SOURCE-NOTES IN THE HISTORY OF ART is a vital publication in the field of visual arts and performing arts, managed by the prestigious University of Chicago Press. With its ISSN 0737-4453 and E-ISSN 2328-207X, the journal serves as a scholarly platform for researchers, professionals, and students who are passionate about exploring the intricacies of art history. Although it currently holds a Q4 ranking in 2023, it provides a unique contribution by documenting and analyzing various dimensions of artistic endeavors, from historical references to contemporary practices. Despite being a newer entrant in the academic landscape, its focus on detailed source notes allows for deeper understanding and connections within art scholarship. Situated in the heart of Chicago, a city rich in artistic heritage, this journal is committed to promoting critical discourse and fostering awareness of the evolving narratives in art history. As the journal continues to cultivate rigorous academic dialogue, it stands as an essential resource for those dedicated to advancing and enriching the study of the arts.

Nineteenth-Century Art Worldwide is a premier open-access journal dedicated to the exploration and critical analysis of art from the nineteenth century, published by the Association of Historians of Nineteenth-Century Art. Since its inception in 2002, this journal has provided a platform for innovative research that spans various methodologies and perspectives within the field of art history. With an impact factor that reflects its growing influence, the journal has maintained a steady role in advancing scholarship related to both visual and performing arts, evidenced by its rankings within the Scopus database. It currently holds a Q3 status in Visual Arts and Performing Arts and Q4 in Arts and Humanities, underscoring its relevance among contemporary academic discourse. The journal is hosted in the United States, specifically at Seton Hall University, and aims to foster scholarly dialogue while enhancing accessibility to important research. By engaging with the cultural and artistic practices of the nineteenth century, Nineteenth-Century Art Worldwide serves as an invaluable resource for researchers, professionals, and students alike, ensuring that the legacy of this pivotal period in art history remains vibrant and well-documented.

REVUE DE L'ART, published by EDITIONS C N R S, is a significant scholarly journal that focuses on the diverse realms of visual arts and performing arts. With an ISSN of 0035-1326, the journal serves as a vital forum for researchers, professionals, and students, engaging them in contemporary discourses surrounding artistic practices and critical theories. While it currently holds a Q4 ranking in the Visual Arts and Performing Arts category for 2023, with a Scopus ranking of #578 out of 667, REVUE DE L'ART emphasizes the importance of innovative research and interdisciplinary studies in the arts. Although it is not an open access publication, the journal ensures that high-quality scholarship remains accessible to professionals and student communities in France and beyond. The journal’s commitment to artistic investigation and analysis continues to contribute significantly to the understanding of art within historical and contemporary contexts, making it a crucial resource for anyone engaged in these fields.

AFRICAN ARTS is a distinguished journal published by MIT PRESS, focusing on the vibrant intersections of literature, visual arts, and performing arts within the African context. Boasting an ISSN of 0001-9933 and an E-ISSN of 1937-2108, this journal serves as a critical platform for scholars and practitioners worldwide to explore and disseminate their research on African artistic expressions. With a solid impact represented by its Q3 rankings in both Literature and Literary Theory and Visual Arts and Performing Arts as of 2023, it ranks in the top 20% within the literature category and in the top 30% for visual arts. AFRICAN ARTS aims to foster a deeper understanding of the cultural, historical, and social contexts that shape these disciplines, embracing a wide array of methodologies and theoretical frameworks. Though not an open-access journal, it provides valuable insights and analysis that contribute significantly to the global discourse surrounding African arts, making it a vital resource for researchers, professionals, and students alike.

Third Text is a premier academic journal dedicated to the critical engagement with cultural and artistic practices, serving as a vital platform for scholars and practitioners in the fields of Cultural Studies and Visual Arts and Performing Arts. Published by Routledge Journals, Taylor & Francis Ltd in the United Kingdom, this journal has steadily established itself as a leader in its field since its inception in 1987. With an impressive Q2 ranking in both categories as of 2023, Third Text is noted for its rigorous peer-reviewed research and thought-provoking analysis, contributing significantly to contemporary discourse in the arts. While the journal maintains a traditional publication model, it offers a rich array of scholarly articles aimed at fostering dialogue and innovation among researchers, professionals, and students alike. Researchers looking to explore intricate cultural dynamics and the intersections of art, society, and politics will find Third Text an indispensable resource in their academic journey.

The Rijksmuseum Bulletin, published by the Rijksmuseum Amsterdam, stands as a premier open-access journal in the realm of Visual Arts and Performing Arts, having transitioned to open access in 2012. With its ISSN 1877-8127, the journal is dedicated to exploring the rich tapestry of art history, exhibitions, and cultural discourse, supporting both scholarly research and the general appreciation of the arts. As a significant contributor within the Netherlands and beyond, the Bulletin garners a solid reputation, reflected in its current ranking in the Q3 category of Visual Arts and Performing Arts, with a Scopus rank of #510 out of 667. This engaging platform not only disseminates high-quality research but also fosters collaboration among researchers, professionals, and students, providing insights that highlight the importance of cultural heritage. With converged years spanning from 2011 to 2024, the Rijksmuseum Bulletin is poised to remain a vital source of knowledge within the arts community.

ARCHIVO ESPANOL DE ARTE is a distinguished journal dedicated to the exploration and dissemination of research in the fields of visual arts and performing arts. Published by CONSEJO SUPERIOR INVESTIGACIONES CIENTIFICAS-CSIC in Spain, this journal has been an open access publication since 1996, facilitating unrestricted access to valuable scholarly content for researchers, professionals, and students alike. With an E-ISSN of 1988-8511 and a commitment to covering a range of artistic phenomena, it plays a significant role in advancing the understanding and appreciation of art within both academic and cultural contexts. Although currently categorized in the Q4 quartile within its discipline, its ranking within Scopus—at #400/667, placing it in the 40th percentile—reflects its contributions to the broader discourse in art research. The journal's suite of open access offerings ensures that cutting-edge research remains accessible, fostering collaboration and innovation in the ever-evolving landscape of the arts.

KONSTHISTORISK TIDSKRIFT is a distinguished journal dedicated to the exploration of art history and its intersections with visual and performing arts. Published by Routledge Journals, Taylor & Francis Ltd, this esteemed publication has been a vital resource for scholars and professionals alike since its inception in 1932, with a mission to advance the understanding of historical and contemporary artistic expression. Operating from the United Kingdom, it currently occupies a commendable Q3 Quartile ranking in both History and Visual Arts and Performing Arts categories for 2023, according to Scopus metrics. With an engaging array of peer-reviewed articles, the journal serves as a platform for critical discourse, fostering an inclusive intellectual community. As it looks ahead to its convergence into 2024, KONSTHISTORISK TIDSKRIFT promises to enrich the academic landscape with impactful research and insights, making it a vital resource for researchers, professionals, and students passionate about the field.

Radovi Instituta za Povijest Umjetnosti-Journal of the Institute of Art History is a distinguished academic journal dedicated to the exploration and critical analysis of art history, with a special emphasis on the visual arts and performing arts. Published by INST POVIJEST UMJETNOSTI-INST ART HISTORY in Croatia, this journal provides an essential platform for researchers and practitioners to disseminate their findings and engage in scholarly discourse. Since its transition to Open Access in 2008, it has significantly increased the accessibility of its content, fostering a global exchange of ideas. The journal is indexed in notable databases, reflecting its impact within its field, with a current ranking that places it in the Q4 category for History and in Q3 for Visual Arts and Performing Arts. As it spans its converged years from 2015 to 2024, Radovi is poised to expand its influence and continue contributing to the understanding of art historical narratives. Researchers, professionals, and students alike will find this journal a valuable resource for contemporary discussions and theoretical advancements in the study of art.

Experiment-A Journal of Russian Culture is a distinctive publication dedicated to exploring the multifaceted dimensions of Russian culture, encompassing literature, art, and social history. Published by BRILL, a respected name in academic publishing, this journal provides a platform for original research and insightful discourse, fostering a deeper understanding of Russia's rich cultural heritage. With an ISSN of 1084-4945 and an E-ISSN of 2211-730X, the journal is organized in a quarterly format, although it has seen varied publication years from 1996 through 2023. While it currently holds a Q4 ranking in both Cultural Studies and Visual Arts and Performing Arts, its commitment to interdisciplinary inquiry makes it a vital resource for researchers, professionals, and students interested in contemporary and historical Russian cultural phenomena. Despite its modest impact factors, the journal remains an essential platform for the dissemination of critical perspectives and theoretical frameworks, contributing to the ongoing dialogue about Russian identity and its artistic representations. The journal is available in print and may have limited digital access options, making it all the more precious for collectors and libraries committed to cultural studies.