THEATRE RESEARCH INTERNATIONAL

Scope & Guideline

Advancing Scholarly Discourse in the World of Theatre

Introduction

Welcome to the THEATRE RESEARCH INTERNATIONAL information hub, where our guidelines provide a wealth of knowledge about the journal’s focus and academic contributions. This page includes an extensive look at the aims and scope of THEATRE RESEARCH INTERNATIONAL, highlighting trending and emerging areas of study. We also examine declining topics to offer insight into academic interest shifts. Our curated list of highly cited topics and recent publications is part of our effort to guide scholars, using these guidelines to stay ahead in their research endeavors.
LanguageMulti-Language
ISSN0307-8833
PublisherCAMBRIDGE UNIV PRESS
Support Open AccessNo
CountryUnited Kingdom
TypeJournal
Converge1970, from 1975 to 2024
AbbreviationTHEATRE RES INT / Theatre Res. Int.
Frequency3 issues/year
Time To First Decision-
Time To Acceptance-
Acceptance Rate-
Home Page-
AddressEDINBURGH BLDG, SHAFTESBURY RD, CB2 8RU CAMBRIDGE, ENGLAND

Aims and Scopes

THEATRE RESEARCH INTERNATIONAL focuses on the dynamic interplay between theatre and its societal contexts, exploring diverse methodologies and interdisciplinary approaches.
  1. Global and Political Engagement in Theatre:
    The journal emphasizes research that connects theatrical practices with global issues, political activism, and cultural narratives, showcasing how theatre serves as a platform for societal critique and political dialogue.
  2. Intersectionality in Performance Studies:
    There is a strong focus on intersectional studies, particularly concerning gender, sexuality, and race, exploring how these identities shape and are represented in contemporary performance.
  3. Transcultural and Cross-Cultural Perspectives:
    The journal highlights transcultural dialogues in theatre, examining how different cultural contexts interact and influence theatrical forms and practices around the globe.
  4. Community and Activist Theatre:
    Research often investigates how theatre can act as a form of community engagement and activism, particularly in marginalized communities, addressing social issues through performance.
  5. Historical and Theoretical Analyses:
    The journal includes critical examinations of historical theatre practices and their contemporary implications, contributing to a deeper understanding of theatre's evolution and theoretical frameworks.
Recent publications in THEATRE RESEARCH INTERNATIONAL reveal several emerging themes that reflect the current landscape of theatre and performance studies.
  1. Digital Performance and Hybrid Practices:
    There is a growing interest in the intersection of digital technologies and performance, particularly in the context of the COVID-19 pandemic, which has transformed how performances are created and experienced.
  2. Gender and Sexuality in Performance:
    Emerging research increasingly explores the complexities of gender and sexuality within performance, particularly focusing on queer narratives and feminist perspectives, highlighting their relevance in contemporary discourse.
  3. Activism and Community Engagement:
    A trend towards investigating activist theatre and community-engaged practices has emerged, showcasing how theatre can serve as a tool for social change and community empowerment.
  4. Postcolonial and Decolonial Approaches:
    There is an increasing focus on postcolonial and decolonial frameworks, examining how theatre can address issues of identity, representation, and power dynamics in a globalized world.
  5. Interdisciplinary Approaches:
    The journal is witnessing a rise in interdisciplinary studies, where theatre intersects with other fields such as visual arts, sociology, and cultural studies, creating rich, multifaceted analyses.

Declining or Waning

While THEATRE RESEARCH INTERNATIONAL continues to evolve, certain themes have become less prominent in recent publications, indicating a shift in focus.
  1. Traditional Theatre Forms:
    There has been a noticeable decline in research focused solely on traditional or classical theatre forms, indicating a shift towards more contemporary and experimental practices.
  2. Eurocentric Perspectives:
    The journal has moved away from Eurocentric analyses, reflecting a broader commitment to inclusive scholarship that prioritizes global and non-Western theatrical traditions.
  3. Static Historical Narratives:
    Research centered on static historical narratives without contemporary relevance is less frequent, as the journal increasingly seeks to connect historical practices with current socio-political contexts.

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