TEXTUAL PRACTICE, published by Routledge Journals, Taylor & Francis Ltd, stands as a leading peer-reviewed journal in the field of Literature and Literary Theory, contributing significantly to scholarly dialogue since its inception in 1987. With an impressive 2023 Scopus ranking placing it in the top 88th percentile, the journal holds a coveted Q1 category designation, underscoring its impact and relevance in contemporary literary studies. While it operates under a traditional access model, TEXTUAL PRACTICE continues to foster a vibrant platform for academics, offering in-depth analyses, innovative research, and critical discourse that shape the understanding of texts and their cultural implications. Situated in the United Kingdom, this journal is pivotal for researchers, professionals, and students committed to exploring the multifaceted dimensions of literature and its theories, thereby enhancing the intellectual landscape of the humanities.

FRENCH FORUM is a distinguished journal published by the Department of Romance Languages at the University of Pennsylvania, focusing on the rich tapestry of literature, visual arts, and performing arts within the French-speaking world. With an ISSN of 0098-9355 and an E-ISSN of 1534-1836, the journal has evolved since its inception, now covering diverse topics from 2002 to 2023. Although currently ranked in the fourth quartile in both Literature and Literary Theory and Visual Arts and Performing Arts, it provides a platform for emerging voices and critical discussions, making it an essential resource for scholars and practitioners alike. FRENCH FORUM aims to cultivate interdisciplinary dialogue, offering insights that resonate with contemporary cultural and literary studies while supporting the exploration of both canonical and avant-garde works. Despite its open access status, the journal continues to be a relevant player in academia, inviting contributions that challenge, shape, and redefine the landscape of French studies.

New Review of Film and Television Studies, published by Routledge Journals, Taylor & Francis Ltd, stands as a vital platform for scholars and practitioners engaged in the dynamic fields of film and television studies within the United Kingdom. This journal, which has been in circulation since 2010 and will continue through 2024, provides a rigorous academic forum for contemporary research, critical analysis, and innovative discourse surrounding visual storytelling. With an impressive Scopus rank placing it in the 66th percentile for Visual Arts and Performing Arts, and a respectable Q2 categorization, the journal fosters an interdisciplinary approach, bridging communication and cultural studies. While the journal does not currently operate under an open access model, it remains an invaluable resource for researchers, students, and professionals aiming to understand and influence the evolving landscape of film and television in our digital age. As it navigates the intersection of media and society, New Review of Film and Television Studies is essential reading for those looking to advance their knowledge and contribute to the ongoing scholarly conversation.

SHAKESPEARE QUARTERLY is a premier academic journal dedicated to the interdisciplinary study of William Shakespeare’s works and their profound impact on literature and the arts. Published by Oxford University Press Inc, this influential journal has established itself as a vital resource for scholars and students alike, catering to a wide-ranging audience interested in the intersections of literature, performance, and visual arts. With its consistent ranking in the Q1 category for both Literature and Literary Theory, as well as Visual Arts and Performing Arts, SHAKESPEARE QUARTERLY maintains a formidable presence in the academic landscape, currently positioned in the 65th percentile for literature within the Arts and Humanities. The journal's effective and rigorous peer-review process ensures that only high-quality research articles are published, contributing significantly to ongoing scholarly conversations. By fostering critical dialogue and innovation in the study of Shakespearean texts, this journal plays a crucial role in advancing the field and inspiring future research.

Samuel Beckett Today/Aujourd'hui is a distinguished academic journal published by BRILL that focuses on the rich and multifaceted literature surrounding the works of Samuel Beckett. Based in the Netherlands, this peer-reviewed journal has established itself as an essential resource in the field of Literature and Literary Theory, evidenced by its impressive Q2 ranking in the 2023 category quartiles and a solid standing in the Scopus rankings, placing it within the top 59th percentile among its peers. Addressing critical interpretations, cultural contexts, and theoretical explorations of Beckett's oeuvre, it seeks to foster scholarly discourse and inspire further research and engagement. Although not an open-access publication, Samuel Beckett Today/Aujourd'hui attracts researchers, professionals, and students alike with its commitment to advancing the understanding of Beckett's literary contributions from 2001 through 2024 and beyond.

JOURNAL OF BECKETT STUDIES, published by Edinburgh University Press, is a pivotal platform for scholarly discourse focused on the life and works of Samuel Beckett, exploring a diverse range of topics within literature, visual arts, and performing arts. With an ISSN of 0309-5207 and an E-ISSN of 1759-7811, this journal stands as a vital resource for researchers and practitioners alike, providing critical insights and innovative interpretations of Beckett’s oeuvre from 1996 to 2024. Despite being categorized in the Q4 quartile for both Literature and Literary Theory and Visual Arts and Performing Arts, the Journal plays a significant role in revealing the intricate connections between Beckett’s work and contemporary critical thought. As an essential focal point for interdisciplinary studies, it fosters an engaging academic environment that seeks to enhance understanding of Beckett’s impact on both past and present cultural landscapes. While currently not an open-access journal, it encourages contributions that push the boundaries of Beckett studies, making it a must-read for anyone invested in the evolving dialogue surrounding this iconic figure.

Co-herencia, an esteemed academic journal published by UNIV EAFIT, is dedicated to advancing the fields of History, Literature and Literary Theory, Music, Philosophy, as well as the Visual Arts and Performing Arts. Since its launch as an Open Access journal in 2004, it has provided a platform for innovative research and interdisciplinary dialogue, facilitating the dissemination of knowledge from its base in Medellín, Colombia. With a commendable range of Scopus rankings, including a Q2 category in Literature and Literary Theory and Visual Arts and Performing Arts, Co-herencia is recognized as a vital resource for scholars aiming to explore cultural narratives and theoretical frameworks. It not only enriches academic discourse but also serves as a significant conduit for emerging ideas that connect art, culture, and social consciousness. Researchers, professionals, and students alike will find Co-herencia a necessary addition to their scholarly pursuits, emphasizing its critical role in the evolving landscape of the arts and humanities.

Jeu-Revue de Theatre is a distinguished journal dedicated to the exploration and analysis of theatrical arts, published by CAHIERS THEATRE JEU INC. With a rich history reflected in its ISSN 0382-0335 and E-ISSN 1923-2578, this journal serves as a vital platform for scholars, practitioners, and students interested in the multifaceted dimensions of theatre. Based in Montreal, Canada, the journal aims to foster a deeper understanding of theatre through scholarly articles, performance reviews, and critical essays, making it essential reading for those engaged in the performing arts. While the journal does not currently offer open access options, its comprehensive discussions and research contribute significantly to the field, encouraging a vibrant dialogue among artists and academics alike. With a commitment to promoting innovative scholarship, Jeu-Revue de Theatre stands as an invaluable resource in the dramatic arts landscape.

Studies in Theatre and Performance is a distinguished academic journal published by Routledge Journals, Taylor & Francis Ltd, dedicated to advancing scholarship in the dynamic fields of visual arts and performing arts. Since its inception in 2000, the journal has become an essential resource for researchers and professionals, exemplified by its ranking within the Q2 category of visual and performing arts, and its commendable position at the 76th percentile among its peers. With an ISSN of 1468-2761 and an E-ISSN of 2040-0616, the journal serves as a platform for insightful research, critique, and innovation across a variety of topics in theatre and performance studies. Although it operates under a traditional access model, its rigorous peer-review process ensures that every publication contributes significantly to the broader understanding of theatrical practices and performance methodologies. As we move towards 2024, Studies in Theatre and Performance continues to be a vital reference point for scholars and practitioners alike in exploring new dimensions of performance theory and practice in an ever-evolving cultural landscape.

PATTERN is a prestigious academic journal published by Edinburgh University Press, recognized for its significant contributions to the fields of Literature and Literary Theory and Visual Arts and Performing Arts. With an ISSN of 0264-8334 and an E-ISSN of 1750-0176, this journal is a critical resource for researchers, professionals, and students alike, aiming to explore and advance the discourse within these vibrant disciplines. As of 2023, it is ranked in Q2 for Literature and Literary Theory and Q3 for Visual Arts and Performing Arts, underscoring its strong impact within academic circles. The journal spans a broad chronological scope from 1996 to 2024, providing comprehensive insights and scholarly articles that marry theoretical rigor with creative narrative. Though the journal is not Open Access, its importance is reflected in its Scopus rankings of #487 out of 1106 in Literature and Literary Theory and #349 out of 667 in Visual Arts and Performing Arts, corresponding to the 55th and 47th percentiles, respectively. Located in Edinburgh, Scotland, this journal serves as an essential platform for innovative thought, critical analysis, and cross-disciplinary collaboration, making it a must-read for anyone invested in the arts and humanities.