HISTORY OF PHOTOGRAPHY is a prestigious scholarly journal published by Taylor & Francis Ltd, focusing on the rich and evolving narrative of photography as an art form and cultural phenomenon. With an ISSN of 0308-7298 and E-ISSN 2150-7295, this journal has established a significant presence since its inception in 1977, with an anticipated run into 2024. Positioned in the Q4 category of the Visual Arts and Performing Arts field, it ranks within the 51st percentile among its peers, affirming its role in the scholarly discourse of photography. Although not an Open Access journal, it maintains accessibility for academics through institutional subscriptions and various library networks. The journal aims to foster interdisciplinary dialogue, encompassing diverse perspectives on the history, theory, and practice of photography, making it an invaluable resource for researchers, professionals, and students alike who are seeking to deepen their understanding of this dynamic medium.

Art Style, an esteemed journal published by Art Style Communication & Editions, is dedicated to the exploration and advancement of contemporary art practices and theoretical discourse. Since its inception in 2019, this Open Access journal has provided a vibrant platform for academics, artists, and enthusiasts to share innovative research and critical insights across a diverse array of artistic disciplines. With an ISSN of 2596-1802 and an E-ISSN of 2596-1810, Art Style aims to foster dialogue and collaboration within the global art community, making valuable contributions to the field. The journal not only seeks to highlight emerging trends and practices in art but also to challenge existing narratives, ensuring that diverse voices are heard and represented. As a vital resource for researchers, professionals, and students, Art Style aspires to enhance the understanding and appreciation of contemporary art through quality scholarship and open access to knowledge.

Philosophy of Photography is an esteemed academic journal dedicated to exploring the intricate relationships between photography and philosophy, published by INTELLECT LTD. With its commitment to fostering a critical understanding of photographic theory, this journal serves as an essential resource for researchers, professionals, and students engaged in visual culture studies. The journal covers a broad scope that includes theoretical, historical, and practical dimensions of photographic discourse, thereby addressing contemporary issues and debates within the field. Although it does not operate under an open access model, Philosophy of Photography remains highly valuable, contributing to the advancement of knowledge and encouraging interdisciplinary dialogue among scholars. Located in Bristol, England, this journal plays a pivotal role in shaping the future of photography studies, inviting rigorous scholarly contributions that challenge and expand the boundaries of this evolving domain.

Arte Individuo y Sociedad, published by UNIV COMPLUTENSE MADRID, SERVICIO PUBLICACIONES, is a leading Open Access journal dedicated to advancing understanding in the realms of Visual Arts and Performing Arts. With an impressive impact factor that places it in the Q1 category of its field and a remarkable Scopus rank of #92 out of 667, this journal stands as a vital resource for scholars, practitioners, and students alike. Since its inception in 1988, the journal has championed the dissemination of innovative research and critical discourse, fostering a platform where creativity and academia intersect. The converged years from 2010 to 2024 signify a dynamic evolution of the journal, reflecting contemporary issues and developments in visual and performing arts. For those interested in exploring the complex interplay between art and society, Arte Individuo y Sociedad offers essential insights and diverse perspectives in an increasingly interconnected global landscape.

Grey Room is a distinguished peer-reviewed academic journal published by MIT Press, focusing on interdisciplinary discussions at the intersection of architecture, communication, sociology, political science, and the visual and performing arts. Established in 2002, the journal has carved out a critical space for exploring the links between built environments and cultural narratives, engaging a diverse readership of researchers, professionals, and students. With an impact factor reflecting its contribution to these fields, it is recognized for fostering innovative dialogue and scholarship. Although it operates without an open access model, Grey Room continues to thrive in the academic community, particularly as it moves towards converged years spanning from 2002 to 2024. The journal's categorization into various quartiles highlights its relevance and ongoing commitment to contemporary issues. Readers can expect thought-provoking articles that challenge conventional boundaries of practice and scholarship, making Grey Room an essential resource for those interested in the dynamic interplay of architecture and culture.

Journal of Print and Media Technology Research, an esteemed publication under the aegis of the International Association of Research Organizations in Information, Media & Graphic Arts Industry, is dedicated to advancing the field of print and media technology. With an ISSN of 2223-8905 and E-ISSN of 2414-6250, this Open Access journal has been pioneering research dissemination since 2020, ensuring that cutting-edge findings are accessible to a global audience. Based in Germany and spanning its converged years from 2017 to 2024, the journal holds a commendable Q3 ranking in Communication and Media Technology, as well as a Q2 ranking in Visual Arts and Performing Arts, reflecting its significant contribution to these interdisciplinary domains. It ranks favorably in Scopus, with an impressive 77th percentile in Visual Arts and Performing Arts, showcasing its commitment to quality and relevance. Aimed at researchers, professionals, and students alike, the journal serves as a vital platform for discourse, innovation, and scholarship, contributing to the evolution of print and media technologies.

South African Journal of Art History is a premier academic publication dedicated to the exploration and critical analysis of art history within the South African context. Published by the Art Historical Work Group South Africa (AHWG), this journal serves as a vital platform for researchers, professionals, and students alike to disseminate innovative research and engage with diverse perspectives on visual culture. With an ISSN of 0258-3542, the journal aims to elevate the study of art history, contributing significantly to the scholarly community's understanding of both local and international art narratives. Although currently not an open access journal, it is committed to high academic standards and in-depth scholarship, ensuring that each article published meets rigorous criteria. As South Africa continues to position itself at the forefront of global art discourse, the South African Journal of Art History stands out as a critical resource for anyone interested in the intersections of art, culture, and history within this dynamic region.

Visual Ethnography, published by UNIV BASILICATA, is an innovative academic journal dedicated to the interdisciplinary exploration of visual methodologies within the realms of Anthropology, Communication, and Cultural Studies. With a notable emphasis on visual ethnographic practices, this journal serves as an essential platform for researchers, professionals, and students aiming to bridge the gap between visual representation and cultural analysis. Since its inception in 2012, Visual Ethnography has contributed significantly to the academic discourse, despite its current positioning in the lower quartiles of its field as evidenced by its Scopus rankings. The journal actively engages its audience by providing open access options, ensuring that scholarship in visual culture is available to a wider community. With the academic landscape continually evolving, Visual Ethnography remains a vital resource for those seeking to understand the complexities of culture through a visual lens in the context of today’s globalized society.

Asian Diasporic Visual Cultures and the Americas is a pioneering journal published by BRILL, dedicated to exploring the intersections of visual culture, identity, and diaspora within the context of the Americas. With an ISSN of 2352-3077 and E-ISSN of 2352-3085, this journal has established itself as a significant resource for academics, researchers, and students interested in the visual arts and their broader social implications. Since its inception in 2015, the journal has been committed to fostering interdisciplinary dialogue, providing a platform for innovative research that examines how Asian diasporic communities express their identities through visual mediums. Despite its relatively recent establishment, it endeavors to challenge and expand the narratives related to visual arts in a diverse and globalized world. Though the journal currently does not offer open access options, it remains a vital asset for those engaged in understanding the critical dynamics of race, ethnicity, and culture in contemporary visual practices. Converging insights from both the arts and social sciences, this journal invites contributions that illuminate the complexities of diasporic experiences, making it a pertinent choice for those aiming to contribute to this evolving field.

APERTURE is an esteemed journal that has captivated the attention of professionals, researchers, and students in the fields of visual arts and performing arts since its inception. Published in the United States by APERTURE, this journal offers a unique platform for interdisciplinary dialogue and exploration, seeking to promote critical discussions around contemporary and historical art practices. Although it operates under a subscription model, APERTURE maintains a commitment to enriching the artistic community, as evidenced by its focus on high-quality content. With a 2023 Scopus rank placing it in the 2nd percentile for visual arts and performing arts, it is regarded as a niche publication aimed at fostering innovative ideas and discourse, even within a competitive landscape. The journal's influence is reflected in its category quartile of Q4, suggesting that it serves as a vital resource for emerging voices in the arts. As it continues to bridge past and present artistic narratives, APERTURE remains an important reference point for ongoing scholarship and practice in visual arts.