REVISTA DE OCCIDENTE, published by the FUNDACION JOSE ORTEGA Y GASSET, is a distinguished scholarly journal based in Spain that explores a myriad of topics within the realms of Cultural Studies, History, Literature and Literary Theory, and Visual Arts and Performing Arts. With its ISSN 0034-8635, the journal has made significant contributions to the discourse in these fields from its established years of convergence spanning from 2002 to 2004 and 2007 to the present. Although designated in the lower quartiles of the Scopus rankings, with notable distinctions in Q4 and Q3 categories as of 2023, REVISTA DE OCCIDENTE is recognized for its commitment to fostering critical dialogue and interdisciplinary research. Readers can delve into rich analyses and diverse perspectives that engage with contemporary cultural phenomena and historical narratives, aiming to enrich academic pursuits and professional practice. Located at REVISTA DE OCCIDENTE, FORTUNY 53, 28010 MADRID, SPAIN, the journal seeks submissions from scholars worldwide eager to contribute to its mission, despite operating under a traditional access model, thus ensuring content rigor and quality.

REVUE D HISTOIRE DU THEATRE is a distinguished academic journal published by the Société d'Histoire du Théâtre in France, focusing on the rich historical tapestry of theater studies. Since its inception, the journal has dedicated itself to the exploration and appreciation of theatrical art, its evolution, and its socio-cultural implications, particularly within the realms of Literature and Literary Theory and Visual Arts and Performing Arts. With a consistent publication history starting from 1999, the journal is indexed in Scopus, currently positioned in Q4 quartiles, providing researchers, professionals, and students a platform for both innovative scholarship and critical analysis. While it does not offer Open Access options, REVUE D HISTOIRE DU THEATRE remains an invaluable resource for those seeking in-depth knowledge and scholarly discourse in the history of theater.

Studies in Theatre and Performance is a distinguished academic journal published by Routledge Journals, Taylor & Francis Ltd, dedicated to advancing scholarship in the dynamic fields of visual arts and performing arts. Since its inception in 2000, the journal has become an essential resource for researchers and professionals, exemplified by its ranking within the Q2 category of visual and performing arts, and its commendable position at the 76th percentile among its peers. With an ISSN of 1468-2761 and an E-ISSN of 2040-0616, the journal serves as a platform for insightful research, critique, and innovation across a variety of topics in theatre and performance studies. Although it operates under a traditional access model, its rigorous peer-review process ensures that every publication contributes significantly to the broader understanding of theatrical practices and performance methodologies. As we move towards 2024, Studies in Theatre and Performance continues to be a vital reference point for scholars and practitioners alike in exploring new dimensions of performance theory and practice in an ever-evolving cultural landscape.

Studi Pasoliniani-Rivista Internazionale is a distinguished academic journal dedicated to the exploration of the works and influence of Pier Paolo Pasolini, an eminent figure in Italian literature and cinema. Published by Fabrizio Serra Editore in Italy, this journal adheres to a multidisciplinary approach that encompasses critical analyses in linguistics, literature, and literary theory, making it a valuable resource for researchers and scholars seeking to deepen their understanding of Pasolini's legacy. Currently, Studi Pasoliniani holds a Q4 quartile ranking in both Linguistics and Language and Literature and Literary Theory, reflecting its commitment to fostering scholarly discourse within these fields. Although the journal does not operate under an open access model, its publication from 2019 to 2023 assures that its content remains relevant and beneficial for academic inquiry. Researchers, professionals, and students alike will find this journal an indispensable venue for engaging with contemporary interpretations and critiques of Pasolini's oeuvre, amidst the rich cultural and historical contexts that inform his work.

Co-herencia, an esteemed academic journal published by UNIV EAFIT, is dedicated to advancing the fields of History, Literature and Literary Theory, Music, Philosophy, as well as the Visual Arts and Performing Arts. Since its launch as an Open Access journal in 2004, it has provided a platform for innovative research and interdisciplinary dialogue, facilitating the dissemination of knowledge from its base in Medellín, Colombia. With a commendable range of Scopus rankings, including a Q2 category in Literature and Literary Theory and Visual Arts and Performing Arts, Co-herencia is recognized as a vital resource for scholars aiming to explore cultural narratives and theoretical frameworks. It not only enriches academic discourse but also serves as a significant conduit for emerging ideas that connect art, culture, and social consciousness. Researchers, professionals, and students alike will find Co-herencia a necessary addition to their scholarly pursuits, emphasizing its critical role in the evolving landscape of the arts and humanities.

Parallax is an esteemed scholarly journal published by Routledge Journals, Taylor & Francis Ltd, focusing on critical studies in Cultural Studies, Literature and Literary Theory, Philosophy, and Visual Arts and Performing Arts. Established in 1995 and operating from the United Kingdom, it has carved out a niche as a vital resource for researchers, professionals, and students alike, contributing notable insights and fostering discourse within these dynamic fields. With its rigorously peer-reviewed articles, Parallax enjoys a solid reputation, evidenced by its Q2 ranking in multiple categories in 2023 and impressive Scopus statistics that position it among the top percentile of its peers. The journal's commitment to interdisciplinary engagement invites scholars to explore the intersections of culture, art, and philosophy, making it an essential reference point for contemporary academic inquiry.

Teatro e Storia is a prestigious journal dedicated to the intricate relationship between theater and history, fostering an interdisciplinary dialogue among scholars, practitioners, and students in the fields of performing arts and historical studies. Published by BULZONI EDITORE, this journal hails from Italy and aims to explore the social, cultural, and political implications of theatrical expressions across various epochs. With its commitment to elevating scholarly discourse, Teatro e Storia serves as a crucial resource for researchers seeking to contribute to the understanding of how theater both shapes and reflects historical narratives. Although currently not an open-access publication, it offers subscription-based access to its rich repository of articles, ensuring that thought-provoking research reaches a wider audience engaged in the vibrant tapestry of cultural history.

Urdimento-Revista de Estudos em Artes Cenicas, published by UNIV ESTADO SANTA CATARINA-UDESC, is a leading open-access journal dedicated to the field of performing arts studies. With an ISSN of 1414-5731 and an E-ISSN of 2358-6958, this journal has been freely accessible since 1997, promoting the dissemination of innovative research and critical analysis in visual and performing arts. Hailing from Florianopolis, Brazil, Urdimento invites submissions that explore a variety of interdisciplinary approaches, reflecting the journal’s commitment to enriching the academic discourse within the arts and humanities. Despite its emerging ranking at the 23rd percentile in Scopus’s classification, Urdimento serves as a vital platform for researchers, students, and professionals in the field, facilitating scholarly exchange and fostering new ideas. As the journal converges its focus from 2021 to 2024, it aims to provide inclusive and diverse perspectives on contemporary artistic practices and theories.

The Harold Pinter Review-Essays on Contemporary Drama, published by Penn State University Press, is an esteemed academic journal dedicated to the exploration of contemporary drama through the lens of Harold Pinter's significant contributions to the field. With an ISSN of 2473-8433 and an E-ISSN of 2473-8441, the journal aims to synthesize critical essays and reviews that enhance the understanding of Pinter's work and its impact on modern theatrical practices. Engaging with a diverse range of topics related to drama, performance, and literature, this journal targets scholars, theater professionals, and students alike, providing them with a platform to share rigorous analysis and innovative perspectives. Although it does not currently operate under an Open Access model, the Harold Pinter Review remains a vital resource for anyone devoted to the study of contemporary theatre and the lasting influence of Pinter's narratives on global drama.

Jeu-Revue de Theatre is a distinguished journal dedicated to the exploration and analysis of theatrical arts, published by CAHIERS THEATRE JEU INC. With a rich history reflected in its ISSN 0382-0335 and E-ISSN 1923-2578, this journal serves as a vital platform for scholars, practitioners, and students interested in the multifaceted dimensions of theatre. Based in Montreal, Canada, the journal aims to foster a deeper understanding of theatre through scholarly articles, performance reviews, and critical essays, making it essential reading for those engaged in the performing arts. While the journal does not currently offer open access options, its comprehensive discussions and research contribute significantly to the field, encouraging a vibrant dialogue among artists and academics alike. With a commitment to promoting innovative scholarship, Jeu-Revue de Theatre stands as an invaluable resource in the dramatic arts landscape.