Journal of Chinese Cinemas

Scope & Guideline

Unveiling the Stories Behind China's Silver Screen

Introduction

Explore the comprehensive scope of Journal of Chinese Cinemas through our detailed guidelines, including its aims and scope. Stay updated with trending and emerging topics, and delve into declining areas to understand shifts in academic interest. Our guidelines also showcase highly cited topics, featuring influential research making a significant impact. Additionally, discover the latest published papers and those with high citation counts, offering a snapshot of current scholarly conversations. Use these guidelines to explore Journal of Chinese Cinemas in depth and align your research initiatives with current academic trends.
LanguageEnglish
ISSN1750-8061
PublisherROUTLEDGE JOURNALS, TAYLOR & FRANCIS LTD
Support Open AccessNo
CountryUnited Kingdom
TypeJournal
Convergefrom 2012 to 2024
AbbreviationJ CHINESE CINEMAS / J. Chin. Cine.
Frequency3 issues/year
Time To First Decision-
Time To Acceptance-
Acceptance Rate-
Home Page-
Address2-4 PARK SQUARE, MILTON PARK, ABINGDON OX14 4RN, OXON, ENGLAND

Aims and Scopes

The Journal of Chinese Cinemas aims to explore the intersection of cinema with cultural, social, and technological transformations in China. It provides a platform for scholarly discourse on various aspects of Chinese cinema, from historical analyses to contemporary critiques, while embracing diverse methodologies.
  1. Cultural and Historical Analysis:
    The journal emphasizes the historical context of Chinese cinema, examining its evolution from early cinema to contemporary forms, and how these reflect broader social changes.
  2. Interdisciplinary Approaches:
    It employs a variety of methodologies, incorporating perspectives from cultural studies, media studies, and sound studies, allowing for a rich analysis of film and its societal implications.
  3. Focus on Queer Cinema and Gender Studies:
    The journal frequently addresses themes of gender and sexuality, particularly within the realm of queer cinema, exploring how these narratives shape and are shaped by Chinese cultural contexts.
  4. Technological Impact on Cinema:
    There is a significant focus on the role of technology in shaping cinematic experiences, including the impact of digital media and user-generated content on film production and reception.
  5. Regional and Transnational Perspectives:
    The journal examines cinema not only within the context of mainland China but also its relationship with Hong Kong, Taiwan, and the global diaspora, highlighting the transnational flow of cinematic ideas.
Recent publications in the Journal of Chinese Cinemas indicate a dynamic shift towards new themes and methodologies, reflecting the journal's responsiveness to contemporary issues and scholarly interests. Here are the emerging trends observed.
  1. Sonic Studies and Acousmatic Sound:
    There is a notable rise in the exploration of sound in cinema, particularly acousmatic sound and its implications in urban settings, which reflects a growing interest in how soundscapes shape cinematic experiences.
  2. Queer Cinema and LGBTQ+ Representation:
    The journal has increasingly focused on queer cinema, analyzing its cultural implications and the representation of LGBTQ+ narratives within Chinese cinema, highlighting the importance of these themes in contemporary discourse.
  3. User-Generated Content and Digital Activism:
    Emerging discussions around user-generated content and its role in documentary filmmaking suggest a trend towards examining how digital platforms and grassroots movements influence cinematic narratives and activism.
  4. Interdisciplinary and Cross-Cultural Studies:
    There is an increasing trend towards interdisciplinary approaches that integrate various cultural contexts, such as the examination of Sino-foreign collaborations and cross-cultural cinematic influences.
  5. Environmental and More-than-Human Perspectives:
    Recent articles reflect a growing interest in environmental themes and more-than-human perspectives in filmmaking, indicating a shift towards recognizing the interconnectedness of cinema, ecology, and society.

Declining or Waning

While the Journal of Chinese Cinemas continues to evolve, some themes that were once prevalent have seen a decline in frequency or depth of exploration. This section outlines these waning topics.
  1. Traditional Historical Narratives:
    There appears to be a diminishing focus on conventional historical narratives of Chinese cinema, particularly those that concentrate solely on mainstream or state-sponsored films without critical engagement with alternative or independent cinema.
  2. Film Criticism and Reviews:
    The journal has shifted away from more generalized film criticism and reviews, moving towards more specialized and theoretical discussions, which may leave less room for broader audience-oriented critiques.
  3. Focus on National Identity:
    Discussions centered on national identity in Chinese cinema have become less pronounced, possibly reflecting a shift towards more global or transnational perspectives that challenge singular narratives of national cinema.

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