Visual Ethnography, published by UNIV BASILICATA, is an innovative academic journal dedicated to the interdisciplinary exploration of visual methodologies within the realms of Anthropology, Communication, and Cultural Studies. With a notable emphasis on visual ethnographic practices, this journal serves as an essential platform for researchers, professionals, and students aiming to bridge the gap between visual representation and cultural analysis. Since its inception in 2012, Visual Ethnography has contributed significantly to the academic discourse, despite its current positioning in the lower quartiles of its field as evidenced by its Scopus rankings. The journal actively engages its audience by providing open access options, ensuring that scholarship in visual culture is available to a wider community. With the academic landscape continually evolving, Visual Ethnography remains a vital resource for those seeking to understand the complexities of culture through a visual lens in the context of today’s globalized society.

Philosophy of Photography is an esteemed academic journal dedicated to exploring the intricate relationships between photography and philosophy, published by INTELLECT LTD. With its commitment to fostering a critical understanding of photographic theory, this journal serves as an essential resource for researchers, professionals, and students engaged in visual culture studies. The journal covers a broad scope that includes theoretical, historical, and practical dimensions of photographic discourse, thereby addressing contemporary issues and debates within the field. Although it does not operate under an open access model, Philosophy of Photography remains highly valuable, contributing to the advancement of knowledge and encouraging interdisciplinary dialogue among scholars. Located in Bristol, England, this journal plays a pivotal role in shaping the future of photography studies, inviting rigorous scholarly contributions that challenge and expand the boundaries of this evolving domain.

The Journal of Science and Technology of the Arts, published by UNIV CATOLICA PORTUGUESA, is a pioneering open access journal dedicated to the interrelation of the arts and scientific advancements. Since its inception in 2009, it has served as a critical platform for disseminating innovative research across various disciplines, including Visual Arts, Performing Arts, Music, and Conservation. With its ISSN 1646-9798 and E-ISSN 2183-0088, the journal operates from Portugal, attracting a diverse international audience. Although it is currently ranked in Q4 for Arts and Humanities (miscellaneous) and Computer Science Applications, it has achieved notable Q3 rankings in Conservation, Music, and Visual Arts and Performing Arts as of 2023. The journal's impact is reflected in its Scopus rankings, which place it in the midst of its peers, showcasing its growing influence. Through its commitment to fostering interdisciplinary dialogue, the Journal of Science and Technology of the Arts is essential for researchers, professionals, and students interested in the innovative integration of arts and technology.

APERTURE is an esteemed journal that has captivated the attention of professionals, researchers, and students in the fields of visual arts and performing arts since its inception. Published in the United States by APERTURE, this journal offers a unique platform for interdisciplinary dialogue and exploration, seeking to promote critical discussions around contemporary and historical art practices. Although it operates under a subscription model, APERTURE maintains a commitment to enriching the artistic community, as evidenced by its focus on high-quality content. With a 2023 Scopus rank placing it in the 2nd percentile for visual arts and performing arts, it is regarded as a niche publication aimed at fostering innovative ideas and discourse, even within a competitive landscape. The journal's influence is reflected in its category quartile of Q4, suggesting that it serves as a vital resource for emerging voices in the arts. As it continues to bridge past and present artistic narratives, APERTURE remains an important reference point for ongoing scholarship and practice in visual arts.

Umeni-Art is a prominent journal in the field of visual arts and performing arts, published by the Institute of Art History, Academy of Sciences, Czech Republic. With its ISSN 0049-5123 and E-ISSN 1804-6509, the journal has established itself as a critical platform for scholarly discourse and artistic expression since its inception in 2002. Although currently classified in Q4 within the Arts and Humanities category, it aims to elevate the understanding and appreciation of the arts through rigorous research and innovative perspectives. The journal's Scopus ranking places it at Rank #573/667, reflecting its growing contribution to the field and expanding reach within the artistic community. With a focus on fostering collaboration among researchers, practitioners, and students, Umeni-Art seeks to enrich the academic landscape with significant findings and discussions that inspire future research and creative endeavors. While it does not offer open access, the journal remains a valuable resource for those vested in exploring the dynamic interplay between art, culture, and society in the contemporary context.

Eikon Imago is an esteemed academic journal published by Universidad Complutense de Madrid, Facultad de Geografía e Historia, focusing on a diverse range of subjects within the Arts and Humanities. With an ISSN of 2254-8718 and an e-ISSN matching its print counterpart, the journal embraces an Open Access model since 2012, ensuring that its rich content remains freely accessible to researchers, professionals, and students around the globe. Lauded for its rigorous contributions to the fields of History, Religious Studies, and Visual Arts and Performing Arts, Eikon Imago has achieved notable rankings, including Q3 in several categories and a commendable position within the Scopus metrics, emphasizing its relevance and impact. With a commitment to interdisciplinary scholarship, the journal provides a valuable platform for innovative research and critical discourse, fostering a deeper understanding of cultural phenomena. As it converges through the years from 2019 to 2024, Eikon Imago continues to play a pivotal role in shaping the academic landscape of the humanities.

Boletin de Arte-UMA is a distinguished academic journal published by the University of Malaga, Department of History of Art, focusing on the rich interplay between history, visual arts, and performing arts. Operating under an Open Access model since 2013, this journal ensures that valuable research is freely available for scholars and practitioners worldwide. With an impact factor currently reflecting its academic rigor through its Q2 ranking in History and Q1 ranking in Visual Arts and Performing Arts, Boletin de Arte-UMA serves as a vital platform for cutting-edge research, critical analysis, and the promotion of cultural heritage studies. Based in Malaga, Spain, the journal not only provides insights into its thematic scope but also fosters a global dialogue among researchers, professionals, and students passionate about the visual and performing arts.

Aisthema-International Journal is a leading open-access publication that serves as a valuable platform for scholars and practitioners in various interdisciplinary fields. Established in 2014, this journal publishes innovative research and critical reviews that advance knowledge and inform best practices across a diverse range of topics. With its commitment to open access, Aisthema ensures that high-quality research is freely available to a global audience, thus promoting the dissemination of important findings. Published by AISTHEMA, INT JOURNAL in Naples, Campania, Italy, the journal is dedicated to fostering academic dialogue and collaboration among researchers, professionals, and students alike. By focusing on high-impact contributions that are relevant and rigorous, Aisthema continues to establish itself as a pivotal resource in the academic community.

Welcome to the Journal of Modern Periodical Studies, an esteemed publication from Penn State University Press, dedicated to the exploration and analysis of contemporary trends in periodicals. Established in 2010, this journal serves as a vital platform for researchers, professionals, and students engaged in the fields of Communication, Visual Arts, and Performing Arts. Despite its current Q4 ranking in Communication and Q3 in Visual Arts and Performing Arts, the Journal continues to foster critical discourse and innovative scholarship, making it a significant contributor to our understanding of periodical studies. Our commitment to quality and accessibility ensures that the latest research findings are disseminated effectively, although we currently do not offer open access options. As we move into an era increasingly dominated by digital media, our focus remains on inspiring comprehensive analysis and creative expression within the modern landscape of periodicals. Join us in discovering new narratives and scholarly insights that shape the future of this dynamic field.

Visual Studies, published by Taylor & Francis Ltd, is a leading international journal that serves as a vital platform for interdisciplinary scholarship in the fields of visual arts, cultural studies, and anthropology. Established in 2002 and continuing strong through 2024, it holds impressive rankings including Q1 in Cultural Studies and Visual Arts and Performing Arts, as well as Q2 in Anthropology, reflecting its significant impact and prestige within these disciplines. With a robust Scopus ranking placing it in the 89th percentile for Visual Arts and Performing Arts, this journal does not only publish original research but also fosters rich dialogues on visual culture, representation, and critical theory. Although it is not open access, researchers, practitioners, and students alike can benefit from its rigorous peer-reviewed content, which contributes to advancing knowledge and understanding of visual phenomena. Located in the United Kingdom, Visual Studies continues to shape the conversations surrounding visual practices and their societal implications.