THEATRE RESEARCH INTERNATIONAL
Scope & Guideline
Exploring the Cultural Canvas of Theatre Studies
Introduction
Aims and Scopes
- Global and Political Engagement in Theatre:
The journal emphasizes research that connects theatrical practices with global issues, political activism, and cultural narratives, showcasing how theatre serves as a platform for societal critique and political dialogue. - Intersectionality in Performance Studies:
There is a strong focus on intersectional studies, particularly concerning gender, sexuality, and race, exploring how these identities shape and are represented in contemporary performance. - Transcultural and Cross-Cultural Perspectives:
The journal highlights transcultural dialogues in theatre, examining how different cultural contexts interact and influence theatrical forms and practices around the globe. - Community and Activist Theatre:
Research often investigates how theatre can act as a form of community engagement and activism, particularly in marginalized communities, addressing social issues through performance. - Historical and Theoretical Analyses:
The journal includes critical examinations of historical theatre practices and their contemporary implications, contributing to a deeper understanding of theatre's evolution and theoretical frameworks.
Trending and Emerging
- Digital Performance and Hybrid Practices:
There is a growing interest in the intersection of digital technologies and performance, particularly in the context of the COVID-19 pandemic, which has transformed how performances are created and experienced. - Gender and Sexuality in Performance:
Emerging research increasingly explores the complexities of gender and sexuality within performance, particularly focusing on queer narratives and feminist perspectives, highlighting their relevance in contemporary discourse. - Activism and Community Engagement:
A trend towards investigating activist theatre and community-engaged practices has emerged, showcasing how theatre can serve as a tool for social change and community empowerment. - Postcolonial and Decolonial Approaches:
There is an increasing focus on postcolonial and decolonial frameworks, examining how theatre can address issues of identity, representation, and power dynamics in a globalized world. - Interdisciplinary Approaches:
The journal is witnessing a rise in interdisciplinary studies, where theatre intersects with other fields such as visual arts, sociology, and cultural studies, creating rich, multifaceted analyses.
Declining or Waning
- Traditional Theatre Forms:
There has been a noticeable decline in research focused solely on traditional or classical theatre forms, indicating a shift towards more contemporary and experimental practices. - Eurocentric Perspectives:
The journal has moved away from Eurocentric analyses, reflecting a broader commitment to inclusive scholarship that prioritizes global and non-Western theatrical traditions. - Static Historical Narratives:
Research centered on static historical narratives without contemporary relevance is less frequent, as the journal increasingly seeks to connect historical practices with current socio-political contexts.
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