Asian Diasporic Visual Cultures and the Americas

Scope & Guideline

Fostering Dialogue on Identity and Visual Culture Across Borders

Introduction

Welcome to your portal for understanding Asian Diasporic Visual Cultures and the Americas, featuring guidelines for its aims and scope. Our guidelines cover trending and emerging topics, identifying the forefront of research. Additionally, we track declining topics, offering insights into areas experiencing reduced scholarly attention. Key highlights include highly cited topics and recently published papers, curated within these guidelines to assist you in navigating influential academic dialogues.
LanguageEnglish
ISSN2352-3077
PublisherBRILL
Support Open AccessNo
Country-
TypeJournal
Convergefrom 2015 to 2024
AbbreviationASIAN DIASPOR VISUAL / Asian Disaporic Vis. Cult. Americas
Frequency3 issues/year
Time To First Decision-
Time To Acceptance-
Acceptance Rate-
Home Page-
AddressPLANTIJNSTRAAT 2, P O BOX 9000, 2300 PA LEIDEN, NETHERLANDS

Aims and Scopes

The journal "Asian Diasporic Visual Cultures and the Americas" focuses on the intricate intersections of visual culture, identity, and diaspora, particularly as they relate to Asian communities in the Americas. It aims to explore the diverse expressions and narratives that emerge from these contexts, employing various methodologies to analyze art, media, and cultural practices.
  1. Exploration of Asian Diasporic Identities:
    The journal delves into the complexities of identity formation within Asian diasporic communities, investigating how cultural, social, and political factors shape individual and collective identities.
  2. Interdisciplinary Approaches to Visual Culture:
    Utilizing methodologies from art history, cultural studies, and performance studies, the journal emphasizes interdisciplinary research that examines visual culture through multiple lenses.
  3. Focus on Contemporary Art and Media:
    It highlights contemporary art practices and media representations, particularly those that challenge dominant narratives and reflect the lived experiences of Asian diasporic individuals.
  4. Engagement with Intersectionality:
    The journal addresses intersectional issues related to gender, race, sexuality, and class, emphasizing how these factors influence the production and reception of visual culture.
  5. Critical Examination of Historical Contexts:
    There is a strong emphasis on historical narratives and their impact on present-day artistic expressions, encouraging a critical look at how history informs contemporary practices.
Recent publications in the journal indicate a shift towards new and emerging themes. This section identifies and elaborates on these trends, showcasing the evolving landscape of Asian diasporic visual cultures.
  1. Queer and Intersectional Perspectives:
    A growing emphasis on queer identities and intersectionality reflects a broader societal recognition of diverse sexual and gender identities, making this a crucial area of exploration in the journal.
  2. Environmental and Ecological Art Practices:
    Recent themes have highlighted the intersection of art and ecology, particularly in the context of diasporic experiences and responses to climate crises, indicating a rising trend towards eco-art.
  3. Experimental and Multimedia Art Forms:
    There is an increasing focus on experimental and multimedia art practices, showcasing how artists use innovative methods to express complex diasporic narratives and experiences.
  4. Focus on Activism and Social Justice:
    The journal is increasingly publishing works that engage with themes of activism, particularly in relation to social justice issues affecting Asian diasporic communities.
  5. Globalization and Transnational Connections:
    Emerging discussions around globalization and its impact on diasporic identities suggest a trend towards understanding art and culture in a transnational context, reflecting the interconnectedness of global communities.

Declining or Waning

While the journal remains dynamic in its exploration of various themes, certain areas of focus appear to be waning in prominence. This section outlines these declining themes, reflecting shifts in the discourse surrounding Asian diasporic visual cultures.
  1. Traditional Representations of Asian Culture:
    There seems to be a decline in articles focusing on traditional or stereotypical representations of Asian cultures, as the journal increasingly prioritizes contemporary, nuanced, and diverse expressions.
  2. Exclusively Western Perspectives on Asian Art:
    The journal is moving away from papers that primarily adopt a Western-centric view of Asian art, instead favoring works that highlight indigenous and local perspectives within diasporic contexts.
  3. Static Historical Narratives:
    There is a noticeable reduction in the publication of papers that rely on static or uncritical historical narratives, with a shift towards more dynamic and critical engagements with history.

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