Museum History Journal, published by Routledge Journals, a leading name in scholarly publishing under Taylor & Francis Ltd, serves as an essential platform for advancing knowledge in the fields of conservation, history, and museology. With its ISSN 1936-9816 and E-ISSN 1936-9824, the journal has established its presence in the United Kingdom and offers valuable insights from 2008 to 2024. Currently listed in the Q3 quartile for Conservation, History, and Museology categories, it ranks 677th in History and maintains a commendable percentile of 61% within the Arts and Humanities. Aimed at researchers, professionals, and students, the Museum History Journal strives to promote interdisciplinary dialogue and critical examination of museum practices, historical narratives, and conservation techniques, thereby contributing significantly to the academic discourse surrounding museums and cultural heritage. Access to this journal is crucial for those seeking to deepen their understanding of the evolving role of museums in society.

Umeni-Art is a prominent journal in the field of visual arts and performing arts, published by the Institute of Art History, Academy of Sciences, Czech Republic. With its ISSN 0049-5123 and E-ISSN 1804-6509, the journal has established itself as a critical platform for scholarly discourse and artistic expression since its inception in 2002. Although currently classified in Q4 within the Arts and Humanities category, it aims to elevate the understanding and appreciation of the arts through rigorous research and innovative perspectives. The journal's Scopus ranking places it at Rank #573/667, reflecting its growing contribution to the field and expanding reach within the artistic community. With a focus on fostering collaboration among researchers, practitioners, and students, Umeni-Art seeks to enrich the academic landscape with significant findings and discussions that inspire future research and creative endeavors. While it does not offer open access, the journal remains a valuable resource for those vested in exploring the dynamic interplay between art, culture, and society in the contemporary context.

The Journal of Belgian History-Revue Belge d'Histoire Contemporaine-Belgisch Tijdschrift voor Nieuwste Geschiedenis is a prominent academic publication dedicated to the exploration and analysis of contemporary Belgian history. Published by SOMA-CEGES, this journal serves as a vital resource for researchers, professionals, and students alike, providing a platform for scholarly discourse and the dissemination of innovative research in the field. Despite its historical significance, the journal faced a hiatus in its Scopus coverage from 2019, yet it retains a strong identity within the Arts and Humanities category, holding a Scopus rank of #1123 out of 1328, placing it in the 15th percentile. This underscores the opportunities for growth and impactful contributions within the journal's scope. By focusing on the intricacies of Belgian history, the journal encourages rigorous investigation and a deeper understanding of Belgium's past, making it an essential reference for anyone interested in European historical narratives.

BOOK COLLECTOR, published by COLLECTOR LTD, is a prestigious journal dedicated to the exploration of bibliophilic pursuits, focusing on the art and science of book collecting. Established in 1972, the journal has provided a rich archive of critical essays, reviews, and insights into the world of rare books, manuscripts, and the libraries that house them. Although the journal's coverage is no longer active in Scopus, it continues to be a vital resource for researchers, professionals, and students in the fields of Arts and Humanities, particularly within Visual Arts and Library and Information Sciences. With a unique niche and commendable historical significance, BOOK COLLECTOR plays an essential role in the scholarly dialogue concerning bibliophilia, preserving the cultural significance of printed works for future generations. Readers can expect to engage with thought-provoking discussions that not only enlighten their understanding of book collecting but also enhance their appreciation for the literary heritage.

Oxford Art Journal, published by Oxford University Press, serves as a vital platform for scholarly discourse in the fields of History, Visual Arts, and Performing Arts. With an ISSN of 0142-6540 and an E-ISSN of 1741-7287, this esteemed journal has cultivated a rich academic presence since its inception, reflecting a deep commitment to exploring the intricacies of art history and contemporary visual culture. Holding a Q2 ranking in Visual Arts and Performing Arts and a Q3 ranking in History for the year 2023, the journal features rigorous peer-reviewed articles that push the boundaries of research and offer new insights into artistic practices. Although not offering open access, the journal is widely respected for its contributions to the academic community, making it invaluable for researchers, professionals, and students deeply engaged in art studies. For those seeking a comprehensive understanding of the visual arts landscape, the Oxford Art Journal remains an indispensable resource.

The Metropolitan Museum of Art Bulletin is a distinguished periodical dedicated to the study and appreciation of art, particularly within the vast collections of the Metropolitan Museum of Art in New York. Published by the Metropolitan Museum of Art, this journal represents a pivotal resource for scholars, curators, and art enthusiasts alike, exploring diverse topics that span museology and the visual arts. With an ISSN of 0026-1521 and an E-ISSN of 2325-6915, the journal features scholarly articles and insights reflecting the museum's unique collections and exhibitions from 2002 to 2022. Although categorized in the Q4 quartile in both Museology and Visual Arts and Performing Arts, the Bulletin remains instrumental in fostering academic discourse in these fields, regardless of its Scopus rankings. As the world of art continues to evolve, this journal provides critical context and scholarly evaluation that inspire ongoing research and engagement with art institutions.

Museum Anthropology, published by WILEY, is an esteemed journal dedicated to advancing the field of anthropology through the lens of museology. With an ISSN of 0892-8339 and an E-ISSN of 1548-1379, this journal not only examines ethnographic and cultural collections but also explores their implications in contemporary society. Operating from the heart of the United States, Museum Anthropology has been crucial in fostering academic discourse since 1986 and is positioned within the Q3 quartile in Anthropology and Q2 in Museology according to 2023 rankings. The journal's Scopus rankings reflect its impact, being listed at 19th out of 83 in Museology and 250th out of 502 in Social Sciences Anthropology. Although it does not currently provide open access options, it remains a vital resource for researchers, professionals, and students seeking comprehensive insights into the interconnected worlds of museums and anthropology. By bridging theoretical frameworks with practical applications, Museum Anthropology continues to play a pivotal role in shaping conversations and understanding within its field.

Journal of Romance Studies, published by Liverpool University Press, is a significant forum for scholarly discourse within the realms of cultural studies, linguistics, literature, and the visual and performing arts. With an ISSN of 1473-3536 and an E-ISSN of 1752-2331, this journal aims to bridge various interdisciplinary approaches, fostering insights into the richness of Romance languages and their cultural contexts. Although it holds a Q4 designation across several categories in the 2023 rankings, the journal continues to serve as a platform for emerging researchers and established scholars alike to contribute to the evolving narrative of Romance studies. Published annually, it ensures access to a diverse body of research that underpins the understanding and critique of Romance languages and cultures. Join a community committed to exploring these vital areas of inquiry, as the journal actively engages with contemporary issues shaping the landscape of Romance studies.

Journal of Islamic Manuscripts is a prestigious academic journal published by BRILL, dedicated to the study and preservation of Islamic manuscripts from their historical, cultural, and artistic perspectives. With an ISSN of 1878-4631 and an E-ISSN of 1878-464X, this journal serves as a vital platform for researchers, professionals, and students interested in Cultural Studies, Visual Arts, and Performing Arts. Housed in the Netherlands, the journal boasts a commendable rank within Scopus, showcasing its significant impact within its fields—ranking #229 in Visual Arts and Performing Arts and #690 in Cultural Studies for 2023. Operating under a traditional subscription model, the journal ensures its contributions are accessible to a global audience dedicated to furthering the understanding of Islamic art and heritage. Spanning from its inception in 2010 through 2024, the journal promises to continue enhancing knowledge and appreciation of the diverse narratives encapsulated in Islamic manuscripts.

West 86th: A Journal of Decorative Arts, Design History, and Material Culture, published by University of Chicago Press, stands as a significant publication within the arts and humanities, particularly focusing on the interconnections among decorative arts, design history, and material culture. With its ISSN 2153-5531 and E-ISSN 2153-5558, this journal has evolved since its inception in 2011, diligently contributing to a deeper understanding of visual arts and their historical context. Although categorized in the fourth quartile for the year 2023 within Visual Arts and Performing Arts, it ranks #387 out of 667 in Scopus, showcasing a unique niche with a commitment to quality scholarship. Researchers, professionals, and students engaged in these dynamic fields are encouraged to explore this journal as it provides insightful analyses and discussions that enrich the dialogue on the significance and impact of material culture. While it is not open access, the journal’s contributions remain integral for those seeking to deepen their knowledge and appreciation of decorative arts and design history.