Grey Room is a distinguished peer-reviewed academic journal published by MIT Press, focusing on interdisciplinary discussions at the intersection of architecture, communication, sociology, political science, and the visual and performing arts. Established in 2002, the journal has carved out a critical space for exploring the links between built environments and cultural narratives, engaging a diverse readership of researchers, professionals, and students. With an impact factor reflecting its contribution to these fields, it is recognized for fostering innovative dialogue and scholarship. Although it operates without an open access model, Grey Room continues to thrive in the academic community, particularly as it moves towards converged years spanning from 2002 to 2024. The journal's categorization into various quartiles highlights its relevance and ongoing commitment to contemporary issues. Readers can expect thought-provoking articles that challenge conventional boundaries of practice and scholarship, making Grey Room an essential resource for those interested in the dynamic interplay of architecture and culture.

South African Journal of Art History is a premier academic publication dedicated to the exploration and critical analysis of art history within the South African context. Published by the Art Historical Work Group South Africa (AHWG), this journal serves as a vital platform for researchers, professionals, and students alike to disseminate innovative research and engage with diverse perspectives on visual culture. With an ISSN of 0258-3542, the journal aims to elevate the study of art history, contributing significantly to the scholarly community's understanding of both local and international art narratives. Although currently not an open access journal, it is committed to high academic standards and in-depth scholarship, ensuring that each article published meets rigorous criteria. As South Africa continues to position itself at the forefront of global art discourse, the South African Journal of Art History stands out as a critical resource for anyone interested in the intersections of art, culture, and history within this dynamic region.

Journal of Print and Media Technology Research, an esteemed publication under the aegis of the International Association of Research Organizations in Information, Media & Graphic Arts Industry, is dedicated to advancing the field of print and media technology. With an ISSN of 2223-8905 and E-ISSN of 2414-6250, this Open Access journal has been pioneering research dissemination since 2020, ensuring that cutting-edge findings are accessible to a global audience. Based in Germany and spanning its converged years from 2017 to 2024, the journal holds a commendable Q3 ranking in Communication and Media Technology, as well as a Q2 ranking in Visual Arts and Performing Arts, reflecting its significant contribution to these interdisciplinary domains. It ranks favorably in Scopus, with an impressive 77th percentile in Visual Arts and Performing Arts, showcasing its commitment to quality and relevance. Aimed at researchers, professionals, and students alike, the journal serves as a vital platform for discourse, innovation, and scholarship, contributing to the evolution of print and media technologies.

The Journal of Science and Technology of the Arts, published by UNIV CATOLICA PORTUGUESA, is a pioneering open access journal dedicated to the interrelation of the arts and scientific advancements. Since its inception in 2009, it has served as a critical platform for disseminating innovative research across various disciplines, including Visual Arts, Performing Arts, Music, and Conservation. With its ISSN 1646-9798 and E-ISSN 2183-0088, the journal operates from Portugal, attracting a diverse international audience. Although it is currently ranked in Q4 for Arts and Humanities (miscellaneous) and Computer Science Applications, it has achieved notable Q3 rankings in Conservation, Music, and Visual Arts and Performing Arts as of 2023. The journal's impact is reflected in its Scopus rankings, which place it in the midst of its peers, showcasing its growing influence. Through its commitment to fostering interdisciplinary dialogue, the Journal of Science and Technology of the Arts is essential for researchers, professionals, and students interested in the innovative integration of arts and technology.

Welcome to the Journal of Modern Periodical Studies, an esteemed publication from Penn State University Press, dedicated to the exploration and analysis of contemporary trends in periodicals. Established in 2010, this journal serves as a vital platform for researchers, professionals, and students engaged in the fields of Communication, Visual Arts, and Performing Arts. Despite its current Q4 ranking in Communication and Q3 in Visual Arts and Performing Arts, the Journal continues to foster critical discourse and innovative scholarship, making it a significant contributor to our understanding of periodical studies. Our commitment to quality and accessibility ensures that the latest research findings are disseminated effectively, although we currently do not offer open access options. As we move into an era increasingly dominated by digital media, our focus remains on inspiring comprehensive analysis and creative expression within the modern landscape of periodicals. Join us in discovering new narratives and scholarly insights that shape the future of this dynamic field.

Aisthema-International Journal is a leading open-access publication that serves as a valuable platform for scholars and practitioners in various interdisciplinary fields. Established in 2014, this journal publishes innovative research and critical reviews that advance knowledge and inform best practices across a diverse range of topics. With its commitment to open access, Aisthema ensures that high-quality research is freely available to a global audience, thus promoting the dissemination of important findings. Published by AISTHEMA, INT JOURNAL in Naples, Campania, Italy, the journal is dedicated to fostering academic dialogue and collaboration among researchers, professionals, and students alike. By focusing on high-impact contributions that are relevant and rigorous, Aisthema continues to establish itself as a pivotal resource in the academic community.

Visual Studies, published by Taylor & Francis Ltd, is a leading international journal that serves as a vital platform for interdisciplinary scholarship in the fields of visual arts, cultural studies, and anthropology. Established in 2002 and continuing strong through 2024, it holds impressive rankings including Q1 in Cultural Studies and Visual Arts and Performing Arts, as well as Q2 in Anthropology, reflecting its significant impact and prestige within these disciplines. With a robust Scopus ranking placing it in the 89th percentile for Visual Arts and Performing Arts, this journal does not only publish original research but also fosters rich dialogues on visual culture, representation, and critical theory. Although it is not open access, researchers, practitioners, and students alike can benefit from its rigorous peer-reviewed content, which contributes to advancing knowledge and understanding of visual phenomena. Located in the United Kingdom, Visual Studies continues to shape the conversations surrounding visual practices and their societal implications.

Eikon Imago is an esteemed academic journal published by Universidad Complutense de Madrid, Facultad de Geografía e Historia, focusing on a diverse range of subjects within the Arts and Humanities. With an ISSN of 2254-8718 and an e-ISSN matching its print counterpart, the journal embraces an Open Access model since 2012, ensuring that its rich content remains freely accessible to researchers, professionals, and students around the globe. Lauded for its rigorous contributions to the fields of History, Religious Studies, and Visual Arts and Performing Arts, Eikon Imago has achieved notable rankings, including Q3 in several categories and a commendable position within the Scopus metrics, emphasizing its relevance and impact. With a commitment to interdisciplinary scholarship, the journal provides a valuable platform for innovative research and critical discourse, fostering a deeper understanding of cultural phenomena. As it converges through the years from 2019 to 2024, Eikon Imago continues to play a pivotal role in shaping the academic landscape of the humanities.

ART BULLETIN is a prestigious journal dedicated to the fields of history and visual arts, published by Routledge Journals, Taylor & Francis Ltd. With a rich publication history dating back to 1945, this journal serves as a vital platform for scholarly discourse, presenting cutting-edge research and critical analyses that contribute to our understanding of the arts across various contexts. Despite its Q3 ranking in both the History and Visual Arts categories, the journal has managed to achieve notable stature among its peers, evidenced by its Scopus ranking, placing it in the top 20% for Visual Arts and in the top 25% for History. Scholars and students alike will find valuable insights and innovative perspectives within its pages, making it an essential resource for anyone invested in the academic exploration of art and cultural history. Although currently not open access, the journal is committed to fostering an informed community by disseminating works that encourage scholarly engagement and creative thought.

ZEITSCHRIFT FUR KUNSTGESCHICHTE is a prestigious journal dedicated to the study of art history, offering insightful analyses and discussions that enrich the understanding of visual arts and performing arts. Published by DEUTSCHER KUNSTVERLAG GMBH in Germany, this journal has established itself as a significant platform for researchers and professionals alike since its inception. With a print ISSN of 0044-2992 and an e-ISSN of 2569-1619, it spans a comprehensive range of topics in art history, reflecting both traditional and contemporary perspectives. Although categorized in the Q4 quartile for Visual Arts and Performing Arts, the journal contributes to a rich dialogue within its field, aiming to foster academic discourse and promote scholarly research. Its scope has evolved notably from converged years starting in 1975 and gathering strength from 2001 to 2024, and it is committed to serving as an essential resource for students, academics, and practitioners in the arts. While not offering open access, the journal maintains a rigorous peer-review process to ensure high-quality submissions that advance knowledge and stimulate critical thought.