International Journal of Performance Arts and Digital Media, published by Routledge Journals, Taylor & Francis Ltd, stands at the forefront of interdisciplinary research encompassing the dynamic fields of performance arts and digital media. With an ISSN of 1479-4713 and an E-ISSN of 2040-0934, this esteemed journal has been a vital platform since its inception in 2005, highlighting significant contributions to both Visual Arts and Communication. As evidenced by its impressive rankings—Q1 in Visual Arts and Performing Arts and Q2 in Communication for 2023—the journal's high-impact research caters to a diverse audience, making it invaluable for academics, practitioners, and students alike. Though it follows a traditional subscription model and does not currently offer open access options, the International Journal of Performance Arts and Digital Media remains committed to publishing cutting-edge scholarship and critical dialogues that explore the intricate relationships between artistic expression and digital technologies. Its rigorous peer-review process ensures that all published works meet the highest academic standards, fostering an environment of innovation and creativity within its community.

Welcome to the Journal of Modern Periodical Studies, an esteemed publication from Penn State University Press, dedicated to the exploration and analysis of contemporary trends in periodicals. Established in 2010, this journal serves as a vital platform for researchers, professionals, and students engaged in the fields of Communication, Visual Arts, and Performing Arts. Despite its current Q4 ranking in Communication and Q3 in Visual Arts and Performing Arts, the Journal continues to foster critical discourse and innovative scholarship, making it a significant contributor to our understanding of periodical studies. Our commitment to quality and accessibility ensures that the latest research findings are disseminated effectively, although we currently do not offer open access options. As we move into an era increasingly dominated by digital media, our focus remains on inspiring comprehensive analysis and creative expression within the modern landscape of periodicals. Join us in discovering new narratives and scholarly insights that shape the future of this dynamic field.

Visual Anthropology Review, published by WILEY, stands as a pivotal journal within the fields of Anthropology and Arts and Humanities. With both ISSN 1058-7187 and E-ISSN 1548-7458, this journal has been disseminating interdisciplinary knowledge since its inception in 1991, facilitating vibrant dialogues through to 2024. Recognized with a Q2 quartile ranking in the 2023 metrics, it places itself within the top tiers of both associated categories, offering a significant platform for researchers and professionals to publish high-quality research. Although not an Open Access publication, Visual Anthropology Review maintains a robust impact within its disciplines, as reflected in its Scopus rankings: 253rd out of 552 in the Arts and Humanities category and 244th out of 502 in the Social Sciences category, illustrating its substantial contribution to contemporary anthropological discourse. The journal's scope encompasses various dimensions of visual culture, encouraging forward-thinking analysis and innovative methodologies, making it an invaluable resource for academics and students eager to explore the intersection of visual media and anthropological inquiry.

Asian Diasporic Visual Cultures and the Americas is a pioneering journal published by BRILL, dedicated to exploring the intersections of visual culture, identity, and diaspora within the context of the Americas. With an ISSN of 2352-3077 and E-ISSN of 2352-3085, this journal has established itself as a significant resource for academics, researchers, and students interested in the visual arts and their broader social implications. Since its inception in 2015, the journal has been committed to fostering interdisciplinary dialogue, providing a platform for innovative research that examines how Asian diasporic communities express their identities through visual mediums. Despite its relatively recent establishment, it endeavors to challenge and expand the narratives related to visual arts in a diverse and globalized world. Though the journal currently does not offer open access options, it remains a vital asset for those engaged in understanding the critical dynamics of race, ethnicity, and culture in contemporary visual practices. Converging insights from both the arts and social sciences, this journal invites contributions that illuminate the complexities of diasporic experiences, making it a pertinent choice for those aiming to contribute to this evolving field.

Grey Room is a distinguished peer-reviewed academic journal published by MIT Press, focusing on interdisciplinary discussions at the intersection of architecture, communication, sociology, political science, and the visual and performing arts. Established in 2002, the journal has carved out a critical space for exploring the links between built environments and cultural narratives, engaging a diverse readership of researchers, professionals, and students. With an impact factor reflecting its contribution to these fields, it is recognized for fostering innovative dialogue and scholarship. Although it operates without an open access model, Grey Room continues to thrive in the academic community, particularly as it moves towards converged years spanning from 2002 to 2024. The journal's categorization into various quartiles highlights its relevance and ongoing commitment to contemporary issues. Readers can expect thought-provoking articles that challenge conventional boundaries of practice and scholarship, making Grey Room an essential resource for those interested in the dynamic interplay of architecture and culture.

ART BULLETIN is a prestigious journal dedicated to the fields of history and visual arts, published by Routledge Journals, Taylor & Francis Ltd. With a rich publication history dating back to 1945, this journal serves as a vital platform for scholarly discourse, presenting cutting-edge research and critical analyses that contribute to our understanding of the arts across various contexts. Despite its Q3 ranking in both the History and Visual Arts categories, the journal has managed to achieve notable stature among its peers, evidenced by its Scopus ranking, placing it in the top 20% for Visual Arts and in the top 25% for History. Scholars and students alike will find valuable insights and innovative perspectives within its pages, making it an essential resource for anyone invested in the academic exploration of art and cultural history. Although currently not open access, the journal is committed to fostering an informed community by disseminating works that encourage scholarly engagement and creative thought.

Umeni-Art is a prominent journal in the field of visual arts and performing arts, published by the Institute of Art History, Academy of Sciences, Czech Republic. With its ISSN 0049-5123 and E-ISSN 1804-6509, the journal has established itself as a critical platform for scholarly discourse and artistic expression since its inception in 2002. Although currently classified in Q4 within the Arts and Humanities category, it aims to elevate the understanding and appreciation of the arts through rigorous research and innovative perspectives. The journal's Scopus ranking places it at Rank #573/667, reflecting its growing contribution to the field and expanding reach within the artistic community. With a focus on fostering collaboration among researchers, practitioners, and students, Umeni-Art seeks to enrich the academic landscape with significant findings and discussions that inspire future research and creative endeavors. While it does not offer open access, the journal remains a valuable resource for those vested in exploring the dynamic interplay between art, culture, and society in the contemporary context.

Aisthema-International Journal is a leading open-access publication that serves as a valuable platform for scholars and practitioners in various interdisciplinary fields. Established in 2014, this journal publishes innovative research and critical reviews that advance knowledge and inform best practices across a diverse range of topics. With its commitment to open access, Aisthema ensures that high-quality research is freely available to a global audience, thus promoting the dissemination of important findings. Published by AISTHEMA, INT JOURNAL in Naples, Campania, Italy, the journal is dedicated to fostering academic dialogue and collaboration among researchers, professionals, and students alike. By focusing on high-impact contributions that are relevant and rigorous, Aisthema continues to establish itself as a pivotal resource in the academic community.

Journal of Print and Media Technology Research, an esteemed publication under the aegis of the International Association of Research Organizations in Information, Media & Graphic Arts Industry, is dedicated to advancing the field of print and media technology. With an ISSN of 2223-8905 and E-ISSN of 2414-6250, this Open Access journal has been pioneering research dissemination since 2020, ensuring that cutting-edge findings are accessible to a global audience. Based in Germany and spanning its converged years from 2017 to 2024, the journal holds a commendable Q3 ranking in Communication and Media Technology, as well as a Q2 ranking in Visual Arts and Performing Arts, reflecting its significant contribution to these interdisciplinary domains. It ranks favorably in Scopus, with an impressive 77th percentile in Visual Arts and Performing Arts, showcasing its commitment to quality and relevance. Aimed at researchers, professionals, and students alike, the journal serves as a vital platform for discourse, innovation, and scholarship, contributing to the evolution of print and media technologies.

South African Journal of Art History is a premier academic publication dedicated to the exploration and critical analysis of art history within the South African context. Published by the Art Historical Work Group South Africa (AHWG), this journal serves as a vital platform for researchers, professionals, and students alike to disseminate innovative research and engage with diverse perspectives on visual culture. With an ISSN of 0258-3542, the journal aims to elevate the study of art history, contributing significantly to the scholarly community's understanding of both local and international art narratives. Although currently not an open access journal, it is committed to high academic standards and in-depth scholarship, ensuring that each article published meets rigorous criteria. As South Africa continues to position itself at the forefront of global art discourse, the South African Journal of Art History stands out as a critical resource for anyone interested in the intersections of art, culture, and history within this dynamic region.