International Journal of Performance Arts and Digital Media, published by Routledge Journals, Taylor & Francis Ltd, stands at the forefront of interdisciplinary research encompassing the dynamic fields of performance arts and digital media. With an ISSN of 1479-4713 and an E-ISSN of 2040-0934, this esteemed journal has been a vital platform since its inception in 2005, highlighting significant contributions to both Visual Arts and Communication. As evidenced by its impressive rankings—Q1 in Visual Arts and Performing Arts and Q2 in Communication for 2023—the journal's high-impact research caters to a diverse audience, making it invaluable for academics, practitioners, and students alike. Though it follows a traditional subscription model and does not currently offer open access options, the International Journal of Performance Arts and Digital Media remains committed to publishing cutting-edge scholarship and critical dialogues that explore the intricate relationships between artistic expression and digital technologies. Its rigorous peer-review process ensures that all published works meet the highest academic standards, fostering an environment of innovation and creativity within its community.

Visual Anthropology Review, published by WILEY, stands as a pivotal journal within the fields of Anthropology and Arts and Humanities. With both ISSN 1058-7187 and E-ISSN 1548-7458, this journal has been disseminating interdisciplinary knowledge since its inception in 1991, facilitating vibrant dialogues through to 2024. Recognized with a Q2 quartile ranking in the 2023 metrics, it places itself within the top tiers of both associated categories, offering a significant platform for researchers and professionals to publish high-quality research. Although not an Open Access publication, Visual Anthropology Review maintains a robust impact within its disciplines, as reflected in its Scopus rankings: 253rd out of 552 in the Arts and Humanities category and 244th out of 502 in the Social Sciences category, illustrating its substantial contribution to contemporary anthropological discourse. The journal's scope encompasses various dimensions of visual culture, encouraging forward-thinking analysis and innovative methodologies, making it an invaluable resource for academics and students eager to explore the intersection of visual media and anthropological inquiry.

Religion and the Arts is a distinguished scholarly journal published by BRILL, based in the Netherlands, with a dedicated focus on the interdisciplinary exploration of religion and its interplay with various artistic expressions from historical and contemporary perspectives. Established in 1996, this journal serves as a vital platform for researchers, professionals, and students interested in Cultural Studies, History, Religious Studies, and the Visual and Performing Arts. Despite its current classification in the Q4 category across multiple fields, it remains committed to advancing academic discourse and fostering innovative approaches to understanding the complex relationships between spirituality and artistic creation. With its ISSN 1079-9265 and E-ISSN 1568-5292, the journal invites submissions that contribute to enriching this dynamic field, ensuring that a diverse range of voices and perspectives are represented. Although not an Open Access publication, the journal’s content continues to be pivotal for scholarly engagement and is essential reading for those dedicated to the study of art's profound connections with religious traditions.

Visual Ethnography, published by UNIV BASILICATA, is an innovative academic journal dedicated to the interdisciplinary exploration of visual methodologies within the realms of Anthropology, Communication, and Cultural Studies. With a notable emphasis on visual ethnographic practices, this journal serves as an essential platform for researchers, professionals, and students aiming to bridge the gap between visual representation and cultural analysis. Since its inception in 2012, Visual Ethnography has contributed significantly to the academic discourse, despite its current positioning in the lower quartiles of its field as evidenced by its Scopus rankings. The journal actively engages its audience by providing open access options, ensuring that scholarship in visual culture is available to a wider community. With the academic landscape continually evolving, Visual Ethnography remains a vital resource for those seeking to understand the complexities of culture through a visual lens in the context of today’s globalized society.

Visual Anthropology is a distinguished journal published by Routledge Journals, Taylor & Francis Ltd in the United Kingdom. With an ISSN of 0894-9468 and E-ISSN 1545-5920, this journal focuses on the intersection of visual media and anthropological research, exploring the ways in which visual representations influence cultural practices and perceptions. Since its inception in 1987, Visual Anthropology has contributed significantly to the fields of Anthropology and Cultural Studies, earning a Q2 rank in both categories as of 2023. With a solid impact factor and strategic indexing, the journal maintains a vital place for scholars seeking to understand the visual dimensions of human behavior and societal structures. Although it operates under a traditional subscription model, its rigorous peer-review process ensures the dissemination of high-quality research. The journal invites researchers, professionals, and students alike to engage with cutting-edge studies that bridge visual culture and anthropological inquiry.

Umeni-Art is a prominent journal in the field of visual arts and performing arts, published by the Institute of Art History, Academy of Sciences, Czech Republic. With its ISSN 0049-5123 and E-ISSN 1804-6509, the journal has established itself as a critical platform for scholarly discourse and artistic expression since its inception in 2002. Although currently classified in Q4 within the Arts and Humanities category, it aims to elevate the understanding and appreciation of the arts through rigorous research and innovative perspectives. The journal's Scopus ranking places it at Rank #573/667, reflecting its growing contribution to the field and expanding reach within the artistic community. With a focus on fostering collaboration among researchers, practitioners, and students, Umeni-Art seeks to enrich the academic landscape with significant findings and discussions that inspire future research and creative endeavors. While it does not offer open access, the journal remains a valuable resource for those vested in exploring the dynamic interplay between art, culture, and society in the contemporary context.

Welcome to the Journal of Modern Periodical Studies, an esteemed publication from Penn State University Press, dedicated to the exploration and analysis of contemporary trends in periodicals. Established in 2010, this journal serves as a vital platform for researchers, professionals, and students engaged in the fields of Communication, Visual Arts, and Performing Arts. Despite its current Q4 ranking in Communication and Q3 in Visual Arts and Performing Arts, the Journal continues to foster critical discourse and innovative scholarship, making it a significant contributor to our understanding of periodical studies. Our commitment to quality and accessibility ensures that the latest research findings are disseminated effectively, although we currently do not offer open access options. As we move into an era increasingly dominated by digital media, our focus remains on inspiring comprehensive analysis and creative expression within the modern landscape of periodicals. Join us in discovering new narratives and scholarly insights that shape the future of this dynamic field.

Grey Room is a distinguished peer-reviewed academic journal published by MIT Press, focusing on interdisciplinary discussions at the intersection of architecture, communication, sociology, political science, and the visual and performing arts. Established in 2002, the journal has carved out a critical space for exploring the links between built environments and cultural narratives, engaging a diverse readership of researchers, professionals, and students. With an impact factor reflecting its contribution to these fields, it is recognized for fostering innovative dialogue and scholarship. Although it operates without an open access model, Grey Room continues to thrive in the academic community, particularly as it moves towards converged years spanning from 2002 to 2024. The journal's categorization into various quartiles highlights its relevance and ongoing commitment to contemporary issues. Readers can expect thought-provoking articles that challenge conventional boundaries of practice and scholarship, making Grey Room an essential resource for those interested in the dynamic interplay of architecture and culture.

Arte Individuo y Sociedad, published by UNIV COMPLUTENSE MADRID, SERVICIO PUBLICACIONES, is a leading Open Access journal dedicated to advancing understanding in the realms of Visual Arts and Performing Arts. With an impressive impact factor that places it in the Q1 category of its field and a remarkable Scopus rank of #92 out of 667, this journal stands as a vital resource for scholars, practitioners, and students alike. Since its inception in 1988, the journal has championed the dissemination of innovative research and critical discourse, fostering a platform where creativity and academia intersect. The converged years from 2010 to 2024 signify a dynamic evolution of the journal, reflecting contemporary issues and developments in visual and performing arts. For those interested in exploring the complex interplay between art and society, Arte Individuo y Sociedad offers essential insights and diverse perspectives in an increasingly interconnected global landscape.

Visual Studies, published by Taylor & Francis Ltd, is a leading international journal that serves as a vital platform for interdisciplinary scholarship in the fields of visual arts, cultural studies, and anthropology. Established in 2002 and continuing strong through 2024, it holds impressive rankings including Q1 in Cultural Studies and Visual Arts and Performing Arts, as well as Q2 in Anthropology, reflecting its significant impact and prestige within these disciplines. With a robust Scopus ranking placing it in the 89th percentile for Visual Arts and Performing Arts, this journal does not only publish original research but also fosters rich dialogues on visual culture, representation, and critical theory. Although it is not open access, researchers, practitioners, and students alike can benefit from its rigorous peer-reviewed content, which contributes to advancing knowledge and understanding of visual phenomena. Located in the United Kingdom, Visual Studies continues to shape the conversations surrounding visual practices and their societal implications.