THEATER

Scope & Guideline

Unveiling the Cultural Tapestry of Theater

Introduction

Welcome to your portal for understanding THEATER, featuring guidelines for its aims and scope. Our guidelines cover trending and emerging topics, identifying the forefront of research. Additionally, we track declining topics, offering insights into areas experiencing reduced scholarly attention. Key highlights include highly cited topics and recently published papers, curated within these guidelines to assist you in navigating influential academic dialogues.
LanguageEnglish
ISSN0161-0775
PublisherDUKE UNIV PRESS
Support Open AccessNo
CountryUnited States
TypeJournal
Convergefrom 2002 to 2024
AbbreviationTHEATER / Theater
Frequency3 issues/year
Time To First Decision-
Time To Acceptance-
Acceptance Rate-
Home Page-
Address905 W MAIN ST, STE 18-B, DURHAM, NC 27701

Aims and Scopes

The journal 'THEATER' is dedicated to exploring the multifaceted nature of theater and performance studies, emphasizing interdisciplinary approaches and critical engagement with contemporary issues. Its core aims include:
  1. Interdisciplinary Analysis of Theater:
    The journal seeks to bridge various disciplines including history, sociology, and cultural studies, facilitating a comprehensive understanding of theater's role in society.
  2. Critical Engagement with Diversity and Inclusion:
    A strong emphasis is placed on recognizing and analyzing the diversity of experiences within theater, particularly focusing on marginalized communities and perspectives.
  3. Exploration of Technological Impact:
    The journal investigates how technological advancements, such as digital media and immersive experiences, influence theatrical practices and audience engagement.
  4. Historical Contextualization:
    The scope includes a historical analysis of theater practices, exploring how past events shape contemporary theatrical expressions and the cultural landscape.
  5. Theatricality and its Social Implications:
    Research often delves into the performative aspects of everyday life and how theatricality intersects with social, political, and ethical dimensions.
Recent publications in 'THEATER' indicate a dynamic shift towards innovative themes and critical perspectives, reflecting the evolving landscape of theater studies. The following trends have emerged prominently:
  1. Decolonial Perspectives:
    There is a significant increase in research addressing postcolonial and decolonial frameworks, exploring how colonial histories affect contemporary theater practices and narratives.
  2. Interactivity and Immersive Experiences:
    Emerging themes focus on the role of interactivity and immersive experiences in theater, reflecting the growing interest in how technology transforms audience engagement.
  3. Ecological and Environmental Concerns:
    The journal has seen a rise in discussions surrounding ecological themes, addressing how theater can respond to environmental crises and promote sustainability.
  4. Choreography and Movement in Performance:
    A trend towards examining the significance of choreography and physicality in performances highlights the importance of movement as a critical aspect of theatrical expression.
  5. Critical Theories of Affect and Atmosphere:
    Recent works increasingly explore the emotional and atmospheric dimensions of performances, emphasizing the role of affect in shaping audience experiences.

Declining or Waning

While 'THEATER' continues to evolve, certain themes have seen a decline in frequency and emphasis in recent years. The following areas appear to be waning:
  1. Traditional Historical Narratives:
    There has been a noticeable shift away from conventional historical narratives in favor of more contemporary and critical approaches, suggesting a move towards current relevance over historical fidelity.
  2. Focus on Mainstream Theater Practices:
    Research has increasingly marginalized mainstream theater practices, with a growing interest in experimental, community-based, and alternative forms of theater overshadowing traditional forms.
  3. Fixed Gender Roles in Performance:
    Discussions around fixed gender roles are becoming less prominent as the journal shifts towards more fluid and intersectional understandings of gender in performance.
  4. Eurocentric Perspectives:
    The journal is moving away from exclusively Eurocentric viewpoints, reflecting a broader global perspective that includes diverse cultural contexts.
  5. Static Audience Studies:
    There is a decline in studies focusing solely on audience demographics without critical engagement, as the journal emphasizes deeper analysis of audience interactions and experiences.

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