Journal of British Cinema and Television

Scope & Guideline

Illuminating the Intersection of Visual Arts and Society

Introduction

Immerse yourself in the scholarly insights of Journal of British Cinema and Television with our comprehensive guidelines detailing its aims and scope. This page is your resource for understanding the journal's thematic priorities. Stay abreast of trending topics currently drawing significant attention and explore declining topics for a full picture of evolving interests. Our selection of highly cited topics and recent high-impact papers is curated within these guidelines to enhance your research impact.
LanguageEnglish
ISSN1743-4521
PublisherEDINBURGH UNIV PRESS
Support Open AccessNo
CountryUnited Kingdom
TypeJournal
Convergefrom 2004 to 2024
AbbreviationJ BRIT CINE TELEV / J. Br. Cine. Telev.
Frequency4 issues/year
Time To First Decision-
Time To Acceptance-
Acceptance Rate-
Home Page-
AddressTHE TUN-HOLYROOD RD, 12 2F JACKSONS ENTRY, EDINBURGH EH8 8PJ, SCOTLAND

Aims and Scopes

The Journal of British Cinema and Television serves as a vital platform for scholarly discourse on the historical, cultural, and social dimensions of British cinema and television. It aims to explore the complexities of the British media landscape, its evolution over time, and its impact on regional, national, and international narratives.
  1. Exploration of British Film History:
    The journal extensively covers the history of British cinema, focusing on significant movements such as the British New Wave, as well as notable figures and productions from various eras.
  2. Cultural and Social Analysis:
    It emphasizes the analysis of social and cultural themes within British cinema and television, including identity, class, gender, and regional representation.
  3. Interdisciplinary Approaches:
    The journal encourages interdisciplinary methodologies, incorporating perspectives from film studies, cultural studies, history, and media studies to provide a comprehensive understanding of British cinema and television.
  4. Focus on Television Studies:
    In addition to cinema, the journal pays considerable attention to television, analyzing its narrative structures, cultural impact, and the evolution of television drama in Britain.
  5. Documentary and Genre Studies:
    It also addresses documentary filmmaking and various film genres, examining their roles in shaping public perceptions and cultural narratives.
  6. Queer Cinema and Representation:
    The journal has a significant focus on queer representation in film and television, exploring how these narratives challenge mainstream discourses.
In recent years, the Journal of British Cinema and Television has seen a shift in focus towards several trending and emerging themes that reflect contemporary societal issues and cultural dialogues. This section outlines these themes that are gaining prominence in the journal's publications.
  1. Queer Representation in Media:
    There is an increasing trend towards examining queer narratives and representation within British cinema and television, highlighting the importance of inclusivity in storytelling.
  2. Diversity and Inclusion in Film and Television:
    Recent publications are focusing on equity, diversity, and inclusion, critiquing class inequalities and advocating for broader representation within the industry.
  3. Regional Narratives and Identity:
    The exploration of regional identities, particularly in relation to Northern Ireland and other parts of the UK, is emerging as a significant theme, reflecting the complex socio-political landscapes.
  4. Documentary Practices and Impact:
    There is a growing interest in documentary filmmaking as a means of exploring social issues, with a focus on how these films influence public discourse and awareness.
  5. Adaptation and Genre Hybridity:
    Studies on adaptation practices and the blending of genres are on the rise, reflecting the evolving nature of storytelling in contemporary cinema and television.
  6. Impact of Digital Media and Streaming:
    The rise of digital platforms and their influence on British cinema and television narratives is becoming a key area of exploration, examining how these platforms reshape audience engagement and content distribution.

Declining or Waning

As the landscape of British cinema and television evolves, certain themes that previously garnered significant attention appear to be waning in prominence. This section highlights those areas that are seeing a decline in scholarly focus.
  1. Traditional Film Genres:
    There is a noticeable decrease in studies focused on traditional film genres such as classic horror and melodrama, as newer genres and hybrid forms gain traction in contemporary discourse.
  2. Historical Accounts of Early Cinema:
    While foundational studies of early British cinema were once prevalent, there has been a shift towards more contemporary analyses, leading to less emphasis on the silent film era.
  3. Mainstream Popular Culture:
    Research on mainstream popular culture, particularly in relation to blockbuster films, is declining as the journal increasingly prioritizes niche, independent, and culturally specific cinema.
  4. Biographical Studies of Individual Filmmakers:
    The focus on biographical narratives of individual filmmakers has decreased, with more emphasis being placed on collaborative practices and collective movements in British cinema.
  5. Censorship and Regulation:
    Topics surrounding film censorship and regulation, which were once critical in understanding the historical context of British cinema, are being overshadowed by broader cultural critiques.

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