Poe Studies: History Theory Interpretation, published by Johns Hopkins University Press, is a distinguished academic journal that explores the multifaceted dimensions of Edgar Allan Poe's work, offering rich analyses and interpretations that span historical context and theoretical perspectives. With its ISSN 1947-4644 and E-ISSN 1754-6095, the journal stands out in the Q3 quartile category within Literature and Literary Theory, underscoring its commitment to scholarly excellence and its relevance in literary studies. Spanning from 1968 to 2013, the journal has provided a platform for critical discourse and innovative scholarship, making it essential reading for researchers, educators, and students alike. Although it is not open access, the journal continues to be a pivotal resource that enriches the understanding of Poe’s legacy, encouraging deeper exploration of his cultural and literary significance.

CINEFORUM is a distinguished journal published by the FEDERAZIONE ITALIANA CINEFORUM, focusing on the vibrant field of Visual Arts and Performing Arts. With an ISSN of 0009-7039, this journal serves as a significant platform for researchers and practitioners interested in critical discussions and analyses pertaining to cinema and performance. Although coverage in Scopus discontinued in 2020, CINEFORUM has established its standing with a category ranking in the Q4 quartile for Visual Arts, reflecting its niche yet passionate readership in the arts community. Based in Bergamo, Italy, the journal aims to foster a deeper understanding of cinematic and performative texts, offering insights and scholarly contributions that enhance the discourse within these artistic domains. Catering to an audience that includes researchers, professionals, and students, CINEFORUM remains an essential resource for those looking to explore the intersection of theory and practice in cinema and performing arts.

ROMANCE QUARTERLY is an esteemed journal published by Routledge Journals, Taylor & Francis Ltd, focusing on critical discussions and innovative research in the fields of Cultural Studies and Literature and Literary Theory. With its inception in 1986, this journal has diligently documented the evolving landscape of romance literature, making significant contributions through interdisciplinary approaches that resonate across literature and cultural scholarship. Holding a commendable position in academic rankings, it is classified in the second quartile for Literature and Literary Theory, and in the third quartile for Cultural Studies as of 2023, highlighting its relevance and impact within these domains. While it operates under a traditional access model, the required scholarly discourse and access to contemporary studies make it a crucial resource for researchers, educators, and students alike. ROMANCE QUARTERLY serves not merely as a platform for publishing but as a vibrant hub for the exploration and analysis of romance narratives, offering invaluable insights into their impact on cultural and societal constructs, surely a must-read for anyone passionate about these subjects.

New Review of Film and Television Studies, published by Routledge Journals, Taylor & Francis Ltd, stands as a vital platform for scholars and practitioners engaged in the dynamic fields of film and television studies within the United Kingdom. This journal, which has been in circulation since 2010 and will continue through 2024, provides a rigorous academic forum for contemporary research, critical analysis, and innovative discourse surrounding visual storytelling. With an impressive Scopus rank placing it in the 66th percentile for Visual Arts and Performing Arts, and a respectable Q2 categorization, the journal fosters an interdisciplinary approach, bridging communication and cultural studies. While the journal does not currently operate under an open access model, it remains an invaluable resource for researchers, students, and professionals aiming to understand and influence the evolving landscape of film and television in our digital age. As it navigates the intersection of media and society, New Review of Film and Television Studies is essential reading for those looking to advance their knowledge and contribute to the ongoing scholarly conversation.

THEATRE RESEARCH INTERNATIONAL, published by Cambridge University Press, stands as a vital academic journal dedicated to the dynamic and multifaceted field of theatre studies. With its ISSN 0307-8833 and E-ISSN 1474-0672, this journal has been a cornerstone of scholarly discourse since its inception in 1970, continuing to provide valuable insights through 2024. Ranked in the Q2 quartile for both Literature and Literary Theory and Visual Arts and Performing Arts, it boasts impressive performance metrics reflected in its Scopus rankings at the 72nd and 62nd percentiles, respectively. The journal aims to illuminate the interplay between theatre and its cultural, social, and historical contexts, fostering a platform for both established and emerging voices in the field. While the journal is not Open Access, it ensures rigorous peer-reviewed content that engages researchers, professionals, and students alike, making it indispensable for anyone seeking to broaden their understanding and contribute to theatre research.

The JOURNAL OF FILM AND VIDEO, published by University of Illinois Press, is a pivotal academic platform that delves into the intricate intersections of film, video, and media studies. With a notable ISSN of 0742-4671 and E-ISSN 1934-6018, this journal has established itself as a significant contributor to the visual arts and performing arts field, currently positioned in Q3 of its category as per the 2023 quartiles. Spanning from 2002 to 2024, it presents a comprehensive array of research, critiques, and theoretical discussions that advance scholarly discourse in film and video. The journal encourages contributions that explore innovative narratives and methodologies, catering to a diverse readership of researchers, professionals, and students alike. While it maintains a traditional subscription model and is not open access, its impact is amplified through its Scopus ranking, holding the 323rd position out of 667 in the visual arts and performing arts category. With its commitment to fostering critical conversations and promoting scholarly excellence, the JOURNAL OF FILM AND VIDEO remains an essential resource for those invested in the study and understanding of film and media.

Anuario Calderoniano is a distinguished academic journal published by IBEROAMERICANA EDITORIAL VERVUERT S L, dedicated to the field of literature and literary theory. With an ISSN of 1888-8046 and a notable presence in the academic community, it is recognized for its insightful analyses and contributions to Calderonian studies. The journal has been systematically published from 2013 to 2015 and from 2017 to 2023, consistently examining the works of renowned playwright Pedro Calderón de la Barca and their relevance in contemporary literary discourse. As a Q3 journal in the Literature and Literary Theory category for 2023, it ranks in the 68th percentile among its peers, reflecting its importance and scholarly contribution to the field. While currently not offering open access, the journal remains a crucial resource for researchers, professionals, and students aiming to deepen their understanding of literary narratives and critical perspectives.

ORBIS LITTERARUM, published by Wiley, is a prestigious journal in the field of Literature and Literary Theory, aiming to foster in-depth scholarly discussions and critical analyses of literary works and their theoretical underpinnings. With its ISSN 0105-7510 and E-ISSN 1600-0730, the journal presents a rich legacy that spans several decades, having converged its publishing efforts from 1943 to 1950 and from 1954 to the present day, thus ensuring a continuity of discourse in the literary field. Recognized for its high quality, ORBIS LITTERARUM is ranked in the Q2 quartile of literature disciplines as per the 2023 metrics, placing it within the top 26% of its category and earning a favorable position in the Scopus Rankings with a percentile of 74 in the arts and humanities. Researchers, professionals, and students alike are encouraged to contribute to this esteemed journal to engage with contemporary literary debates and to influence future scholarship in literature, enhancing understanding of texts across cultures and epochs.

Wenshan Review of Literature and Culture, an esteemed journal published by NATIONAL CHENGCHI UNIVERSITY in Taiwan, serves as a vital platform for interdisciplinary scholarship in the realms of literature and cultural studies. With its ISSN 2077-1282 and E-ISSN 2077-1290, this journal aims to engage researchers, professionals, and students alike in critical discourse while significantly contributing to the academic community's understanding of contemporary literary and cultural phenomena. As of 2023, it holds a respectable position in Q4 for Cultural Studies and Q3 for Literature and Literary Theory, reflecting its growing influence within these disciplines. Although it operates under a non-open access model, the journal's commitment to quality research is evident in its rigorous peer-review process and dedication to publishing innovative ideas. By converging diverse perspectives from 2016 through 2024, the Wenshan Review not only fosters a deeper understanding of its subjects but also acts as a bridge connecting scholars from various backgrounds to share their insights more broadly and effectively.

Stanislavski Studies is a distinguished academic journal dedicated to exploring the profound impact of Konstantin Stanislavski's methodologies on the field of performing arts. Published by Routledge Journals, Taylor & Francis Ltd, this journal has quickly established itself as a leading resource since its inception in 2012, achieving a Q1 ranking in both Visual Arts and Performing Arts categories as of 2023. With a Scopus Rank of #181 out of 667, it occupies a prominent position within the 72nd percentile in Arts and Humanities, affirming its significance to scholars and practitioners alike. Although currently not an Open Access journal, it provides crucial insights and scholarly articles that delve into Stanislavski's techniques, applications, and influence on contemporary theater practices. Based in the United Kingdom, the journal aims to facilitate rigorous scholarship and stimulate discussions among researchers, professionals, and students passionate about the performing arts, thereby contributing to the ongoing evolution of theater education and practice.