POSITIF is a distinguished journal, published by POSITIF EDITIONS, focusing on the dynamic fields of Visual Arts and Performing Arts. With ISSN 0048-4911, this journal has been a significant contributor to the arts community since its establishment in 2002, and it continues to captivate readers with its upcoming issues projected until 2024. Based in the heart of France at 12 RUE PIERRE ET MARIE CURIE, 75005 PARIS, POSITIF serves as an invaluable platform for researchers, professionals, and students alike, promoting innovative discourse and critical analysis within the arts. Despite holding a Q4 category ranking in the 2023 classification and a Scopus rank of 637/667, its commitment to enhancing the understanding and appreciation of visual and performing arts remains steadfast. Researchers are invited to contribute to this growing body of knowledge, enriching the journal's scope and impact in a vibrant artistic landscape.

CAMERA OBSCURA, an esteemed journal published by DUKE UNIVERSITY PRESS, serves as a vital platform at the intersection of Visual Arts and Gender Studies. With its ISSN 0270-5346 and E-ISSN 1529-1510, this journal has been an influential contributor to critical discussions in cultural theory and visual culture from 2002 to 2024. Notably categorized in the Q4 quartile for Gender Studies and Q2 for Visual Arts and Performing Arts in 2023, CAMERA OBSCURA boasts a Scopus rank that reflects its growing impact within the academic community. Although currently not offered as an open-access publication, its rigorous peer-reviewed content remains crucial for researchers, professionals, and students alike, facilitating a deeper understanding of how visual representation shapes and is shaped by societal constructs. Set in the heart of the United States, the journal's commitment to exploring the complexities of gendered visuality emphasizes its importance within contemporary scholarship in these vibrant fields.

Asian Cinema is a distinguished academic journal dedicated to exploring the vibrant landscape of cinema across Asia, published by INTELLECT LTD, a recognized name in scholarly publishing. With its ISSN 1059-440X and E-ISSN 2049-6710, this journal has carved a niche within the realms of Communication and Visual Arts and Performing Arts, holding a 2023 Q4 ranking in Communication and a more favorable Q2 ranking in Visual Arts and Performing Arts. Operating out of the UK, specifically at THE MILL, PARNALL RD, BRISTOL BS16 3JG, ENGLAND, Asian Cinema provides a platform for interdisciplinary dialogues, critiques, and analyses that contribute significantly to the understanding of cinema as a cultural artifact. Acknowledged for its robust contribution to scholarly research, the journal commands a Scopus rank of 151 out of 667 in Visual Arts and Performing Arts, placing it in the 77th percentile, while achieving a 366 out of 511 rank in Communication, reflecting its ongoing relevance in the field. Although it operates under a traditional access model, Asian Cinema remains vital for researchers, professionals, and students alike, enriching academic discourse and providing valuable insights into the rapidly evolving cinematic practices across Asia.

Cine Documental is a prominent academic journal dedicated to the exploration of documentary cinema, encompassing a wide range of topics from historical analyses to contemporary critiques and theoretical frameworks. Published by CINE DOCUMENTAL, this journal provides an essential platform for researchers, filmmakers, and enthusiasts in the field of film studies, particularly focusing on the vital role that documentary plays in reflecting and shaping societal narratives. With an ISSN of 1852-4699, Cine Documental invites contributions that engage with both traditional and avant-garde documentary forms, fostering dialogue and innovation within the discipline. Although currently not operating under an open-access model, this journal is committed to maintaining a rigorous peer-review process, ensuring the quality and relevance of published works. Located in Buenos Aires, Argentina, and catering to a global audience, Cine Documental stands as a significant contributor to the advancement of film scholarship, making it an invaluable resource for students, academics, and professionals alike.

SIGHT AND SOUND is a prestigious journal published by the British Film Institute, dedicated to the exploration of cinema and its cultural significance. With an ISSN of 0037-4806 and an E-ISSN matching the same, this journal has been a critical platform for film studies since its inception, contributing valuable insights to the realms of visual arts and performing arts. Despite its discontinuation in the Scopus database post-2021, SIGHT AND SOUND commands respect within its field, currently holding a Q3 rank among Visual Arts and Performing Arts journals. Operating from 21 Stephen Street, London W1P 1PL, England, it serves as a vital resource for researchers, professionals, and students looking to deepen their understanding of film theory, critique, and history. While access to its articles is not open, the journal continues to influence the discourse in film studies, making it a significant asset in academic and professional circles.

JCMS-Journal of Cinema and Media Studies, published by University of Texas Press, stands as a vital platform for scholars and practitioners in the realms of cinema, media, and visual arts. With an ISSN of 2578-4900 and an E-ISSN of 2578-4919, the journal has been a part of the academic landscape since its inception in 2018 and will continue to contribute valuable research until 2024. Notably ranked in the top tiers of Scopus, securing Q1 status in Visual Arts and Performing Arts and Q3 in Communication, JCMS features articles that critically engage with both traditional and contemporary issues in media studies. Located in the United States, the journal is committed to providing open access to a wide array of interdisciplinary research, fostering dialogue among researchers, students, and media professionals. By serving as a nexus for innovative scholarship and creative discourse, JCMS enriches our understanding of cinematic and media practices and their impact on society today.

The Journal of Scandinavian Cinema, established in 2014 and published by INTELLECT LTD, serves as a premier platform dedicated to the interdisciplinary field of film studies with a specific focus on Scandinavian cinema. With an impressive Q2 category ranking in Visual Arts and Performing Arts for 2023, and a Scopus rank placing it in the top 62nd percentile of its category, this journal is instrumental in advancing scholarly dialogue within the arts community. The journal strives to explore and critique cinematic expressions from the Nordic countries, contributing to a nuanced understanding of cultural narratives and filmic innovations. Committed to fostering accessibility and engagement, it caters to a diverse audience including researchers, professionals, and students keen to delve into the artistic, cultural, and political dimensions of cinema. The Journal of Scandinavian Cinema is essential for anyone interested in the evolution and impact of film in the Scandinavian context, promising rich insights and a robust collection of scholarly articles.

The Journal of Italian Cinema and Media Studies, published by INTELLECT LTD, is a premier academic journal dedicated to the exploration and critical analysis of Italian cinema and media. Since its inception in 2013, the journal has contributed significantly to the discourse surrounding the intersections of film, culture, and society, making it a vital resource for researchers and professionals alike. With an impressive span of converged years through 2024 and categorized in various quartiles, such as a Q1 ranking in Visual Arts and Performing Arts, the journal stands out in its field. Although it does not currently offer open access, the rigorous scholarship it publishes is accessible to a wide audience, contributing to ongoing dialogues in communication and cultural studies. The journal's impact is further reflected in its Scopus rankings, positioning it within the 64th percentile in Visual Arts and Performing Arts and the 21st percentile in Communication. As a critical avenue for scholarly exchange and creative inquiry, the Journal of Italian Cinema and Media Studies is essential for anyone engaged in the study of media, culture, and the arts.

Framework: The Journal of Cinema and Media is a prominent academic journal published by Wayne State University Press, focusing on the dynamic fields of cinema studies and media theory. With an ISSN of 0306-7661 and an E-ISSN of 1559-7989, it serves as a key platform for researchers, professionals, and students to explore critical issues in media culture, film theory, and the intersection of digital technologies and narrative. Although it does not currently offer open access, the journal maintains a reputation for rigorous scholarship and thought-provoking content, providing insights that challenge conventional understandings of media and its impact on society. Published in Detroit, MI, Framework continues to engage with contemporary debates and innovative practices in cinema and media, making it an essential resource for those dedicated to advancing research in these vibrant disciplines.

Hrvatski Filmski Ljetopis, published by the Croatian Film Clubs Association, serves as a pivotal academic journal in the field of film studies, celebrating and analyzing the rich cinematic heritage of Croatia and beyond. With an ISSN of 1330-7665, this journal caters to researchers, practitioners, and students who are passionate about the art of filmmaking, encompassing both theoretical discourse and practical implications. Although it is not currently available as an open-access publication, its curated content is of significant value to anyone interested in the evolution, critique, and history of film in a Croatian context, having previously been indexed in Scopus until coverage was discontinued. The journal operates out of Zagreb, Croatia, at the Croatian Film Clubs Association headquarters, and aims to foster scholarly dialogue while contributing to the broader field of national and international cinematography.