Journal of Contemporary Chinese Art

Scope & Guideline

Navigating the Intersection of Art and Society in China

Introduction

Welcome to your portal for understanding Journal of Contemporary Chinese Art, featuring guidelines for its aims and scope. Our guidelines cover trending and emerging topics, identifying the forefront of research. Additionally, we track declining topics, offering insights into areas experiencing reduced scholarly attention. Key highlights include highly cited topics and recently published papers, curated within these guidelines to assist you in navigating influential academic dialogues.
LanguageEnglish
ISSN2051-7041
PublisherINTELLECT LTD
Support Open AccessNo
CountryUnited Kingdom
TypeJournal
Convergefrom 2019 to 2024
AbbreviationJ CONTEMP CHIN ART / J. Contemp. Chin. Art
Frequency3 issues/year
Time To First Decision-
Time To Acceptance-
Acceptance Rate-
Home Page-
AddressTHE MILL, PARNALL RD, BRISTOL BS16 3JG, ENGLAND

Aims and Scopes

The Journal of Contemporary Chinese Art aims to explore the dynamic landscape of contemporary art in China and its global interactions. The journal emphasizes interdisciplinary approaches and seeks to foster critical discourse on the role of art in society, culture, and politics.
  1. Interdisciplinary Research:
    The journal encourages research that crosses traditional boundaries, integrating perspectives from art history, cultural studies, sociology, and political science.
  2. Focus on Creative Industries:
    A significant emphasis is placed on the creative industries in China, examining policy-making, innovation, and the impact of digital technologies on contemporary artistic practices.
  3. Cultural Diplomacy and Soft Power:
    The journal explores how art functions as a tool for cultural diplomacy and nation branding, particularly in the context of China's international relations.
  4. Performance Art and Social Activism:
    There is a strong focus on performance art as a medium for social activism, reflecting on its role in addressing contemporary issues such as gender, environmental concerns, and political dissent.
  5. Transcultural and Diasporic Perspectives:
    The journal highlights transcultural exchanges and the experiences of the Chinese diaspora, examining how art can articulate identity, memory, and cultural connections across borders.
Recent publications in the Journal of Contemporary Chinese Art reveal emerging themes that reflect the evolving nature of contemporary art and its intersections with society and technology. These trends indicate areas of heightened interest and relevance for researchers.
  1. Digital Technologies in Art:
    An increasing number of articles are exploring the role of digital technologies in contemporary art practices, highlighting how artists are utilizing digital tools to innovate and engage with audiences.
  2. Environmental Concerns and Art:
    There is a growing focus on how contemporary art addresses environmental issues, with discussions around eco-public art and the role of artists in advocating for sustainability.
  3. Gender and Queer Perspectives:
    Recent publications emphasize gender and queer identities in contemporary Chinese art, reflecting broader societal changes and the importance of inclusivity in artistic discourse.
  4. Cultural Diplomacy and Globalization:
    Emerging themes include the examination of cultural diplomacy through art, particularly in the context of China's global engagements and the impact of cultural exchanges.
  5. Impact of COVID-19 on Art Practices:
    The pandemic has catalyzed new discussions around virtual art practices, remote collaborations, and the socio-political implications of art during crises, indicating a significant shift in how art is created and consumed.

Declining or Waning

While the journal has seen robust themes of exploration, certain areas appear to be diminishing in prominence. This may reflect broader shifts in the art world or changing interests among researchers and practitioners.
  1. Traditional Art Forms:
    There seems to be a decline in the focus on traditional Chinese art forms, with fewer publications addressing classical techniques or historical analysis compared to contemporary practices.
  2. Art Market Critiques:
    While there was initial interest in critiquing the art market dynamics in China, recent publications indicate a waning focus on this area, moving instead towards more sociopolitical themes.
  3. Regional Art Practices:
    The exploration of art practices specific to certain regions within China appears to be less frequent, suggesting a shift towards broader national or global narratives.

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