Framework: The Journal of Cinema and Media is a prominent academic journal published by Wayne State University Press, focusing on the dynamic fields of cinema studies and media theory. With an ISSN of 0306-7661 and an E-ISSN of 1559-7989, it serves as a key platform for researchers, professionals, and students to explore critical issues in media culture, film theory, and the intersection of digital technologies and narrative. Although it does not currently offer open access, the journal maintains a reputation for rigorous scholarship and thought-provoking content, providing insights that challenge conventional understandings of media and its impact on society. Published in Detroit, MI, Framework continues to engage with contemporary debates and innovative practices in cinema and media, making it an essential resource for those dedicated to advancing research in these vibrant disciplines.

Asian Cinema is a distinguished academic journal dedicated to exploring the vibrant landscape of cinema across Asia, published by INTELLECT LTD, a recognized name in scholarly publishing. With its ISSN 1059-440X and E-ISSN 2049-6710, this journal has carved a niche within the realms of Communication and Visual Arts and Performing Arts, holding a 2023 Q4 ranking in Communication and a more favorable Q2 ranking in Visual Arts and Performing Arts. Operating out of the UK, specifically at THE MILL, PARNALL RD, BRISTOL BS16 3JG, ENGLAND, Asian Cinema provides a platform for interdisciplinary dialogues, critiques, and analyses that contribute significantly to the understanding of cinema as a cultural artifact. Acknowledged for its robust contribution to scholarly research, the journal commands a Scopus rank of 151 out of 667 in Visual Arts and Performing Arts, placing it in the 77th percentile, while achieving a 366 out of 511 rank in Communication, reflecting its ongoing relevance in the field. Although it operates under a traditional access model, Asian Cinema remains vital for researchers, professionals, and students alike, enriching academic discourse and providing valuable insights into the rapidly evolving cinematic practices across Asia.

Cine Documental is a prominent academic journal dedicated to the exploration of documentary cinema, encompassing a wide range of topics from historical analyses to contemporary critiques and theoretical frameworks. Published by CINE DOCUMENTAL, this journal provides an essential platform for researchers, filmmakers, and enthusiasts in the field of film studies, particularly focusing on the vital role that documentary plays in reflecting and shaping societal narratives. With an ISSN of 1852-4699, Cine Documental invites contributions that engage with both traditional and avant-garde documentary forms, fostering dialogue and innovation within the discipline. Although currently not operating under an open-access model, this journal is committed to maintaining a rigorous peer-review process, ensuring the quality and relevance of published works. Located in Buenos Aires, Argentina, and catering to a global audience, Cine Documental stands as a significant contributor to the advancement of film scholarship, making it an invaluable resource for students, academics, and professionals alike.

Studies in Russian and Soviet Cinema, published by Routledge Journals, Taylor & Francis Ltd, provides a critical forum for the exploration and analysis of cinematic practices, histories, and cultures from the Russian and Soviet eras. With its ISSN 1750-3132 and E-ISSN 1750-3140, this journal operates under the editorial guidance of leading scholars in the field, making significant contributions to the Visual Arts and Performing Arts and Communication categories, where it is ranked in the upper quartiles of its peer group. The journal spans a rich period of study, converging insights from 2006 to 2024, thereby allowing for an in-depth understanding of the evolution and impact of cinema in societal narratives. Researchers and enthusiasts alike will appreciate its dedication to illuminating the often-neglected cinematic treasures of Russia and the Soviet Union, promoting scholarly discourse through its rigorous analyses and diverse range of articles. This journal serves as an essential resource for anyone interested in the intersections of film, culture, and history.

Hrvatski Filmski Ljetopis, published by the Croatian Film Clubs Association, serves as a pivotal academic journal in the field of film studies, celebrating and analyzing the rich cinematic heritage of Croatia and beyond. With an ISSN of 1330-7665, this journal caters to researchers, practitioners, and students who are passionate about the art of filmmaking, encompassing both theoretical discourse and practical implications. Although it is not currently available as an open-access publication, its curated content is of significant value to anyone interested in the evolution, critique, and history of film in a Croatian context, having previously been indexed in Scopus until coverage was discontinued. The journal operates out of Zagreb, Croatia, at the Croatian Film Clubs Association headquarters, and aims to foster scholarly dialogue while contributing to the broader field of national and international cinematography.

MILLENNIUM FILM JOURNAL, published by MILLENNIUM FILM WORKSHOP INC, stands as a pivotal platform for exploration and discourse within the realm of film studies. With its ISSN 1064-5586, the journal has been noteworthy in delineating the complexities of visual arts and performing arts, contributing significantly to academic scholarship between the years 2009 to 2016, and in 2018. Though its coverage has been discontinued in Scopus, the journal has attained a respectable position within its category, ranking #320 out of 502 in the Arts and Humanities field. Researchers, professionals, and students alike are invited to engage with interdisciplinary discussions that illuminate the cultural and theoretical dimensions of cinema. While currently not offering open access options, the journal continues to serve as a vital resource for those deeply invested in the study of film, making it a respected voice in visual arts and performance research.

FILM CRITICISM is a prestigious open-access journal dedicated to the study and review of cinema, offering a platform for scholars, critics, and students to engage deeply with the evolving landscape of film. Published by Film Criticism and based in the United States at Allegheny College, this journal has been contributing to film studies since 2002, with recent issues spanning from 2023 to 2024. Registered under ISSN 0163-5069, it is recognized in the Visual Arts and Performing Arts categories, achieving a commendable rank of #372 out of 667 in Scopus, placing it in the 44th percentile of its field. With an open-access policy implemented since 2016, FILM CRITICISM not only broadens accessibility to scholarly work but also enhances the dialogue around cinematic narratives, theories, and critiques. The journal's relevance is underscored by its current Q3 ranking, making it an essential resource for researchers and professionals alike who are invested in the critical examination of film.

The Journal of Chinese Cinemas, published by Routledge Journals, Taylor & Francis Ltd, is a leading platform dedicated to advancing the field of film studies with a focus on cinema from China. With an ISSN of 1750-8061 and an E-ISSN of 1750-807X, this journal provides a comprehensive examination of the cultural, social, and political dynamics inherent in Chinese cinema. Ranked in the Q3 category for Communication and Q1 for Visual Arts and Performing Arts in 2023, it stands out in the academic landscape, particularly noted for its innovative research and diverse discourse. It holds a respectable position in Scopus rankings, coming in at #219 within Visual Arts and Performing Arts, indicating its growing impact among scholars and practitioners alike. With its commitment to publishing high-quality research from 2012 onwards, the journal serves as an essential resource for researchers, professionals, and students eager to deepen their understanding of the evolving landscape of Chinese cinema.

JCMS-Journal of Cinema and Media Studies, published by University of Texas Press, stands as a vital platform for scholars and practitioners in the realms of cinema, media, and visual arts. With an ISSN of 2578-4900 and an E-ISSN of 2578-4919, the journal has been a part of the academic landscape since its inception in 2018 and will continue to contribute valuable research until 2024. Notably ranked in the top tiers of Scopus, securing Q1 status in Visual Arts and Performing Arts and Q3 in Communication, JCMS features articles that critically engage with both traditional and contemporary issues in media studies. Located in the United States, the journal is committed to providing open access to a wide array of interdisciplinary research, fostering dialogue among researchers, students, and media professionals. By serving as a nexus for innovative scholarship and creative discourse, JCMS enriches our understanding of cinematic and media practices and their impact on society today.

Journal of African Cinemas is a pioneering publication dedicated to exploring the dynamic field of African cinema and its cultural impacts. Published by INTELLECT LTD in the United Kingdom, this journal serves as a crucial platform for researchers, filmmakers, and students interested in understanding the complexities of film within the African context. With ISSN 1754-9221 and E-ISSN 1754-923X, the journal focuses on various aspects of cinema, including theory, production, and reception, highlighting the rich tapestry of storytelling from the African continent. Despite being classified in Q4 in Communication and Q3 in Cultural Studies and Visual Arts & Performing Arts for 2023, it stands out by capturing the multifaceted identities and experiences portrayed in African films. Engaging with a diverse array of interdisciplinary topics, the Journal of African Cinemas invites contributions that foster critical discourse and promote a deeper understanding of the unique aesthetic and social narratives present in African filmmaking. As it converges into a significant scholarly resource from 2017 to 2023, this journal is an essential read for anyone invested in the intersection of culture and cinema.