023, reflecting its growing role in the academic discourse of its field. While the journal has a modest impact as indicated by its Scopus rankings, it serves as a vital resource for researchers, professionals, and students interested in the intersection of philosophy and the moving image, fostering rich dialogues about cinema's impact on society and culture. Situated in Portugal, Cinema invites submissions that challenge conventional perceptions, engaging with both contemporary and historical contexts of film and imagery, thereby playing an essential role in expanding the horizons of film studies.

Canadian Journal of Film Studies-Revue Canadienne d'Études Cinématographiques is a distinguished publication dedicated to the exploration of film studies within the context of Canadian cinema and global visual arts. Published by University of Toronto Press Inc., this journal offers a platform for innovative and critical scholarship, having achieved a notable Q2 ranking in the Visual Arts and Performing Arts category for 2023, with an impressive Scopus rank of 207 out of 667, positioning it in the 68th percentile among peers. With a continuous publication record since its established years from 1998 to 2001 and 2004 to 2024, it has become an essential resource for researchers, professionals, and students interested in the evolving landscape of film and cinema. The journal not only addresses theoretical perspectives but also engages with contemporary practices, thereby fostering a deeper understanding of cinematic arts. Despite not offering open access, it remains a vital repository of knowledge for those seeking to advance their studies and contribute to the discourse in film studies.

Studies in Australasian Cinema is a premier scholarly journal published by ROUTLEDGE JOURNALS, TAYLOR & FRANCIS LTD, dedicated to the exploration of film and cinema within the Australasian context. With an ISSN of 1750-3175 and an E-ISSN of 1750-3183, this journal provides a vital platform for researchers, professionals, and students in the fields of Visual Arts and Performing Arts and Communication. Notably, it holds a prominent Q1 rank in Visual Arts and Performing Arts, reflecting its impact within the academic community. Although it is not an open access journal, its rigorous peer-review process ensures the highest quality of published research. Since its inception in 2007, Studies in Australasian Cinema has continued to contribute significantly to discourse surrounding film theory, criticism, and production, making it an essential read for anyone interested in the evolving landscape of Australasian cinema.

Cinemas is a leading academic journal dedicated to the exploration and critical analysis of cinematic studies, visual arts, and the dynamic interplay of communication within these fields. Published by Université de Montréal's Program in Bioethics in Canada, this journal serves as a vital platform for researchers, professionals, and students interested in the multifaceted dimensions of cinema and its cultural ramifications. Despite its current positioning in the Q4 quartile of both the Communication and Visual Arts and Performing Arts categories, Cinemas is committed to fostering innovative discourse and scholarship, as evidenced by its inclusion in indexed databases such as Scopus. Covering a range of topics from theoretical frameworks to practical applications within the arts, the journal aims to bridge the gap between academia and the vibrant world of visual storytelling. With a focus on open access, although currently not provided, Cinemas aspires to increase the accessibility of its research to a broader audience, encouraging a rich dialogue that is instrumental to the evolving landscape of cinematic studies.

CINEASTE is a distinguished journal dedicated to the critical exploration of cinema, providing a platform for scholars, filmmakers, and enthusiasts to engage with the complexities of film studies. Established and published by CINEASTE, this periodical serves as a vital resource for those interested in the intersection of visual arts and performing arts. Although it is not currently offered as Open Access, CINEASTE remains a respected publication within the academic community, having been indexed in Scopus until 2016. With an ISSN of 0009-7004, it has established itself despite its lower ranking in the arts and humanities category, reflecting the competitive nature of this field. Researchers, students, and professionals alike will find ample opportunities for insightful discussion and scholarly contributions to the evolving landscape of cinematic discourse. CINEASTE continues to uphold its mission of enhancing film scholarship, making it a crucial reference point for anyone eager to deepen their understanding of cinema's artistic and cultural significance.