Journal of Adaptation in Film & Performance

Scope & Guideline

Bridging Film and Performance through Adaptation

Introduction

Welcome to the Journal of Adaptation in Film & Performance information hub, where our guidelines provide a wealth of knowledge about the journal’s focus and academic contributions. This page includes an extensive look at the aims and scope of Journal of Adaptation in Film & Performance, highlighting trending and emerging areas of study. We also examine declining topics to offer insight into academic interest shifts. Our curated list of highly cited topics and recent publications is part of our effort to guide scholars, using these guidelines to stay ahead in their research endeavors.
LanguageEnglish
ISSN1753-6421
PublisherINTELLECT LTD
Support Open AccessNo
Country-
Type-
Converge-
AbbreviationJ ADAPT FILM PERFORM / J. Adapt. Film Perform.
Frequency3 issues/year
Time To First Decision-
Time To Acceptance-
Acceptance Rate-
Home Page-
AddressTHE MILL, PARNALL RD, BRISTOL BS16 3JG, ENGLAND

Aims and Scopes

The Journal of Adaptation in Film & Performance focuses on the multifaceted nature of adaptation across various media, exploring the interplay between literature, film, theater, and other forms of performance. It aims to provide a platform for scholarly discussions on the theoretical and practical aspects of adaptation, inviting contributions that examine how narratives transform across different cultural and temporal contexts.
  1. Interdisciplinary Approaches to Adaptation:
    The journal encourages studies that adopt interdisciplinary perspectives, merging insights from literature, film studies, theater, and cultural studies to analyze adaptations.
  2. Exploration of Cultural Contexts:
    It emphasizes the importance of cultural and historical contexts in adaptations, examining how different societies interpret and transform source materials.
  3. Theoretical Frameworks of Adaptation:
    Contributions often engage with theoretical frameworks surrounding adaptation, including fidelity, intertextuality, and the implications of media convergence.
  4. Focus on Monstrous and Gothic Adaptations:
    There is a consistent focus on monstrous and gothic themes in adaptations, exploring how horror and the grotesque are recontextualized in various media.
  5. Performance Analysis:
    The journal also highlights the role of performance in adaptation, analyzing how staging and acting influence the interpretation of adapted works.
Recent publications in the Journal of Adaptation in Film & Performance indicate a shift towards exploring innovative and contemporary themes in adaptation studies. These emerging trends reflect broader cultural conversations and advancements in media technology.
  1. Cross-Media Adaptation:
    There is a growing interest in how narratives traverse across different media forms, particularly in the context of video games, digital media, and graphic novels.
  2. Focus on Monstrosity and Horror:
    Recent publications emphasize themes of monstrosity and horror in adaptations, exploring how these elements resonate with contemporary societal fears and anxieties.
  3. Adaptation in the Age of Technology:
    Themes surrounding adaptation in the digital age, including discussions of streaming services and online platforms, are increasingly prevalent.
  4. Intersectionality in Adaptation:
    The journal is seeing a rise in studies that analyze adaptations through the lens of intersectionality, examining how race, gender, and class are represented and reinterpreted.
  5. Performance and Spectatorship:
    There is an emerging focus on the relationship between performance and spectatorship, investigating how audience engagement influences the adaptation process.

Declining or Waning

While the journal maintains a robust engagement with various adaptation themes, certain areas appear to be losing prominence over recent years. This decline may reflect shifts in cultural interests or the evolving landscape of adaptation studies.
  1. Traditional Literary Adaptations:
    There is a noticeable decline in papers focusing solely on traditional literary adaptations, as the journal increasingly embraces contemporary and multimedia adaptations.
  2. Historical Adaptation Studies:
    Research centering on historical adaptations, particularly those that do not engage with modern reinterpretations or contemporary relevance, seems to be waning.
  3. Adaptation as a Static Process:
    The notion of adaptation as a straightforward, linear process is less frequently explored, with more emphasis now on the dynamic and iterative nature of adaptation.

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