RIHA Journal

Scope & Guideline

Advancing scholarship in the realm of art history.

Introduction

Welcome to your portal for understanding RIHA Journal, featuring guidelines for its aims and scope. Our guidelines cover trending and emerging topics, identifying the forefront of research. Additionally, we track declining topics, offering insights into areas experiencing reduced scholarly attention. Key highlights include highly cited topics and recently published papers, curated within these guidelines to assist you in navigating influential academic dialogues.
LanguageMulti-Language
ISSN2190-3328
PublisherRIHA-INT ASSOC RESEARCH, INST HISTORY ART
Support Open AccessNo
CountryGermany
TypeJournal
Convergefrom 2010 to 2024
AbbreviationRIHA J / RIHA J.
Frequency1 issue/year
Time To First Decision-
Time To Acceptance-
Acceptance Rate-
Home Page-
AddressC/O ZENTRALINSTITUT KUNSTGESCHICHTE, KATHARINA-VON-BORA-STRASSE 10, MUNCHEN D-80333, GERMANY

Aims and Scopes

The RIHA Journal focuses on interdisciplinary research in art history, cultural studies, and the social implications of art and exhibitions. It aims to contribute to the understanding of art within historical, political, and cultural contexts, particularly through the lens of international exhibitions and colonialism.
  1. Interdisciplinary Exploration of Art and Culture:
    The journal emphasizes the intersection of various disciplines such as art history, cultural studies, and sociology, providing a platform for diverse methodologies in understanding art and its societal impacts.
  2. Focus on World's Fairs and International Exhibitions:
    A core area of the journal is the analysis of world's fairs and international exhibitions, exploring their role in shaping cultural narratives and their implications for colonial and postcolonial discourse.
  3. Colonial and Postcolonial Studies in Art:
    The journal contributes significantly to the discourse on colonialism and postcolonialism, examining how art and exhibitions reflect and shape these historical narratives.
  4. Gender Studies in Art History:
    A consistent theme is the examination of gender dynamics within art and exhibitions, particularly how gender representation has evolved in connection with historical events like world's fairs.
  5. Historical Contextualization of Art Objects:
    The journal places importance on the historical provenance and contextualization of art objects, particularly in relation to their cultural and political significance.
The RIHA Journal has demonstrated a shift towards certain trending and emerging themes in recent years, reflecting contemporary scholarly interests and societal discussions within the field of art history.
  1. Decolonization of Art History:
    A significant trend is the increasing focus on decolonization within art history, examining how colonial histories impact contemporary practices and representations in art.
  2. Gender and Representation:
    There is a growing emphasis on gender studies, particularly in relation to how gender shapes artistic expression and representation in exhibitions, with an exploration of feminist perspectives.
  3. Impact of Technology on Art:
    Recent publications indicate a rising interest in the relationship between technology and art, particularly how digital platforms and new media are transforming artistic practices and audience engagement.
  4. Cultural Memory and Heritage:
    An emerging theme involves the exploration of cultural memory and heritage, focusing on how art serves as a medium for remembering and interpreting historical narratives, particularly in postcolonial contexts.

Declining or Waning

While the RIHA Journal continues to thrive in various areas, certain themes have shown a decline in focus over the recent publication years. This shift may suggest changing interests in the academic community or a saturation of research in those areas.
  1. Traditional Art Historical Methods:
    There appears to be a waning interest in conventional methodologies of art history that do not incorporate interdisciplinary approaches, reflecting a move towards more integrated and holistic analyses.
  2. Focus on Individual Artists:
    Research centered exclusively on individual artists, without considering broader cultural or social contexts, has decreased, indicating a shift towards collective and contextual studies.
  3. Eurocentric Perspectives in Art:
    There is a noticeable decline in papers that solely focus on European art without addressing global interconnections, as the journal increasingly emphasizes diverse and inclusive narratives.

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