Renaissance Studies
Scope & Guideline
Advancing Scholarship on Timeless Renaissance Influences
Introduction
Aims and Scopes
- Interdisciplinary Research:
Renaissance Studies embraces an interdisciplinary approach, integrating history, literature, art history, musicology, and cultural studies to provide a comprehensive understanding of the Renaissance. - Cultural Exchange and Transnationalism:
The journal consistently explores themes of cultural exchange, transcultural interactions, and the global implications of Renaissance thought, highlighting the movement of ideas across geographical and cultural boundaries. - Gender and Identity Studies:
There is a strong focus on gender dynamics and identity formation during the Renaissance, examining how literature and art reflect and shape societal roles and perceptions. - Religious and Political Contexts:
The intersection of religion and politics is a core area of inquiry, analyzing how these forces influenced Renaissance culture, including the impact of the Reformation and Catholic reform. - Artistic Innovation and Representation:
The journal emphasizes the study of artistic practices, representation, and the role of visual culture in shaping Renaissance identity and ideology.
Trending and Emerging
- Postcolonial Perspectives:
There is a growing engagement with postcolonial perspectives, examining how Renaissance texts and artifacts interact with colonial narratives and identities, as seen in the exploration of multicultural influences in literature and art. - Environmental and Ecopolitical Critiques:
Emerging themes in ecocriticism and environmental studies are gaining traction, reflecting a broader interest in how Renaissance literature and art engage with ecological concerns and the representation of nature. - Digital Humanities and New Methodologies:
The application of digital humanities methodologies is on the rise, facilitating new forms of analysis and broader access to Renaissance texts and artifacts, thus transforming traditional research practices. - Intersectionality and Diverse Voices:
There is an increasing emphasis on intersectionality, bringing attention to the voices and experiences of marginalized groups during the Renaissance, including women, racial minorities, and the disenfranchised. - Material Culture Studies:
An emerging focus on material culture studies is evident, exploring the significance of objects, artifacts, and the materiality of texts in understanding Renaissance life and thought.
Declining or Waning
- Traditional Historical Narratives:
There is a noticeable decline in papers focusing solely on traditional historical narratives of the Renaissance, as scholars increasingly seek to challenge and complicate these narratives through more nuanced and diverse perspectives. - Biographical Studies of Singular Figures:
The focus on singular biographical studies of prominent figures is diminishing, with researchers now favoring broader contextual analyses that emphasize collective cultural movements over individual contributions. - Static Interpretations of Art:
Static interpretations of Renaissance art as merely reflective of its time are waning, as contemporary scholarship increasingly seeks to engage with dynamic interpretations that consider audience reception and cultural exchange.
Similar Journals
NEUE RUNDSCHAU
Bridging the Gap Between Text and PerformanceNEUE RUNDSCHAU is a prominent journal published by S Fischer Verlag GmbH, specializing in the fields of literature and literary theory, as well as visual arts and performing arts. With its roots tracing back to its inception in 1969, this journal has evolved significantly, providing a platform for critical discourse and innovative scholarship in the arts and humanities. Although it experienced coverage changes, the journal remains a vital resource for researchers and academics, contributing to the rich dialogue surrounding cultural studies and artistic expression. Furthermore, while it is not available through open access, NEUE RUNDSCHAU offers essential insights into contemporary literary trends and artistic movements, ensuring its relevance and importance within the academic sphere. With Scopus rankings including a position in the 16th percentile for literature and literary theory, and a 10th percentile placement in cultural studies, the journal embodies a commitment to quality scholarly contributions, making it an invaluable asset for students, professionals, and researchers alike.
Artibus et Historiae
Where Artistry Meets Historical InsightArtibus et Historiae is a distinguished academic journal published by IRSA PUBLISHING HOUSE, focusing on the fields of Visual Arts and Performing Arts within the broader scope of Arts and Humanities. With an ISSN of 0391-9064, this journal has become a crucial platform for the dissemination of scholarly research, critical discourse, and innovative ideas in art history and visual culture. Though its coverage in Scopus was discontinued in 2018, it maintained a respectable ranking of #279 out of 502 in its category, placing it in the 44th percentile. This positions Artibus et Historiae as a respected contributor to scholarly conversations in its field. Researchers, professionals, and students will find valuable insights and analyses that deepen their understanding of artistic practices and historical contexts. While not an open-access journal, it aims to bridge the gap between academia and broader audiences interested in the dynamic interplay of art and history.
Nineteenth-Century Art Worldwide
Unveiling the Legacy of 19th Century CreativityNineteenth-Century Art Worldwide is a premier open-access journal dedicated to the exploration and critical analysis of art from the nineteenth century, published by the Association of Historians of Nineteenth-Century Art. Since its inception in 2002, this journal has provided a platform for innovative research that spans various methodologies and perspectives within the field of art history. With an impact factor that reflects its growing influence, the journal has maintained a steady role in advancing scholarship related to both visual and performing arts, evidenced by its rankings within the Scopus database. It currently holds a Q3 status in Visual Arts and Performing Arts and Q4 in Arts and Humanities, underscoring its relevance among contemporary academic discourse. The journal is hosted in the United States, specifically at Seton Hall University, and aims to foster scholarly dialogue while enhancing accessibility to important research. By engaging with the cultural and artistic practices of the nineteenth century, Nineteenth-Century Art Worldwide serves as an invaluable resource for researchers, professionals, and students alike, ensuring that the legacy of this pivotal period in art history remains vibrant and well-documented.
LOGOS-A JOURNAL OF CATHOLIC THOUGHT AND CULTURE
Fostering Critical Conversations on Catholicism and SocietyLOGOS - A Journal of Catholic Thought and Culture is a distinguished publication dedicated to exploring the intersection of Catholicism with contemporary cultural, literary, and philosophical discourse. Established in 2002 and published by the University of St. Thomas, Center for Catholic Studies, this journal serves as a vital platform for scholars and practitioners involved in the study of religion, culture, and the humanities. With its ISSN 1091-6687 and E-ISSN 1533-791X, LOGOS features rigorous peer-reviewed articles that delve into critical discussions in the realms of Cultural Studies, Literature and Literary Theory, Philosophy, and Religious Studies. The journal is currently positioned in the Q3 quartile for Cultural Studies and Philosophy, and Q2 for Literature and Literary Theory and Religious Studies, reflecting its significant contribution to these fields. Although LOGOS does not offer Open Access options, its scholarly output is essential for those seeking to engage with Catholic thought in a dynamic cultural landscape. Join a community of researchers, professionals, and students as you navigate the rich intellects that shape Catholic culture today.
Religion and the Arts
Celebrating the Dynamic Relationship Between Belief and ArtistryReligion and the Arts is a distinguished scholarly journal published by BRILL, based in the Netherlands, with a dedicated focus on the interdisciplinary exploration of religion and its interplay with various artistic expressions from historical and contemporary perspectives. Established in 1996, this journal serves as a vital platform for researchers, professionals, and students interested in Cultural Studies, History, Religious Studies, and the Visual and Performing Arts. Despite its current classification in the Q4 category across multiple fields, it remains committed to advancing academic discourse and fostering innovative approaches to understanding the complex relationships between spirituality and artistic creation. With its ISSN 1079-9265 and E-ISSN 1568-5292, the journal invites submissions that contribute to enriching this dynamic field, ensuring that a diverse range of voices and perspectives are represented. Although not an Open Access publication, the journal’s content continues to be pivotal for scholarly engagement and is essential reading for those dedicated to the study of art's profound connections with religious traditions.
REFORMATION & RENAISSANCE REVIEW
Decoding the Interplay of Belief and SocietyREFORMATION & RENAISSANCE REVIEW is a distinguished journal published by Routledge Journals, Taylor & Francis Ltd, focusing on the rich and transformative periods of the Reformation and Renaissance. With an ISSN of 1462-2459 and an E-ISSN of 1743-1727, this journal provides a platform for scholarly discourse that examines the religious, cultural, and historical dimensions of these pivotal eras. Ranked in the fourth quartile (Q4) in Religious Studies, the journal plays a significant role in advancing our understanding of these fields, as indicated by its Scopus rank of #312 out of 644 in Arts and Humanities. Researchers, professionals, and students alike benefit from its rigorously peer-reviewed articles and insightful analyses. While currently not offering Open Access, the journal remains a vital resource for those exploring the complex interplay of faith and culture in early modern Europe. With a publication span from 2013 to 2024, this journal is committed to fostering scholarly excellence and encouraging innovative research that addresses contemporary debates within the disciplines of religious studies and history.
POSTMODERN CULTURE
Decoding the Complexities of PostmodernismPOSTMODERN CULTURE, published by Johns Hopkins University Press, is a pivotal journal in the fields of Cultural Studies, Literature and Literary Theory, and the Visual Arts and Performing Arts. With a focus on the nuances of postmodern theory and its interdisciplinary applications, the journal has established itself as an essential resource for researchers and scholars seeking to explore contemporary cultural phenomena through innovative critical lenses. Compiling works from 2002 to 2023, it is indexed with notable rankings, including Q2 in Literature and Literary Theory and Q3 in Cultural Studies, reflecting its significant contribution to persistent academic discourse. While not open access, the journal ensures that access to groundbreaking research is available to libraries and institutions, reinforcing its importance in the scholarly community. POSTMODERN CULTURE serves not only as a repository of academic inquiry but also as a catalyst for new ideas, stimulating dialogue among professionals and students alike in understanding the complexities of today's cultural landscape.
YALE FRENCH STUDIES
Illuminating Interdisciplinary Insights in Francophone StudiesYale French Studies is a prominent academic journal published by Yale University Press in the United States, dedicated to advancing the discourse on Francophone literature, culture, and thought. With an ISSN of 0044-0078, this journal serves as a vital platform for interdisciplinary scholarship, encompassing areas such as cultural studies, history, and sociology. Although it operates under a traditional subscription model, its contributions are significant, particularly between the converged years spanning 2002 to 2014, 2018 to 2019, and 2021 to 2023. The journal currently holds Q4 rankings in various categories, including cultural studies and visual arts, and offers rich, scholarly insights that are crucial for researchers, professionals, and students alike. As an esteemed publication in the realm of literature and literary theory, Yale French Studies is instrumental in fostering a deeper understanding of French cultural contexts and their global implications, marking it as an essential resource for anyone engaged in Francophone studies.
De Medio Aevo
Advancing Knowledge in the Heart of Medieval StudiesDe Medio Aevo is a distinguished academic journal published by UNIV COMPLUTENSE MADRID, SERVICIO PUBLICACIONES, dedicated to enriching the fields of Cultural Studies, History, Literature and Literary Theory, Philosophy, Religious Studies, and Visual Arts and Performing Arts. Since its inception in 2012 as an Open Access platform, this Spanish journal has rapidly established its reputation, achieving impressive rankings in various categories with a Q1 classification in Literature and Literary Theory and notable positions in Q2 across other fields as per the 2023 metrics. With an emphasis on rigorous scholarly research, De Medio Aevo seeks to foster the exchange of ideas and insights that reflect the rich tapestry of medieval studies and its ongoing impact on contemporary society. It is an essential resource for researchers, professionals, and students alike, encouraging interdisciplinary dialogue and exploration of the cultural narratives that shape our understanding of history and the arts. Located in Madrid, Spain, the journal is committed to making significant contributions to its fields, with a global reach and a focus on academic excellence.
ART HISTORY
Celebrating the Diversity of Artistic Expression Through the AgesART HISTORY is a prestigious journal published by Wiley, focusing on the dynamic and diverse field of visual arts and performing arts since its inception in 1978. With an ISSN of 0141-6790 and an E-ISSN of 1467-8365, the journal has established itself as a significant resource for researchers, professionals, and students interested in exploring the complexities of art across various epochs and cultures. Currently ranked in the Q3 category within the Visual Arts and Performing Arts sector and positioned at #132 out of 667 in Scopus rankings—representing the top 80th percentile—ART HISTORY delivers insightful scholarship that contributes to the understanding and appreciation of art history. Although it does not offer open access, the journal remains committed to publishing high-quality, peer-reviewed articles that delve into critical artistic practices, theories, and aesthetics. The journal's location in the United Kingdom further enhances its international reach and influence, making it a vital platform for advancing discourse in the arts.