THEATER, an esteemed journal published by DUKE UNIVERSITY PRESS, stands at the intersection of scholarly discourse in the fields of Literature, Literary Theory, and the Visual and Performing Arts. Established in 2002, this journal offers a platform for critical analysis and innovative research, aiming to enrich the understanding of theatrical practices and their broader cultural implications. With a current impact factor that places it in the Q3 category for both Literary Theory and the Visual Arts in 2023, THEATER caters to a diverse audience of researchers, professionals, and students, fostering engagement and dialogue through its rigorous peer-reviewed articles. Although it does not currently offer open access, its commitment to scholarly excellence makes it a vital resource for anyone involved in the performing arts landscape. The journal appreciated for its analytical depth and diverse perspectives, aims to illuminate the ways theater intertwines with contemporary cultural discussions, thereby establishing itself as an important publication within the academic community.

CINEFORUM is a distinguished journal published by the FEDERAZIONE ITALIANA CINEFORUM, focusing on the vibrant field of Visual Arts and Performing Arts. With an ISSN of 0009-7039, this journal serves as a significant platform for researchers and practitioners interested in critical discussions and analyses pertaining to cinema and performance. Although coverage in Scopus discontinued in 2020, CINEFORUM has established its standing with a category ranking in the Q4 quartile for Visual Arts, reflecting its niche yet passionate readership in the arts community. Based in Bergamo, Italy, the journal aims to foster a deeper understanding of cinematic and performative texts, offering insights and scholarly contributions that enhance the discourse within these artistic domains. Catering to an audience that includes researchers, professionals, and students, CINEFORUM remains an essential resource for those looking to explore the intersection of theory and practice in cinema and performing arts.

Historical Reflections / Reflexions Historiques is a pivotal academic journal in the field of history, published by Berghahn Journals. Established to provide a platform for innovative historical scholarship, the journal offers a unique blend of theoretical discussions and empirical studies that critically engage with new interpretations and methodologies. With a robust reputation evidenced by its category ranking in the 2023 Q3 History quartile and a Scopus ranking of #1164 in the Arts and Humanities, Historical Reflections serves as an essential resource for researchers, professionals, and students alike. Although the journal is not available through open access, it contributes significantly to historical discourse through its diverse range of articles, fostering a deeper understanding of past events and their implications for the present and future. As it continues to evolve from its inception in 1977 to the present day, Historical Reflections remains committed to advancing the field through rigorous analysis and scholarly debate.

Anuario Calderoniano is a distinguished academic journal published by IBEROAMERICANA EDITORIAL VERVUERT S L, dedicated to the field of literature and literary theory. With an ISSN of 1888-8046 and a notable presence in the academic community, it is recognized for its insightful analyses and contributions to Calderonian studies. The journal has been systematically published from 2013 to 2015 and from 2017 to 2023, consistently examining the works of renowned playwright Pedro Calderón de la Barca and their relevance in contemporary literary discourse. As a Q3 journal in the Literature and Literary Theory category for 2023, it ranks in the 68th percentile among its peers, reflecting its importance and scholarly contribution to the field. While currently not offering open access, the journal remains a crucial resource for researchers, professionals, and students aiming to deepen their understanding of literary narratives and critical perspectives.

MILLENNIUM FILM JOURNAL, published by MILLENNIUM FILM WORKSHOP INC, stands as a pivotal platform for exploration and discourse within the realm of film studies. With its ISSN 1064-5586, the journal has been noteworthy in delineating the complexities of visual arts and performing arts, contributing significantly to academic scholarship between the years 2009 to 2016, and in 2018. Though its coverage has been discontinued in Scopus, the journal has attained a respectable position within its category, ranking #320 out of 502 in the Arts and Humanities field. Researchers, professionals, and students alike are invited to engage with interdisciplinary discussions that illuminate the cultural and theoretical dimensions of cinema. While currently not offering open access options, the journal continues to serve as a vital resource for those deeply invested in the study of film, making it a respected voice in visual arts and performance research.

Horror Studies, published by INTELLECT LTD, is a pivotal interdisciplinary journal dedicated to the exploration of the horror genre across various artistic mediums, including literature, music, visual arts, and performing arts. Since its inception in 2014, the journal has established itself as an essential resource for scholars and practitioners, facilitating critical discourse on the cultural, historical, and psychological aspects of horror. With an impressive Scopus ranking, placing it in the top quartile for literature and literary theory (Rank #188 out of 1106, 82nd percentile), and maintaining a Q3 category across all relevant areas, Horror Studies offers a platform for innovative research that engages with contemporary issues and the evolution of horror as a cultural phenomenon. Researchers and students alike will find value in its robust articles that analyze horror not just as a genre, but as a lens through which societal fears and anxieties are projected and examined. Although Horror Studies is not available as an open-access journal, its insights continue to make meaningful contributions to the scholarly landscape, promoting a deeper understanding and appreciation of horror's complex interplay with humanity.

Miranda (ISSN: 2108-6559, E-ISSN: 2108-6559) is a distinguished open access journal published by UNIV TOULOUSE II-JEAN JAURES, dedicated to advancing knowledge across various fields of the humanities and social sciences. Since its establishment in 2010 as an open access platform, Miranda has aimed to foster inclusive academic discourse by providing unrestricted access to high-quality research. With its commitment to accessibility and scholarly excellence, this journal serves as an essential resource for researchers, professionals, and students seeking to enrich their understanding and engage with contemporary issues within their disciplines. The journal prides itself on its rigorous peer-review process and aims to publish original research, reviews, and interdisciplinary studies that contribute to the evolving landscape of humanities and social science research. Located in Toulouse, France, Miranda is poised to make a significant impact in its field and invites contributions that reflect diverse perspectives and innovative research methodologies.

Quetes Litteraires, published by the John Paul II Catholic University of Lublin, is an open-access journal dedicated to exploring the intricate realms of literature, history, and literary theory. The journal, identified by ISSN 2084-8099 and E-ISSN 2657-487X, has been a significant platform for scholarly discourse since its inception in 2017, contributing to the ongoing dialogue in these fields, particularly within Poland and beyond. As of 2023, it holds Q4 status in both History and Literature and Literary Theory categories, indicating a commitment to inclusivity and diversity of thought, welcoming submissions from a wide array of voices and perspectives. With a current Scopus rank placing it within the lower quartiles of its fields, Quetes Litteraires aims to elevate underrepresented scholarship and foster collaborative research endeavors. Researchers, professionals, and students will find this journal a valuable resource for insightful articles, critical analyses, and thought-provoking discussions that push the boundaries of literary and historical studies.

LIT-Literature Interpretation Theory is a premier academic journal that delves into the intricate relationships between literature and various interpretative theories, published by Routledge Journals, Taylor & Francis Ltd. With an ISSN of 1043-6928 and E-ISSN 1545-5866, this journal has established a notable reputation within the field, evidenced by its ranking in the 71st percentile among peers, and its placement in Q3 of the Literature and Literary Theory category for 2023. Since its inception in 1989 and continuing through 2024, LIT has aimed to provide a platform for the examination of literary texts through diverse theoretical lenses, catering not only to scholars and researchers but also to students and practitioners interested in literary discourse. Although it does not offer open access, the journal continues to be a vital resource for those seeking to enhance their understanding of literary theory within the arts and humanities. With robust insights and critical analyses, LIT contributes significantly to ongoing conversations in literature and promotes innovative interpretations that challenge conventional perspectives.

Journal of British Cinema and Television, published by Edinburgh University Press, is a leading academic journal that explores the dynamic interplay between British cinema and television within the context of cultural studies. With an ISSN of 1743-4521 and E-ISSN of 1755-1714, this journal provides a platform for scholarly discourse, enabling researchers, professionals, and students to engage with critical analyses of screen media and its socio-political impact. As a Q3 journal in Communication and a Q1 journal in Visual Arts and Performing Arts for 2023, it occupies an influential position, particularly in the Arts and Humanities, where it ranks in the 90th percentile. The journal's scope encompasses a wide range of topics, from historical perspectives to contemporary practices in British visual culture, making it essential reading for anyone interested in the evolution and significance of screen studies in the UK. While it is not an open-access publication, the rigorous peer-review process ensures high academic standards and contributes to its esteemed reputation in the field. As it continues to converge from 2004 to 2024, the Journal of British Cinema and Television remains a vital resource for those seeking to deepen their understanding of British media and its global resonance.