JOURNAL OF FILM AND VIDEO

Scope & Guideline

Cultivating Critical Discourse in the Visual Arts

Introduction

Welcome to your portal for understanding JOURNAL OF FILM AND VIDEO, featuring guidelines for its aims and scope. Our guidelines cover trending and emerging topics, identifying the forefront of research. Additionally, we track declining topics, offering insights into areas experiencing reduced scholarly attention. Key highlights include highly cited topics and recently published papers, curated within these guidelines to assist you in navigating influential academic dialogues.
LanguageEnglish
ISSN0742-4671
PublisherUNIV ILLINOIS PRESS
Support Open AccessNo
CountryUnited States
TypeJournal
Convergefrom 2002 to 2024
AbbreviationJ FILM VIDEO / J. Film Video
Frequency4 issues/year
Time To First Decision-
Time To Acceptance-
Acceptance Rate-
Home Page-
Address1325 S OAK ST, MC-566, CHAMPAIGN, IL 61820-6903

Aims and Scopes

The Journal of Film and Video serves as a critical platform for scholarly discourse on film and media studies, emphasizing the intersection of theory, practice, and contemporary cultural issues. It aims to explore the multifaceted aspects of film and video as forms of artistic expression, cultural reflection, and social commentary. The journal encourages a diverse range of methodologies and perspectives, making significant contributions to academic discussions in the field.
  1. Interdisciplinary Approaches to Film Studies:
    The journal embraces various disciplines, integrating insights from sociology, cultural studies, media theory, and the arts to provide a rich analysis of film and video.
  2. Critical Examination of Media Representation:
    A consistent focus on how race, gender, identity, and class are represented in film and media, reflecting on their implications in contemporary society.
  3. Innovative Research on Documentary Practices:
    The journal highlights the evolving nature of documentary filmmaking, exploring ethical considerations, participatory practices, and the role of documentary in social movements.
  4. Historical and Cultural Contextualization:
    It aims to contextualize films within their historical and cultural frameworks, examining influences, trends, and shifts in cinematic practices over time.
  5. Engagement with Emerging Technologies:
    The journal addresses the impact of new technologies, such as artificial intelligence and virtual production, on filmmaking practices and narratives.
The Journal of Film and Video is witnessing the emergence of several dynamic themes that reflect contemporary societal concerns and technological advancements. These trends indicate a shift in scholarly focus, highlighting the journal's responsiveness to changing cultural landscapes.
  1. Media and Race Dynamics:
    Recent publications increasingly address issues of race and representation in film and media, reflecting a growing interest in how these dynamics play out in contemporary narratives and industry practices.
  2. Participatory and Activist Documentary Practices:
    There is a marked increase in research focusing on participatory documentary filmmaking, emphasizing its role in activism and social justice, particularly in conflict situations.
  3. Impact of Artificial Intelligence on Filmmaking:
    Emerging discussions on the implications of artificial intelligence in media production highlight the journal's engagement with cutting-edge technology and its effects on narrative and authorship.
  4. Ecocritical Perspectives in Film:
    A rising interest in ecocritical analyses of film suggests a broader cultural concern with environmental issues, reflecting the growing relevance of ecological narratives in cinema.
  5. Intersectionality in Film Studies:
    Recent contributions emphasize intersectional approaches to film analysis, exploring how various identities intersect within cinematic contexts, thereby enriching the discourse on representation.

Declining or Waning

While the Journal of Film and Video has consistently explored a wide range of themes, certain areas of focus appear to be diminishing in prominence. This section outlines the topics that have seen a decline in recent publications, reflecting shifts in academic interest and cultural relevance.
  1. Traditional Film Criticism:
    There is a noticeable decline in papers focused solely on traditional film criticism, as the journal increasingly favors interdisciplinary approaches and contemporary cultural analyses.
  2. Focus on Genre Studies:
    Research centered on specific film genres has decreased, possibly due to a broader shift towards exploring the intersections of genre with social issues and identity politics.
  3. Classic Film Analysis:
    While historical analysis remains important, there is less emphasis on classic films without contemporary relevance, suggesting a pivot towards more current and culturally resonant subjects.
  4. Nostalgia in Cinema:
    The exploration of nostalgia as a standalone theme appears to be waning, as newer themes related to identity, representation, and technology gain traction.

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